This is without a doubt the best and most definitive work on the former SS anti partisans who were recruited for the French Foriegn Legion after WW2. [Some people claim] this book is fiction, it is not. the Devils Brigade was real, and was the most effective combat unit that the French government had deployed in what was then known as "French Indo China". This is a work reportedly derived from the memoirs of one " Hans Wagemuller"( not his real name)and details the "Devils Guard" in action in Cochin China against the Viet Minh, in the years before Dien Bien Phu. The combat action is real and clearly presented. The main characters come alive on the pages of this incredibly exciting and absorbing book. This should be a must read for every NCO who will lead troops in ground combat or small unit actions. Every teacher of military history should read this book about the combat experiences of a field unit that was combat effective in a part of the world that would eventually embroil the United States and its allies. claiming an excess of 58,382 American lives. One of my friends and mentors was Henry Thibedoux( Henry Africa)during my tour(s)of duty at the Presidio of San Francisco. He was a well known and colorful figure. a retired 2REP from the the Legion, he owned two popular bars in the Van Ness area of San Francisco. Henry knew some of these Legionaires, and confirmed the validity of the basics this story. A must Book, along with the sequels if you can find them!
mine are under glass!
Viva La Legion!

This book was recommended to me by a friend who was finishing up film school. This is the first-hand account of an experienced combat officer who lead an all-German battalion of the renowned French Foreign Legion. The details and descriptions are blunt, but nevertheless necessary in conveying the harsh realities of fighting an unconventional war against communist guerrillas. Hans Wagemuller is the alias for the book's main character and story teller. This is done to protect his identity and those of his comrades. Wagemuller was a former SS officer who fought on the Eastern Front. Before the reader of this review balks at reading this, bear in mind that Wagemuller describes himself and his colleagues as fiercely anti-communist, rather than haters of Jews and Catholics. He was not one of the members of the SS who guarded camps and exterminated defenseless civilians, but what is referred to as a kopfjaegar - a headhunter - one who hunts terrorists and unconventional combatants. Wagemuller offered his insights and experience to the U.S. military, but never received a reply. Ironically, Wagemuller simpathizes with the draft dodgers because of the way the U.S. prosecuted the war. This book, I believe, is better suited to the person who has an interest in Vietnam, and who believes that the war could have been won had it been prosecuted differently.

Excellent expose of real history! I read (and still have) the first two books (Devil's Guard I and II) but just found out there was a third. I know a former U.S. army veteran whose father served in the German army during WWII. He knew nothing about these books BUT he did know about the events disclosed in this series. His father had friends (former German Army soldiers) who did serve with the French Foreign Legion in Vietnam...and they did know about the Legion of the Damned. One reviewer stated that the author (Elford) was sympathetic to the Nazi's. He should read the forward to the first book. Elford is relating Hans Josef Wagemuller's story. He is not uplifting or downplaying the role of the former Nazi's actions under the French in Vietnam. Wagemuller (not his real name) is the one telling HIS own story. I would dearly love to find the third volume...to add to my twenty year old collection.

Jean Craighead George describes how wolves survive in the wild and what the wolf pack goes through to survive. This is a great book to learn about wolves and their actions and the relations they have with humans and other animals. I thought it was a little slow moving and it didn't keep my interest going very well. It dragged on about the wolves' lives and was very repetitive. There wasn't a lot of descriptive writing to keep the interest flowing. But learning about the wolves was interesting and I enjoyed that.

If you loved Julie of the Wolves and Julie you will love yet another sequel. Julie is not really involuved in this book , It focuses mainly on the wolves themselfs. I loved this book and I hope Jean Craighead George will continue the Julie and the Wolves trilogy!

This book about Julie's famed wolf pack really caught my eye in the bookstore. I had recently read Julie of the Wolves and was about to buy the sequel, Julie when the final episode in the trilogy caught me. I decided to buy both Julie and Julie's Wolf Pack. This proved an excellent choice. I loved reading about the wolf pack's struggle to survive against disease, hunger, and cold. In the end, I was almost in tears. It is a wonderful book worth reading, full of beautiful descriptions of a wolf's hard life.

As always, I looked forward to the next installment of the Southern Sisters mysteries. When I discovered that Mrs. George had recently passed away, I broke down and sobbed. I felt it was not only the loss of a great talent, but the loss of a friend as well. After reading her first book, I had written her a fan letter because I, too, had an Aunt Sister. She not only graciously answered my letter, but sent me her home address so it wouldn't take so long for my letters to reach her through the book company and later sent me her e-mail address. We corresponded after each book and when my dog passed away, she wrote me a letter that I will always treasure. All of her books are wonderful and this one doesn't disappoint. Patricia Ann and Mary Alice are up to it again trying to solve the murder of an Elvis impersonator. If you have never read any of her books, start with the first one and read them all. I plan to read them all again. Thank you, Mrs. George. You will be missed.

I am a huge fan of Anne Carroll George. I love all of her books. "Murder Boogies with Elvis" is a wonderful continuation of her previous books. Her books are one continuing story of Patricia Anne, Mary Alice, Fred, Woofer - I could name them all but anyone who has read any of her books knows all of the characters by name, too. Unfortunately, the story is ending with this book. I am so sad that this is the last book. I want to "watch" Debbie's twin girls and Brother grow; I want to know about the birth of Joanna, Haley's baby; I want to know if Haley will let Patricia Anne keep Muffin when she and Philip return from Warsaw; I want to know about the next murder that Patricia Anne and Mary Alice will investigate. There are so many quirky characters whose lives make her books so interesting. It is very sad that Ms. George's life was cut short. I miss her, but at least we have the few books she wrote to keep us company.

This book is a must read for all fans of Ms. George. Her writing from one book to the next is so consistent - she never skips anything from one book to the next.

Everyone's favorite southern sisters, bigger than life and soon to be married for the fourth time, Mary Alice (Sister) and prim and petite, Patricia Anne (Mouse) had really been looking forward to the big benefit to raise money for the restoration of Birmingham's Vulcan monument. They had front row center seats and couldn't wait for the promised finale of thirty Elvis impersonators all on stage, together. But, it seems that wherever the girls go, trouble follows and sure enough, one member of the high kicking Elvis chorus line keels over and crashes, dead, into the orchestra pit. It turns out that poor "Elvis" was murdered, stabbed in the back and to make matters worse, Patricia Anne finds the murder weapon, a switchblade knife, at the bottom of her purse..... Ann George has written a light, fast paced mystery, full of original quirky characters and vivid scenes that come alive on the page. But it's her crisp, witty writing and laugh out loud southern humor that really makes this book, as it does in all her others, stand out and no one captures the essence of life in the south, with all its idiosyncrasies, like Ms George. This is the eighth mystery of a truly wonderful series. If you're new to the many travails of Mary Alice and Patricia Anne, start at the beginning and read them all. If you're already a fan, Murder Boogies With Elvis is just what you're expecting...a fun, entertaining, terrific read.

Martin Goldsmith, a senior commentator for National Public Radio, paints a vivid and poignant story about his own mother and father in "The Inextinguishable Symphony." Goldsmith's parents, both German Jewish musicians, were forced to work in one of Germany's Judische Kulturbunds, which were really little more than forced Nazi propaganda. By creating the Kulturbunds, which only Jews could join and attend, the Nazis hoped to cover up their inhumane treatment of this ethnic group.

Both of Martin Goldsmith's parents were talented, highly trained musicians. His father, Gunther Goldschmidt, was the son of Alex Goldschmidt, a prosperous clothing store owner in Oldenburg, Germany and a World War I veteran. Gunther, a budding flutist, was eventually forced to leave music school simply because he was a Jew.

Goldsmith's mother, Rosemarie, was a violinist who had been trained by her own father, the director and owner of the Gumpert Conservatory of Music in Dusseldorf, Germany. Both Gunther and Rosemarie considered themselves Germans first and Jews second, and both were happy to be accepted into the Kulturbund...at first.

On 9. November 1938, the eve of the horrible "Kristallnacht," the Jewish community in Germany was forced to take another look at their comfortable Kulturbunds, for it is on that date that the Nazis chose to burn synagogues and Jewish places of business. When Alex Goldschmidt marched down the streets of Oldenburg with other young Jewish men in protest, he was rapidly taken to prison. The Nazis, however, attempted to "smooth things over" by telling the Jews they were only "protecting" them from other, angry German citizens.

In 1941, when the Nazis closed the Kulturbunds, Gunther and Rosemarie escaped to freedom in New York City. Other patrons and musicians, however, did not make it to safety. As a memorial plaque at one Kulterbund reads, "Almost all of those who worked here were murdered in concentration camps."

The Goldschmidts, now the Goldsmiths, eventually settled in Ohio where Martin Goldsmith was born in 1952. Although his father gave up music forever, his mother later became a member of the Cleveland Orchestra.

"The Inextinguishable Symphony" is a book about Nazi Germany that gives us another view of the era and of the Holocaust. Rather than focusing on the camps as excellent authors such as Elie Wiesel and Primo Levi have done, Goldsmith focuses on the plight of Jews who managed to remain out of the camps, yet lived very restricted lives.

This book is a fascinating account and one that is extremely well-written. I would recommend it highly to anyone who is interested in this period in world history.

National Public Radio listeners have known Martin Goldsmith for years as the friendly, reassuring voice of "Performance Today." Encyclopedically knowledgeable about classical (and rock) music, Goldsmith has a relaxed and comfortable on-air style that helps to make classical music more accessible to broad audiences. That same style is found in "The Inextinguishable Symphony," helping to make another complex subject - the Holocaust - more accessible to audiences both familiar and unfamiliar with it.

But this isn't just "another book about the Holocaust." Nor is it about tragically anonymous victims. It is instead about Goldsmith's parents - Gunther, a flutist, and Rosemarie, a violist - who meet and charmingly fall in love in Nazi Germany in the '30s, as well as about Grandfather Alex and Uncle Helmut and other family members and friends, each of whom Goldsmith makes real and sympathetic through his rich, exquisitely detailed, and heartbreakingly honest narrative. These are people that the reader comes to care about deeply, and we celebrate - and in some cases grieve - their fates. Goldsmith is a helluva storyteller.

But the book is also not just a love story (Gunther literally does risk his life for his young sweetheart) or merely an author's purely personal journey in search of his own roots. Through the vehicle of his remarkable parents' own individual stories, Goldsmith explores the only-dimly known, but fascinating, story of the Judische Kulturbund - the Jewish Culture Association - to which Jewish musicians, actors, and others were artistically exiled in Nazi Germany. Goldsmith reveals much about this controversial and complicated organization which, although the only source of culture for German Jews, knowingly served the Nazis' propaganda purposes. The reader marvels at how much the "Kubu" was able to accomplish under such hateful conditions, but is also forced to ask, "What would I have done in these circumstances? Would I have risked my life just to make music?"

This is a troubling, but ultimately triumphant, book about real people trying to live their lives, their love, and their music in unthinkable times. I highly recommend it to anyone interested in music, in the Holocaust, in cultural history, or simply in a good love story well told. Bravo, Gunther and Rosemarie and Martin Goldsmith!

From the first few pages of Martin Goldsmith's brilliant novel, I could not put it down. This book is a highly detailed, fascinating account of a little known piece of history. Although everyone is familiar with the attrocities of the holocaust, the author offers up a haunting account of the events from a cultural perspective, a truly personal account revolving around his own parents lives and how they were able to survive Nazi Germany. I had studied the holocaust in history classes in high school, but none came close to Goldsmith's painstakingly thorough account of the rise of national Socialism in Germany in the 1920's and 30's. Written simply and in a matter-of-fact style, the author pulls no punches and offers the reader a truly engaging study of the events leading up to WWII. But at the same time, the reader is also drawn in by the powerful bond between his mother and father and their love for the beautiful music which they had grown up with. I'm no musician, but was certainly fascinated to learn of all the wonderful Jewish contributions to our world culture. And although I certainly am quite removed from all events of the holocaust, I have never been so emotionally moved by a story before. This is a beautiful book and a must read for everyone.

I am very new to Linux. I've got a lot of windows experience and an MCSE, but recently my job has included a few Linux machines when other guys were downsized. Our Linux machines are the ones on the Internet, so security is relly important. I picked this book up after looking at four or five, and am really happy with my choice.The solutions they provide are clear enough that even a guy like me who is intimidated by Bash can make them all work. The desciptions of the attacks are very complete, and I learned a lot of network attacks that would affect windows machines, but were never explained in my MCSE training -- probably because only Linux has ways to defeat them.This book taught me a lot of Linux tips along the way too. I even followed along and have compiled a Linux kernel from scratch -- something I never expected to get from a security book in such easy to follow instructions.I recommend this book to any Linux user, new or experienced.

I was beefing up my outdated security bookshelf, and thought I'd snag the latest in the Hacking Exposed series. I figured that since it was only covering one OS it would be able to have more depth, one of the chief failings of Hacking Exposed.

Well, I was not disapointed. This book covered aspects of Linux and network security that I had not ever thought of. It makes very appropriate use of source code to illustrate problems, and shows you the attacks in both manual and automated forms so you can actually see what's going on, rather than just saying "run the blah program" as so many other books do.

This book has information that will be useful for the newbie, but excells in including detail appropriate for all audiences. In that respect, this book almost reads like a textbook on how to hack and secure. If you're a new Linux user, you'll find good starter information, and want to come back to this periodically as you learn more. If you think you know Linux security, then this is the book against which you should test yourself. I doubt most folks have tried half the things listed in chapter 10.

Hacking Linux Exposed by Brian Hatch, James Lee and George Kurtz, is a nice follow-up to their bestselling Hacking Exposed . While not as groundshaking as its predecessor, the new book does provide a good reference for people just starting with Linux. Anyone who is setting up or planning to set up a Linux network should consider owning it, together with the appropriate Linux administration manuals.

Hacking Linux Exposed covers security administration issues such as FTP, sendmail (but for some reason, not POP3/IMAP servers) and web server setup; it also discusses local user security issues and touches lightly on Linux firewalling and other network access controls (TCP wrappers).

The book includes a big section on keeping your system updated, which outlines methods used by several popular Linux distributions (rpm from RedHat, apt-get from Debian and pkgtool from Slackware). This information is essential to the security of any Linux machine, whether a home workstation or company server.

The focus is Linux, but the book also covers some other important security areas. It attempts to offer a total solution for Linux security, starting with general infosec philosophy (such as proactive security), and moving on to physical security, social engineering, Trojan programs, access control, user security and server setup. Each security problem is rated for global risk on a 1 to 10 scale, factoring in frequency, simplicity and impact. In general, the book is more encyclopedia than detailed guide, as it strives toward breadth over depth.

This book ROCKS!!! It is the closest you can get to the behind-the-scenes of Phantom. I got mine on an Amazon Auction(by the way, check out those auctions sometimes, they can be useful). It has the complete libretto at the back and amazingly sharp, clear pictures( they are so sharp you can even see the actors veins in their hands!).
This book has the history of the Paris Opera, then it goes on to tell how Gaston Leroux came up with Phantom, then the film versions of Phantom, then, of course, the Lloyd Webber version.
This book is perfect for the true Phantom Phan!

As a hardcore Phantom fan, I am always looking for more information on the play. I came across this amazing book in the public library in my town and was amazed at the detail. There was so much that I didn't already know, and I knew a lot. I wanted to keep on renewing the book and never give it back but a good friend of mine, who is also very adamant about Phantom, went searching for this book that I wouldn't shut up about and bought me a copy. I love it. It includes info on the opera house, Gaston Leroux(the author of the novel on which Andrew Lloyd Webber's play is based), the story behind the novel, Lon Chaney's film, other versions of the film and other plays, Andrew Lloyd Webber's version, and the Libretto. This is the most complete and well written book on the play I've come across. George Perry reveals the intricacies of the production from make-up to costumes to set to everything. I consider this a valuable part of my Phantom collection and I highly recommend it to anyone who likes this play or theater in general. It rocks!

This book is phenomenal! The information never ends! It details the opera house in Paris where this who story was supposed to take place. There is alot of information on the early movie forms of the story, including those who acted in them, as well as Gaston Leroux's book form. The bulk of the book is about Andrew Lloyd Webber though. There are so many pictures and stories about each of the characters, and the important peopel behind the scenes of the stage! This is a wonderful book whom anyone, Phantom fan or not is sure to enjoy!

It's a rare thing indeed to discover a movie adaptation is actually better than the book that inspired it, but here it is: Paul Brickhill's THE GREAT ESCAPE is a great plot with no characters to speak of.

Brickhill gives a firsthand account of the escape of 76 men from Sagan, a German prisoner-of-war camp, during World War II. Through tireless efforts and disheartening setbacks, the men managed to dig a lengthy tunnel 30 feet down into the earth, and 300 feet towards possible freedom. The plan, which originally called for three such tunnels, was the single largest escape in WWII history, and the efforts, patience, and bravery of the men secures their escape as one of the most noble efforts of man.

What a pity, then, that THE GREAT ESCAPE is a fairly badly written first-hand narrative, related with all the style of a person making a grocery list. Brickhill has provided the bones of an amazing story, but he neglected to provide any meat along with them.

The story couldn't help but lend itself to a fascinating read. The actions of these men could never be anything less than remarkable. But all Brickhill does is tell the story. He doesn't add any true characterization to the hundreds of people who pop in and out, resulting in a lack of empathy for these men. The reader is left wanting to know more, but is frustratingly denied the opportunity. Even the leader, Roger Bushell, is a cipher, easily interchangeable with any other character.

It is easy to see why this story makes such fertile ground for a movie. The plot is astonishing, and the complete absence of any true personality leaves the filmmakers free to make up any character they want. Roger Bushell didn't escape from Sagan, Richard Attenborough did. So did Steve McQueen and Charles Bronson.

I don't want to seem as if I am making light of the situation. THE GREAT ESCAPE was a shining example of what humanity can achieve under the most strenuous circumstances. But Brickhill doesn't provide us with any reason to care. The story unfolds with all the excitement and tension of someone telling of their day at work. Simplicity in storytelling can be a fine thing, but not where the story demands so much more.

Paul Brickhill, based on his actual experiences in a prison camp and using characters based on real life POW's, takes the reader behind the wire at a World War II prison camp. These men were trapped, unable to fight for their country in battle, so they found a way to do the next best thing. Led by Roger Bushell, they formed the X organization, a group of the most intelligent and resourceful prisoners from the British and American air forces. Using only their wits and the few materials available, they devised and executed a plan to tunnel under the fences and escape into Nazi Germany. Unfortunately this led to fifty of the escapees being shot by the Gestapo, but Brickhill does credit to their memory with this book. Using a light writing style, humorous anecdotes, and fascinating descriptions, Brickhill has created an entirely readable adventure with charismatic protagonists who gain the readers respect and sympathy from page one.

220 Allied POWs would have been swarming all over the Third Reich before the Germans realized they were missing. Unfortunately, only 76 managed to escape through a tunnel under Stalag Luft III that had taken a year to dig. Of those 76, only 3 managed to make their way back to Britain. Twelve found themselves back in Stalag Luft II in a matter of days. Eight wound up in concentration camps. The remaining 50 were shot by the Gestapo, on orders from Hitler himself. Among the 50 was South African-born RAF Squadron Leader Roger Bushell, a.k.a. "Big X", the originator of the escape plan. The Great Escape is an incredible read. While the book is narrated from third person omniscience, its author was anything but detatched from the story. Paul Brickhill mentions his own role in the escape only very briefly in the foreword to the work. A key element of the escape plan, as Brickhill recounts in great detail, was the forging of official papers required for freedom of movement across the Reich. Brickhill led the gang of "stooges" that warned the forgers when camp guards approached. He found himself barred from participating in the actual escape when Big X learned of his acute claustrophobia. That fear may well have saved his life. After the war, Brickhill interviewed several of his other fellow survivors to assemble the grand narrative. The result is a riveting tale that ranks among the greatest war stories ever written, fact or fiction. You've seen the movie. Now read the book!

Dead souls is a book which starts of amusing you and leads you to believe that it must have an intricate plot and Chichikov, the protagonist, leaves you wondering about his devilish motives. Chichikov is here in this town to purchase serfs who have died since the last government census. The landowners therefore, must still pay taxes on these 'dead souls' until the next census. Chichikov, in possession of these cheaply purchased dead souls would appear to be a rich and prosperous landowner to those ignorant of his scheme.

Gogol describes how Chichikov ingratiates himself with the town's most powerful and respected officials. There are vivid descriptions of his various excursions to meet different landowners. The first meeting between Chichikov and landowner Manilov was absolutely hilarious in its description of how two absolutely disparate and removed people can feign such affection and friendliness, one out of greed, and the other simply from a naïve sense of propriety. As the story progresses, you tend to realize that the book doesn't really attempt to maintain a plot, but Gogol's criticism of the depicted Russian society is much more apparent and seems much sharper and more incisive. The story unfolds in such as a way so as to create the most opportunity for observation and comment on all the characters and situations rather than a story that drives itself towards a particular climax. Gogol's style of writing soon pulls you out of the main story- the reader first being an observer of the general happenings around the various characters is soon put into a different position from where he witnesses how Gogol's subtle humour and sharp criticism blend to create a clear picture of Russian society. Gogol's masterly creation of humor in this book is the essence of its brilliance. Through certain generalizations and allusions made throughout the book, his subsequent observations on each character are much more amusing.

This book is absolutely wonderful in that Gogol, sharply criticizing the kind of culture depicted in this book, earnestly regards these people as in fact, very Russian. The consummate Russian society would have to include besides great writers, thinkers and scholars, those such as Chichikov, Nozdrev and Manilov. Gogol sharply criticizes them but acknowledges their existence as very much a part of Russian Society.

As much as you would scorn the fatuous lives of the landowners and senior officials portrayed in this book, you would fall in love with the image of that perennially drunk Russian serf who's likely to be a swindler or that sincere, unlauded worker ...who might even be dead and purchased by our Chichikov!

Nikolai Gogol has a very creative mind as well as a unique style of writing. While reading Dead Souls, one is more likely to view the world from Gogol's point of view than his own. His writing contradicts everything Americans think they know about Russian literature. This book is a discussion of a world whose values are radically flexible. Though the concept can be frightening to those who do not take time to ask questions about their lives, Gogol has used crazy comic genius to exhibit an honest and impartial view on what is known today as "The Human Race." His book shows that humans' actions are motivated by greed and that the idea of money does not have any real significance because the value of everything that is sold is created by the human who is selling it. Gogol has also written the book in such a way that every single sentence is a universe of its own.

Dead Souls takes place in the Russia of the late 1800s, where, unlike in America, one must be born into a prosperous family in order to have opportunities. The main character, Chichikov, is clever enough to develop a scheme in which he can rise from being a petty clerk to a respected landowner. In order to do this, Chichikov moves into a new town, pretending to already be a landowner, and begins a quest to buy the names of dead serfs who have not yet been officially reported dead. Each person that Chichkov presents this offer to has a different reaction, starting with the shy and introverted Manilov. Though he does not understand Chichikov's need for the names of these dead serfs, Manilov is a character that is so desperate for company that it does not take any effort to trick him into selling his dead souls cheaply. However, as Chichikov continues his journey, he starts to deal with more clever landowners who become suspicious of his scheme.

Chichikov finds that the townsmen known as Sobakevich and Nozdrev are much harder to negotiate with. This is because they are more and attempt to trick Chichikov even though in truth, Chichikov is the one who is playing the trick on them. Nozdrev agrees to sell Chichikov his serfs under the condition that he can sell him something else along with the serfs, such as a horse or a pair of hunting dogs. Chichikov, of course, refuses the offer because he owns no land and has nowhere to keep any horses or dogs. Because of this, Nozdrev curses Chichikov and orders two of his guards to beat him up. However, by sheer luck, the police show up at that exact time to arrest Nozdrev because of crimes he committed in the past. Seeing this, Chichikov runs away and immediately sets off to visit Sobakevich. In his encounter with Sobakevich, Chichikov offers him less than one hundredth of what Sobakevich claims is the rightful price. However, the reason for Sobakevich's logic is that he claims the serfs have just as much value now that they are dead as they did when they were alive. In the end, however, Chichikov's stubbornness surmounts Sobakevich's absurd logic and Chichikov ends up buying the souls for the price he offered.

Unfortunately, as they say, "there is no such thing as a perfect crime." In the end of Dead Souls, Chichikov is stabbed in the back by the people he does business with, and does not get away with his ingenious plan. The main thing that Gogol is proving in his novel is that the entire human race is very similar to Chichikov; their interest lies in money and in prosperity. So if human beings are constantly trying to outsmart each other, a perfect society will never be obtained.

The plot is simple: Pavel Chichikov arrives to a provincial capital of Russia, impresses everyone with his social skills, gets adopted by the "high society" of the town, and then sets out to business: trying to persuade landowners (who are also lifeowners) to give or sell to him all the peasants who have died since the last census. These people, although dead, still generate taxes for the owner, so in principle it is convenient for them. But, of course, everyone asks themselves: "Why would anyone want to buy dead people who cause taxes?". I won't spoil the plot by giving the answer. The important thing is that Gogol uses this plot to paint an exhilarating (but in fact sad) portrait of the Russian society of his time, and of human nature in any time and place, which gives this novel its status as a classic work of art. Corruption, stupidity, naiveté, extreme individualism instead of a spirit of community, and other social vices, present in any society, are represented here by the very funny characters created by the author. Every landowner is a particular form of strange person, procuring Chichikov with crazy adventures. Gogol's writing intersperses the narrative with social reflection and thoughts on human nature, never boring or pretentious, but always funny and satirical. In fact, Gogol's irony and cynicism are probably the most valuable assets of this novel. It belongs to that literary family of books which portray heroes or anti-heores, wandering around, pursuing a fixed, idealized goal. Sometimes this goal is foolish but noble (like Don Quixote), sometimes it is narrow or despicable. These characters illustrate the virtues and vices of us humans, and that makes them live through the centuries. "Dead souls" is undoubtedly a dignifed member of that family, a book which will make you laugh, think and laugh again. By the way, another valuable thing is the way in which Gogol depicts the Russian countryside.

This autobiographical condemnation of the south's Peculiar Institution puts a face on the suffering of the enslaved. American history is full of accounts of slavery which tend to broad overviews of the institution, whereas this book is written by an escaped slave who does not flinch at sharing every detail of her miserable life. Unlike other narratives which distorted the slave's voice through the perspective of the interviewers/authors who were notorious for exaggerating the uneducated slaves' broken english, this book is largely Ms. Jacobs' own words. She was taught to read and write as a child by a kind mistress, so she was able to put her thoughts on paper with clarity that surprised many. Ms. Jacobs had an editor, but this book seems to be her unfiltered view of the world.

It is one thing to hear about how slaveholders took liberties with female slaves, it is quite another to read in stark detail about women being commanded to lay down in fields, young girls being seduced and impregnated and their offspring sold to rid the slaveholder of the evidence of his licentiousness. The author talks about jealous white women, enraged by their husbands' behavior, taking it out on the hapless slaves. The white women were seen as ladies, delicate creatures prone to fainting spells and hissy fits whereas the Black women were beasts of burden, objects of lust and contempt simultaneously. Some slave women resisted these lustful swine and were beaten badly because of it. It was quite a conundrum. To be sure, white women suffered under this disgusting system too, though not to the same degree as the female slaves who had no one to protect them and their virtue. Even the notion of a slave having virtue is mocked. The author rejected the slaveholder's advances and dared to hope that she would be allowed to marry a free black man who loved and respected her. Not only was she not allowed to marry him, she was forbidden to see him or speak to him again.

The author shows us the depth of a mother's love as she suffers mightily to see that her children are not also brought under the yoke of slavery. Though she was able to elude her odious master, she does take up with some other white man in hopes that he would be able to buy her freedom. Her "owner" refuses to sell her and tells her that she and her children are the property of his minor daughter. Her lover seems kind enough as he claims his children and offers to give them his name, and he did eventually buy them, though he failed to emancipate them to spare them from a life of forced servitude. Ms. Jacobs noted that slavery taught her not to trust the promises of white men. Having lived in town most of her life, Ms. Jacobs is sent to the plantation of her master's cruel son to broken in after she continues to refuses his sexual advances. She is resigned to this fate until she learns that her children -- who were never treated like slaves -- were to be brought to the plantation also. It is then that she takes flight.

After enduring 7-years of confinement in cramped quarters under the roof of her grandmother's house, the author escapes to the North which is not quite the haven she imagined. Still, it is better than the south, and she makes friends who buy her freedom leaving her both relieved and bitter that she is still seen as property to be bought and sold like livestock. In New York Ms. Jacobs is reunited with her children and a beloved brother who'd escaped a few years ago while accompanying his master -- her former lover -- to the free states.

There is no fairytale ending to this story because the author endures plenty of abuse and uncertainty even after she makes it to the North. She is hunted down by the relentless slaveowners who were aided by the Fugitive Slave Law of 1850 and "The bloodhounds of the North." This is a wrenching account of this shameful period of American history, and should be required reading for all.

Intended to convince northerners -- particularly women -- of the rankness of Slavery, Incidents in the Life of a Slave Girl presents a powerful autobiography and convincing writing that reads like a gripping novel but is organized and argued like an essay.

Incidents follows the "true story" (its authenticity is doubted in some places) of Linda [Jacobs uses a pseudonym] who is born into the shackles of slavery and yearns for freedom. She lives with a depraved slave master who dehumanizes her, and a mistress who mistreats her. As the novel progresses, Linda becomes increasingly starved of freedom and resolves to escape, but Linda finds that even escaping presents its problems.

But Incidents is more than just a gripping narration of one woman's crusade for freedom, and is rather an organized attack on Slavery, intended to convince even the most apathetic of northerners. And in this too, Incidents succeeds. The writing is clear, and Jacobs' use of rhetorical strategy to preserve integrity is astonishing.

Well written, convincing, entertaining, Incidents is an amazing book.

Harriet Jacobs' (1813-1897) "Incidents in the Life of a Slave Girl" is one of the few accounts of Southern slavery written by a woman. The book was published in 1861 through the efforts of Maria Child, an abolitionist who edited the book and wrote an introduction to it. The book had its origin in a series of letters Jacobs wrote between 1853 and 1861 to her friends in the abolitionist movement, notably a woman named Amy Post. Historically, there was some doubt about the authorship of the book and about the authenticity of the incidents it records. These doubts have largely been put to rest by the discovery of the letters.

The book indeed has elements of a disguise and of a novel. Jacobs never uses her real name but calls herself instead "Linda Brent." The other characters in the book are also given pseudonyms. Jacobs tells us in the Preface to the book (signed "Linda Brent") that she changed names in order to protect the privacy of indiduals but that the incidents recounted in the narrative are "no fiction".

Jacobs was born in slave rural North Carolina. As a young girl, she learned to read and write, which was highly rare among slaves. At about the age of 11 she was sent to live as a slave to a doctor who also owned a plantation, called "Dr. Flint" in the book.

Jacobs book describes well the cruelties of the "Peculiar Institution -- in terms of its beatings, floggings, and burnings, overwork, starvation, and dehumanization. It focuses as well upon the selling and wrenching apart of families that resulted from the commodification of people in the slave system. But Jacobs' book is unique in that it describes first-hand the sexual indignities to which women were subjected in slavery. (Other accounts, such as those of Frederick Douglass, were written by men.) The book is also unusual in that Jacobs does not portray herself entirely as a hero but describes the nature of the steps she took to avoid becoming the sexual slave of Flint. Thus, when Flint subjected her to repeated sexual advances from the time Jacobs reached the age of 16, she tried to avoid him by beginning an affair with a white, single attorney with whom she had two children. When Flint's advances persisted, Jacobs formed the determination to try to secure her freedom.

The bulk of the book describes how Jacobs hid precariously in a cramped attic for seven years waiting for the opporunity to secure her freedom. There are also accounts of her prior attempts to leave slavery, including a particularly harrowing account of several days in a place aptly named "Snaky Swamp."

Jacobs describes her relationship with her grandmother, a free black woman who was probably the major inspiration of her life. She also describes well her love and concern for her children, conceived through the liasion with the white attorney.

This book offers a rare perspective on American slavery as it affected women. It is also a testament, I think, to the value of literacy and knowledge as an instrument for winning and preserving free human life. Although this story is not pretty, it is a testament to human persistence in the face of adversity and to the precious character of human freedom.

We all have books like this in our personal arsenal of "will read and reread again" books. ("Catch 22," "Cat's Cradle," books like that.)

I've torn into "Son of the Morning Star" six times now. This book is responsible for my spending a total of some 13 days at the Montana battlefield just trying to find out what George Armstrong Custer was up to on his final horrible day on earth. Connell weaves a spell over you, dear reader, and you just hate to finish this book. (You have books like that in your arsenal, too, right?)

The book was a Christmas gift from #1 son. Prior to reading "Son," I just thought of Custer as that Civil War stereotype we study about in high school -- brave, vain and, ultimately, dumb. Of course the book reveals a much more accurate and layered portrayal of this long-haired Hotspur. Connell has researched his subject to a fare-thee-well and yet the writing never gets pedantic. This book is a time machine and you're going to be whisked back to a hot June day, 1876. Be prepared. And you'll get both sides of the complicated US Army/American Indian debate, too. (Can't beat that with a stick!)

What was GAC trying accomplish that morning and afternoon? Why, in the face of a large amount of Indian braves, did he split his command into three battalions? Why did he send an important "come quick" note to an officer he sent off away from the pack train? Why did Custer ignore Reno's plight in the valley and continue a foolhardy attempt to smash the "enemy" at his flank? Did Custer get his first bullet (left side) at Medicine Tail Coulee? Would that explain the slapdash rush away from the Little Big Horn river and up the hill to the now-famous "Last Stand Hill?" This book makes you think.

This book is contagious!

Evan Connell's Son of the Morning Star is a masterful book that defies catagorization. It isn't quite history but it isn't fiction either. Connell has taken a mountain of historical detail, including quotations from letters, transcripts, newspapers and interviews, and arranged them in a kind of narrative montage that gives us the story of Custer at the Little Bighorn in a more complete way than we have ever experienced it before. His book begins a couple of days after the battle - when Custer's absence is still unexplained - with the discovery of the remains of Custer's troop. The realization of what they are seeing comes slowly to the soldiers that find the bodies, just as the big picture of what happened comes slowly to the reader - detail by detail.

The book is full of wonderful digressions, told in the same way as the main story. These provide background information on all the major participants (Indian as well as cavalry officers) and many minor characters as well, and the story of their lives following the massacre and the inevitable search for a scapegoat.

This is a unique and beautiful book. Connell seems to have lived with the research for this book for a long time because he has internalized it beautifully and knows just what quotes and anecdotes to juxtapose in order to create the picture he wants. I can't remember ever reading anything quite like this and certainly seldom have a book match it for emotional impact. I would highly recommend this book to anyone.

Connell has one of the most unorthodox writing styles of any history writer I've read but somehow it works brilliantly. A proper chronological order is completely disregarded and Connell jumps all over the place, yet somehow is able to keep the reader right along with him. It reminds me of listening to an old Vet tell war stories and finish half a story and skip to something completely unrelated again and again and again until you can't remember where he originally started the conversation from. Yet, just like listening to the proud hero tell his tales, it is completely fascinating and you will hang on every word.
A prime example of this is within the first ten pages of the book, Connell is writing about President Hayes' Court of Inquiry, three years AFTER the battle.
Another thing which Connell does masterfully is tell BOTH sides of the tale. The Dakota and 7th Cavalry are given equal weight throughout the book and the author pours pertinent information as well as trivial but entertaining facts at the reader. And along with giving biographies on Reno and Benteen, the reader learns just as much background information on Gall, Crazy Horse and Two Moon.
About the only person I suggest shy away from this book is a college student cramming for a paper because there's no way they'd be able to find the needed info with Connell's writing style. However, if they don't procrastinate and began reading at the beginning of the semester, I promise you won't find another book with more info on the subject.
-Warning-
If you do read "Son of the Morning Star," be prepared to take a trip out to the high plains of Montana to see the battlefield. Connell's book instilled a 'must-see' desire into me on having to see the Bighorn for myself and I plan to go next summer. See you there!