The story of the man who would be king describes the journey of two half-mad yet determined Englishmen from obscurity in India to divine rule in far-off Kafiristan. The two men smuggle themselves into Afghanistan posing as a mad priest and his servant, steal some mules when their camels can go no further, trek over the vast mountains, and set themselves up as kings by demonstrating the power of the rifle to spear-brandishing natives (in the most murderous way, one might add). They later establish their status as gods by introducing Masonic mystery and orders to the mountain villages. Eventually, however, their humanity is exposed, thus wrecking the dream of empire.

The story itself is witty and exciting, driven by the raw prose and longing for exotic adventure characteristic of Kipling. At the same time, this short tale is remarkable as a summary of imperialism and its problems. The questionable motives and courses of actions of the imperialists are exposed, yet at the same time they are shown to reflect human nature more than ideology or political purpose. The ease with which a small number of people with superior technology can subjugate much larger numbers is also demonstrated in a non-sentimental fashion (it is certainly not a politically correct story by present standards). Finally, the ending emphasizes the impossibility of maintaining authority in the long run under such circumstances - technological knowledge must be revealed to maintain order, responsibility must be shared with intermediaries, and propaganda will eventually be appropriated for subversive purposes. If only historians could be as brief and straightforward as Kipling in recognizing these simple facts about how imperialism came about and how it was doomed to failure.

While they are quite enjoyable, most of the stories in this collection pale when compared to the author's later works, such as the Jungle Books and Just So Stories. There are definite traces of his trademark wit, but only "The Man Who Would Be King" stands comparison to his more well known pieces. It's an excellent story, and as I was reading it, I couldn't help but think it was the spiritual cousin to Twain's A Connecticut Yankee in King Arthur's Court. If you enjoyed one, you'll enjoy the other, as both share the theme of regular men reaping the consequences of forcing civilization on people. A good black comedy.

If you have the gift of being able to engulf yourself in a story then you are in for an adventure. In this beautiful work by Kipling you are a soldier of fortune headed back into territory with your brother in arms where you both fought bravely for Queen and country. But now its just the two of you with a different victory in mind. This book will put you in the heart of the battle with the characters so that you can go through the trials and experience the victory.

Kipling was the pre-eminent man of letters circa 1900, but pretty much unread today. Here S. T. Joshi has assembled 17 short stories by Kipling, in chronological order of composition. Contrary to the book's subtitle, these aren't horror tales, and many have no supernatural aspect at all.

It is notable that the stories grow steadily better as one goes through the book. "The Phantom Rickshaw" is a total absurdity, but by the time we get to "They" Kipling, like Barlowe and Lovecraft in "The Night Ocean," is looking ahead to the type of story that would be written by the likes of Robert Aikman in the 1960s and 1970s, probably the ultimate (to date) literary development of the horror tale, before it backslid into the EC-comics imitations of Stephen King and Dean Koonz and other currently and undeservedly popular writers.

Kipling is noted for fiction and verse set in India, but the best stories in the book, for me, had nothing to do with India. These included the before-mentioned "They," and "The Finest Story in the World," both of which appear to be based very loosely on real experiences of Kipling, and both of which seem to break genuinely new ground within their respective themes.

S. T. Joshi contributes his usual perceptive introduction.

Recommended.

S.T. Joshi edits Mark Of The Beast & Others, a collection of horror tales by Rudyard Kipling, which pairs his lively manner with chilling tales of the dead and psychological terror. Some, as 'The Phantom Ricksaw', have been widely published and will be familiar to fans of the genre; others such as 'Lost Legion' may be less so. All provide masterpieces of the occult.

Bigger is not always better. And that is what we have here.

The artwork in this book is bland and unattractive. All the pages are taken up with close-ups of the characters. It takes away from the overall effect that very colorful and attractive Golden Books version had achieved. Their version of Disney's Jungle Book movie was rich with detailed illustrations. This book is not!

The story is all here: of Mowgli, the man-cub, befriended by the animals of the Jungle in India. Bagheera the wise panther, Baloo the bumbling bear, and all his other jungle friends are also all here as they make their way to the man-village. Mowgli saves the day by fending off the cunning tiger, Shere Khan. Don't worry, Shere Khan lives to prowl another day.

Action, adventure, and a whole lot of playfulness are what this collection is all about. The kids will let me read this one to them over and over again, plus they sit and read it by themselves during quiet moments. The illustrations keep the younger ones captivated as well.

No civilized individual should consider his library complete without this book. Contains all Kipling's poetic works. A volume you will return to again and again for inspiration and pithy wit.

I have owned several copies of this book over the years; I cannot exist without a copy. It contains all Kipling's poetry, and he is the premier poet of the Victorian era. Most of his poems can be sung, if you can identify the hymn he used to keep his meter running. They adapt themselves excellently to being read aloud. Many people hold his *White Man's Burden* against him, but this is the man who wrote from many points of view over his lifetime. This edition contains them all. Don't dismiss Kipling because you've only heard of him; read the children's poems that teach proper behavior, the soldiers' poems of tribute to their comrades and their duty, the journalist reflecting on himself, the grieving father mourning his only son, and the Poet Laureate of the British Empire mourning the death of the Empire and the Ending of an Era. It's all here. This book is indispensible in any library of English literature.

As I am very interested in the historical and mythological nature of Puck (aka Robin Goodfellow), best known for his role as the mischief-making fairy in Shakespeare's A Midsummer Night's Dream, I found these works by Kipling to be invaluable. These two novels are not only an excellent presentation of Puck, but an insight to British history. While considered children's books, I would recommend them to any adult in search of light reading. Truly two wonderful works of literature.

_Puck of Pook's Hill_ is a set of stories, somewhat linked, about the history of England, built around a frame story involving two young children, Dan and Una, meeting Puck in a meadow near their Sussex home. Puck somehow arranges for a series of historical people, ghosts, I suppose, to come and tell stories of events near their home in the past 2000 years. There are four stories told by Sir Richard Dalyngridge, one of William the Conqueror's men, on the theme of assimilation of the Normans and Saxons into one people: the English. There are three Roman stories, set in 375 AD or so, about a Centurion from the Isle of Wight who holds Hadrian's Wall against the Picts and the Norsemen while Maximus, his general, declares himself Emperor and takes Gaul then heads into Rome (where the real Emperor had him killed, understandably enough). The three other stories deal with the rebuilding of the local church in Henry VII's time, a rebuilding project menaced by smugglers, with the flight of the fairies from England at the time of the Reformation, and with the role of a Jew in forcing John to sign the Magna Carta. (This last an uneasy mixture of anti-Semitism with an apparent attempt to not be anti-semitic.)

_Rewards and Fairies_ presents eleven more stories told by Puck's agency to Dan and Una. We meet some familiar characters again (the church builder, and Richard Dalynrydge), and even some major historical figures: Queen Elizabeth, George Washington, Napoleon. On the whole the stories aren't quite as good as those in _Puck_, though "Marklake Witches" is very good, very moving.

Both books include a number of poems, usually closely associated with the themes of the stories.

These are generally fine stories, but for my taste not up to the level of my favorite Kipling stories, such as "Mrs. Bathurst" and "'They'" and "The Strange Ride of Morrowbie Jukes" and "The Story of Mohammed Din". Still, the plain craft of the stories is as ever with Kipling remarkable.

Kipling's prose has a very special quality - quintissentially English, proud and very robust.

I asked a scholar of English and a Buddhist meditation teacher to recommend a good book for me and she thought briefly before mentioning this.

The poems in it are sometimes dated - the one about queen and country but this is a warm and pleasant read containing many important and esoteric aspects that few care to appreciate.

Ideal to communicate something about being a whole human being and this earthy realm with some of its hidden and ancient forces.

While I admire Disney's animation (and am looking forward to their Hamlet-ish The Lion King), I usually gripe about the changes they make in their movies from their source material. All one has to do is read the original Pinocchio, Peter Pan, or, supposedly, Bambi, to berate them for destroying classics. I probably should be bothered as well by their Jungle Book, except that I think that it was one of the cases where the marriage of animation, story and music achieves more than the original. Without the source material, it would be nothing, of course, but the wonderful songs (who can forget "Bare Necessities," "Trust in Me," or "I Wanna Be Like You"?) and the structure that turned Kipling's short tales into a two-hour movie create a gestalt that I'm not sure Kipling's tales do by themselves. This is probably sacrilege to the ears of the true Kipling fan, but I'm nothing if not opinionated.

The stories that make up the Jungle Book aren't solely about Mowgli, though, and it's the others, especially "Rikki-Tikki-Tavi," that make this a definate must have.

The Jungle Book is now one of my all time favorite books. When you read the book it makes you feel like you're there too. I like the way Rudyard Kipling has the animals talk. The main character in the story is a boy named Mowgli. Mowgli was abandoned by his mother and father and raised by wolves. I think
Mowgli is the perfect character for the story because he is brave, smart, and kind.The part I disliked the most in the story is when they keep going to the council rock. I thought it was boring. I liked the excitement in the book and the cliff hangers. Once I picked up the book I couldn't set it down again. I definitely recommend this book to anybody who is in for a challenge!

I grew up reading and re-reading theses stories. I never found a compilation of the Mowgli stories I liked though, at least not an affordable one.

This one gave me not only Mowgli but Rikki-tikki-tavi. All with excellent illustrations that add but do not intrude on the stories.

This is a classic that should be on every bookshelf.

Since he wrote these stories during the several years he spent in Brattleboro, VT, we of the North Country have a particular affinity for Rudyard Kipling's Jungle Books. The most familiar are the Mowgli tales, basis for the very good Disney movie. Mowgli is an Indian infant who is lost in the jungle after Shere Khan (the tiger) kills his family. Bagheera (the black panther) places him with a wolf family that has a newborn litter. Mowgli's new "parents" and Bagheera and Baloo (the brown bear) sponsor him for membership in the Wolf Pack and, much to Shere Khan's chagrin, he is admitted. Mowgli is raised according to Jungle Law, but all the while Shere Khan is plotting his revenge and ingratiating himself with the younger wolves. Eventually, he leads a rebellion against Akela, the pack's aging leader and attacks Mowgli, who beats him away with a burning firebrand. In these and the several other Mowgli stories--there are some prequels--Kipling strikes a nice balance between anthropomorphizing the animals and understanding Mowgli's natural superiority.

Also appearing in this collection is a story I've loved since I first saw the Classic Cartoon version--Rikki Tikki Tavi. It tells the story of an intrepid young mongoose and his life or death battle to protect an Indian villa from a couple of particularly unpleasant cobras. Rikki Tikki Tavi has always seemed to me to be one of the great heroes in all of literature.

These are great stories for young and old. For folks who worry about Kipling's potentially imperialist, racist or racialist overtones (see review), rest assured, these tales are free of such themes. They offer an excellent opportunity to introduce kids to the work of a true master storyteller.

GRADE: A

The story of Mowgli, a boy raised by wolves in the jungles of 19th century India, charmed me when I was young no less than it does today. Kipling wrote this to celebrate his love of India and it's wild animals as well as to show again some of his frequent themes of honor, loyalty, and perserverance. While his writing may seem 'dated' to some, to others the truths he includes rise above politics and 'current correctness'. Baloo the Bear, Shere Khan the Tiger, Bagheera the Panther, Kaa the Python were all childhood friends of mine, and reading these Jungle Book stories to your own children today will result in their exposure to such old fashioned concepts as sticking by your friends in adversity, helping your family, relying on yourself. Good lessons then, good lessons now. Mowgli learns the value of 'good manners' early on, learns that 'all play and no work' leads to unexpected troubles, learns that thoughtless actions can have devasting consequences. By showing Mowgli in an often dangerous 'all animal' world, we see reflections of modern human problems presented in a more subtle light. Kipling leads children down the jungle path into adventures beyond their day to day imagining and along the way, he weaves subtle points in and out of the stories, he shows the value of 'doing for yourself', of 'learning who to trust'. All of this in a tale of childhood adventure that's never been equaled. The book is over 100 years old now, and there are terms & concepts from the age of Empire that aren't 'correct' today. Parents can edit as needed as they read bedtime stories, but I've found that children learn early on that the world changes, and that some ideas that were popular long ago did not prove to be correct. Explaining this, too, is a part of parenting. Some of our current popular ideas may not stand the test of time, but I suspect that 100 years from now parents will still read the Jungle Book to their children. And the children will still be charmed, thrilled and instructed in valuable life-lessons.

The Jungle Books are usually marketed as juvenile fiction. True, this is essential reading for children, but it's even deeper when you read it as an adult.

Although "Rikki-Tikki-Tavi" and "The White Seal" are just as good as the least of the Mowgli stories, it is the various tales of the boy raised in the jungles of India that are - and justifiably - the heart of the collection.

As a baby, Mowgli is found and raised by a clan of wolves and three godfatherly mentors who each teach him about life in different ways - Baloo the Bear, who teaches him the technical laws he'll need to survive; Kaa the Python, the nearly archtypal figure who teaches him even deeper lessons; and Bagheera the Panther, who perhaps loves Mowgli most of all but understands all too well the implications of the ambiguous humanity of the boy he's come to care for.

The stories have it all, from the alternately humorous and frightening "Kaa's Hunting", where Mowgli learns an important lesson about friendship and it's responsibility, to the epic "Red Dog" that reads like something out of Homer, to "Letting in the Jungle" which, without giving anything away contains a disturbing paragraph that's both glaring and a long time in coming if you've read between the lines in the previous Mowgli stories and yet at the same time so subtle you can almost miss it's importance.

If you didn't read it as a child, read it now. If you did, read it again as an adult.

Is The Captain Courageous enough for a Critique? The book "Captains Courageous", written by Rudyard Kipling is the struggle of a young, immature boy learning what it is to be a real man through different hardships and ordeals he encounters. The young boys name is Harvey Cheyne. The book is an adventure story take takes place on the ocean. The struggle that Harvey goes through could be argued that it is similar to Kipling's life in a way. Harvey is a fifteen-year-old boy whose parents are extremely rich. He has a very demanding and strong personality that shows up early in the novel. Harvey is thrown into a situation where he has to learn to become a man so he can survive. In the beginning Harvey falls of his ship into the ocean where he is then rescued by a small New England fishing boat. He demands that the captain returns him to his home with his parents and wealth, but the captain and crew do not listen. If they were to turn around they would lose several hundred dollars. Instead the captain makes a deal with Harvey. He tells him, that they will feed and clothe him if he helps on the ship. Harvey has no other choice so he accepts the deal. When he first begins work he is clumsy and slow at getting it done. He has never really had to do physical work before, so this is all new to him. Harvey works for months on the fishing vessel and some changes finally become apparent. His hands are rough and covered in work calluses, unlike the soft and smooth hands he use to have. He also begins to realize what it is like to be a real man. He has to work not only for himself, but for others as well. He also learns that everyone has to put their best effort into everything they do so everyone benefits. Later in the book Harvey witnesses a death of a Frenchman. While watching the funeral he realizes how important life and death really is. At the end of the story Harvey is returned to his family, but not as an immature boy, but as a strong and stable man with a new look at life. Throughout the novel Harvey goes through different hardships that shape him into a new person. Kipling also went through different events that changed him into a different person. At an early age Kipling was put into a foster home where another family then took him to the South Sea where he was beaten and bullied. He was left with psychological scars and a sense of betrayal. Kipling was taken away from his family where he had no control, just like Harvey when he fell into the ocean and then had to stay on the fishing boat for several months. Kipling was also bullied in a way just like Harvey was. Harvey had to do things he wasn't use to and it wasn't his choice. He had to do this to survive and Kipling had to do things to keep progressing through his life. Kipling was also reunited with his family after some his life changing events took place. Kipling also experienced a death like Harvey, but it was a bit different. Kipling had to experience dealing with the death of his son John. His son was killed in action during World War 1. This death was different then the one Harvey saw, but it still left a huge impact on his life. After facing his childhood events and going through a war and the death of his son, Kipling had many ideas he could use in his writings. The events might not have been good ones from his life, but they stuck with him for his whole life. Throughout the novel Kipling used many descriptive words to help give me the whole idea of what was going on. At times it was like I was there and was experiencing it in first person. Kipling did a good job at keeping me interested throughout the book. He didn't leave the story hanging, or have many slow and boring points in the book. There was always something to keep my interest. I also like how it was easy to understand and I didn't have to analyze everything to make sure I knew what was happening. I like how he seemed to base some of his ideas for this story on his own life. I think in doing this he gave the story extra thought into how it was wrote. I also think because he bases some of it on his own real life experiences he knew how to describe the events in the story better. The book, "Captains Courageous", is a well-written adventure story about boy and how he changes through part of his life. With well describe scenes and a good story line; Kipling keeps the reader interested through the whole book. If you are a person that likes a good adventure story or likes to read about opinions on how some people change throughout their lives then I recommend this book. I think that the story would have been a bit better if at the end the story had continued a bit into Harvey's life once he was back with his family with his new knowledge. Overall, I think that Kipling did a good job with the descriptions and whole idea of the story.

Captains Courageous is a wonderful story of a pampered and indulged boy, the son of a millionaire, named Harvey Cheyne. He has no responsibilities and is given anything he wants. He lacks respect for anyone and that includes himself. He is washed overboard from a luxury liner while on a trip with his mother and is picked up by a fisherman. The fishing boat can not return him immediately because they have a crew that needs to earn a living. Harvey's family presumes that he is dead, drowned at sea. The story of Harvey's growing up involves responsibilty, hard work, trust and honor. Rudyard Kipling tells the story marvelously. The story is brilliantly crafted and a pure delight to read. The language of the story gives it the feel of the times and helps illustrate the rough lifestyles involved. This is a grand morality tale of adventure, human nature and the value of real love. I read this as a young teenager, but now (many years later!!) I see what an awesome author Kipling truly was!!!! This is a book to be read again!

Many people say this is a boring book, or has no story line, or is just about someone working their b---- off, but I found it to be a *wonderful* book.

Harvey Cheyne is a spoiled brat who falls off a ship and is picked up by a small fishing boat. Since the boat can't possibly go back to port without getting a full load of fish Harvey will have to wait. Meanwhile, since he _is_ eating their food (the man who does not work shall not eat...), they quickly have him join in on the work aboard ship. He goes against it at first, but gradually comes to see what really matters in life. It's not how much money you have- but how you affect those around you. Harvey learns diligence and plain, hard work. Sure- it's not always a ton of fun, but no one said life was pure fun. He learns many lessons through different experiences. I found this to be *very* enjoyable. I also liked reading about the different descriptions of how fishing was done back then.

All in all, this made for a very fascinating read, and I recommend it to anyone!