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Lavneder focuses on three of the great contemporary theatrical visionaries and places their working methods under a sharlply focused scholarly microscope. His remarks on Brook's working methods are particularly insightful when reading The Shifting Point concurrently.
This is a fine piece of work and one that any student of directing, contemporary theatre practice or indeed Shakespeare would do well to read.
Andy didn't pay me to say write this. Go buy it!
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Instead, "Let me Be Free," is on the Nez Perce tribe which lived in Oregon's Wallowa Valley until it was forced from the land in the 1860's. This is a great book if the reader is interested in a century's worth of history about the tribe but I'd suggest something else if the intent on reading this is solely learning about Chief Joseph's tragic flight from the US military in 1877.
I originally got into Lavender's works after reading his fantastic book, "Bents' Fort" which is about the trading family of William Bent in SE Colorado. I had no interest in the subject but was recommended the book and I fell fully immersed into it because of Lavender's detailed writing-style and ability to create real identities to the historical characters instead of just giving names and dates. He has the same writing style in "Let Me Be Free," and will never shy from a unimportant but lighthearted side story. The writing is anything but dry.
The first half of LMBF is on how the tribe lived and existed, its neighbors, and its relations with the first whites to reach Oregon. Lavender has a contentious understanding of the western Native American tribes and writes in a fair and unbiased reader-friendly style and includes the correct names and terms the Nez Perce (Nimipu) used.
The last 100 pages cover Chief Joseph's (Hin-mah-too-yah-lat-kehht's) flight and includes a fantastic map in the front for the reader to follow the tribe along on its failed march to freedom.
The book fails to get five stars from me because I was most interested in the Nez Perce march and it just took too long to finally reach that subject in the book. It reminded me of "Undaunted Courage," (Ambrose's book on Meriweather Lewis) where there is no much buildup to the expedition that once the reader finally reaches it in the book, it falls a bit flat. However, if anyone is interested on the Nez Perce tribe itself, you won't find a better book. Any Western Oregon historians would also immensely enjoy this work.
He downplays the significance of Sacagewea. For the most part she was little used on this voyage. Her one major contribution was helping to secure horses for the great fording of the Bitteroot Mountains. Still, Lavender lavishes much attention on her and her son, which it seems that William Clark did as well. Her presence seemed to secure safe passage during their final leg down the Columbia River, as it made the expedition team seem less war-like.
Lavender also provides the background for the voyage, detailing President Jefferson's dream to establish an American Northwest Passage, linking one ocean to another. Lavender probes the seemingly paternal relationship between Jefferson and Lewis, and how Jefferson was able to win Congress over to a third attempt to cross the continent, despite questions regarding Lewis' qualifications. Jefferson personally trained Lewis for the expedition and provided added tutelage in the form of the leading lights of American science. Like a devoted son, Lewis made every effort to carry out the mission, which Jefferson sponsored, even when it seemed foolhardy to do so.
For those who haven't travelled this route before, you will be in good hands with David Lavender. For those who have, I think you will marvel at how masterful a job Lavender does in recording the events, giving the best rounded version of the "voyage of discovery" that I have read.
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This book is a must for anyone wanting to learn about the Fur Trade in the Southern Rockies. Most of the people who read this book will probably not be bothered by Lavender's thoughtless racism. However, I am waiting for a new history of Bents Fort. A history that is more nuanced and takes advantage of the tremendous advances made in the study of the American West during the last fifty years.
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