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On the surface, these stories do not seem to have any connection, but each is the story of a man who wins the hearts of other warriors, runs afoul of the gods, and is brought to ruin by them. I didn't take this book seriously when I first saw it, but was very pleasantly surprised. The stories are well written, and interesting.
I am very intimate with the story of Gilgamesh, but liked reading it again. The story of Conary I found somewhat depressing. However, the jewel of the book is also the longest, Hrolf Kraki. This story is worth the price of the book. If you like Viking or adventure stories, then you *must* buy this book!
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On the surface, the book seeks to elevate King Phillip's War and Bacon's Revolution from historic footnotes to critical milestones. As one reads more, it becomes clear the story goal is larger. After one starts to make sense of the 1676 war and revolution, the picture of a coherent British-Iroquois imperial plan emerges. Webb makes a very strong case that the 1676 agreement between British and Iroquois, something that I had only vaguely suspected after reading accounts of the French and Indian War, wins North America for the British and thus establishes the foundation for a future United States.
This is challenging version of US history and I suspect many will have a hard time including Iroquois to the list of 'founding fathers,' but the book is so well documented that everyone ought to have a good time chewing on the relevance of this very active and violent year.
Webb goes into detail on four fronts: the revolutionary conflict in Virginia, the reaction in councils of King Charles II, the dynamics of Iroquois imperialism which produced Bacon's revolution and finally the negotiated resolution of British/Iroquois imperial goals. After completing the book, I felt like I knew why New York is called the Empire State. The treaty signing took place in New York.
Webb uses an interesting set of English 'classes' to frame the action. The 'frontier' English (poor to middle class) are converting hunting lands into farms and fighting the local tribes they displace. In Virginia, the local tribes are allied with 'coastal' English colonists, primarily the small group of 'oligarchs' ruling the colony. The oligarchs have large fur trading incomes dependent on commerce with the tribes, so they tend to restrain the 'frontiersmen' rather than defend them. This forces the frontiersmen, led by Bacon, to rebel against the oligarchs. Meanwhile, the King of England is dependent on tobacco custom duties, the primary export of frontier farms. Thus, the British Empire tends to side with the frontiersmen and naturally suspects the oligarchs of cheating on taxes. Of course, everyone is compromised by family ties across class boundaries and the Iroquois have their own imperial agenda.
It gets very interesting.
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An aspect I like about this book is that the author -- Geoffrey Parker (who at one point taught at Christ's College) -- tries to give as much of an objective account as he can, recognizing that the life of Philip II has been distorted by historians who have had a Protestant bias (and therefore portrayed Philip II as an inflexible tyrant) and who otherwise have not appreciated the cultural contributions of Spain because of what he describes as the "Black Legend" (wherein the Spanish are believed to be "tainted" with Jewish and Moorish blood).
Mr. Parker appears to exonerate Philip II of many simple-minded charges, and portrays him as a very competent and astute ruler with a strong intellectual curiosity who devoted his life to the Catholic Church. Philip II was somewhat of a connoisseur on art, who enjoyed the works of Bosch and Titian, but who happened to overlook the genius of El Greco. Another interesting detail in the book is Philip II's enthusiasm for hunting.
The book gives a good overview on Philip II's numerous wives and children (he was married 4 times and some of his children were stillborn). It also allows one to understand the period under which the Netherlands was ruled by the Spanish as well as of the "taming" of the New World, as well as the aftermath of the Armada disaster.
King Philip II preferred a very centralized government. He was an indefatigable ruler who did an incredible amount of paperwork.
Philip II is portrayed as an enlightened ruler who at times showed incredible mercy to his subjects. He even dressed like the common man and did not require subjects to bow down to him as did other monarchs. This was the quintessence of "Spanish nobility."
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Mary Renault's love of ancient Greek culture was displayed in her previous novels, "The Last Of The Wine" and the Theseus duology, "The King Must Die" and "The Bull From The Sea." Her admiration for Alexander is also on display. Most authors of historical fiction are fond of their subjects, but the reader can tell Renault adored her chosen hero and found in him an ideal that may have been more imagined than real.
Still, Renault's work is superb. She was a master of language and craft, and her novel touches the key points of the Alexander legend without turning them into precious showpieces. (I particularly enjoyed the depiction of the taming of Boukephalos, with various characters facing different outcomes of the horse's purchase). She shines when depicting characters, and offers a fascinating interpretation of the relationship between Alexander, his father King Philip II of Macedon, and his mother, Queen Olympias.
History tells us Philip and Olympias were at war with each other until Philip was assassinated, which Olympias probably had a hand in. The war included their son, who is shown as an intelligent, preternaturally observant child who absorbs his mother's hurts and grievances well before he's old enough to understand them. Alexander is never allowed to be at peace as far as his loyalty to either parent is concerned; torn between a father who resents any resemblance in him to his mother, and a mother who has made him her defender and prize, Alexander's mystical bent is made plausible as the defense of a child who literally had no one else but God (or in his case, the gods) to turn to. A psychiatrist would have had a field day with the entire family, let alone with Alexander himself.
Perhaps Renault wanted to show Alexander as being able to rise above the turmoil his household was in, but she doesn't dwell on his vulnerability. That is a weakness in this book; Alexander is brilliant and bright, but rarely falls or missteps. The one time he makes a true mistake, leading to the arrest of a friend, is a scene of white-hot intensity, including the aftermath of the scene. If Renault had shown more of Alexander's weaknesses--his humanity--this book would have been a scorching testament to the beginnings of this complex man.
It is still a very good novel, particularly when Hephaistion enters Alexander's life. The man who may or may not have been Alexander's lover is portrayed as that by Renault, and her reasons are as good as any to believe the two men were lovers. Hephaistion is written well here, as the person Alexander trusted more than anyone, and who did all he could to deserve that trust. His single-minded devotion is a little annoying--surely Renault could have had him win an argument once instead of always giving in?--but Hephaistion still draws much sympathy, in light of all he goes through in order to remain at Alexander's side.
Renault wrote good battle scenes, and the Battle of Cheironeia (Chaeronea) is one of her best efforts. So, too, are the snippets from the Thracian wars and the Argive revolt in which Alexander saved his father's life (although the language is a little high-flown in the last). She had an eye for telling detail, making the reader visualize an entire scene from one small description. Two wonderful examples would be the aftermath of Cheironeia and the assassination of Philip.
I recommend "Fire From Heaven" because it's a beautifully written book and its history is portrayed with accuracy and skill. It's not quite as good as its successors, "The Persian Boy" and "Funeral Games," but it's like comparing fine apples to equally high-quality oranges. Enjoy it.
One of the repeating themes in literature and biography is the difficulty that eldest sons have in succeeding in their fathers' eyes. Alexander the Great was a notable historical exception to the usual rule. His father was exceptionally able, and united the Greeks prior to his assassination. Alexander was a greater man, and this book explores the development of their relationship amid the backdrop of court intrigues and Hellenic politics. Plutarch's Lives is the primary source for Fire from Heaven, but Mary Renault has drawn from other post-Alexander sources to weave a compelling historical novel of what it might have been like back in Pella.
The Macedonians had a number of habits that some would be uncomfortable with today. These behaviors included killing as a rite of manhood, slavery, taking physical advantage of weaker people, plundering, polygamy, open bi-sexual relationships, raiding neighbors for pecuniary advantage, and sacrificing of animals to the gods. If any of these things distress you, this may not be the novel for you. These behaviors play a big role in the story.
Alexander's father and mother did not see eye-to-eye. Part of the reason was that his mother was probably overly politically ambitious. Another part of the reason was the his father rarely saw a beautiful young person he did not find attractive, and he was a man to act on his impulses. The book explores how Alexander developed his independence of character and action from both of his parents.
Much of the novel can only be guess-work, but the record is fairly clear that Alexander was able to command respect as a field commander by the time he was only 16. He also displayed a dislike for taking the easy way out, so his many principled stands make sense. The book also looks into his relations with his friends and colleagues, and leaves it open as to whether these were sexually chaste relations or not. The author's note leaves it up to you to decide what his preferences really were.
The book was most appealing to me before Alexander was butting heads with his father. One of the most revealing episodes though is one where Alexander saves his father's life, and his father pretends to be ignorant of the fact. Actually, their relations were probably harmed by this, because it made them into peers before they were ready to accept one another in that way.
If you are like me, you will find it intriguing that it could be difficult to be the son of a successful king, even if you are about to conquer the known world on your own. It was also interesting to read about what it might have been like to have had Aristotle as a tutor. The sections about Demosthenes also added to my appreciation of the role of an orator in Athens at the time.
If you are not fascinated by Alexander, you will probably grade this book down to about three stars. If you would like to understand Alexander a little better, you will find the insights here more accessible than Plutarch's and the novel to be very interesting. If you want to learn about military strategy, this book will be a one star effort for you.
After you finish reading the book, I suggest that you think about what kinds of experiences can help form the character of your children in positive ways. I also hope you will learn from the example here to let the relationship evolve easily as your children become ready for more responsibility.
Help your child create an inner spur to be the finest person of character your child can be!
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This book does the job magnificently. Alfred the warrior, ruler, innovator, strategist, and moralist are all presented well within the context of a 9th century Anglo-Saxon world. Alfred the pious and Alfred the ruthless are both shown as parts of the same man.
While concluding that Asser's "Life" is a legitimate source of biography for Alfred, the author does not limit himself. Extensive use and comparison between versions of the "Anglo-Saxon Chronicle" is combined with what limited charter evidence survives, archaeological discoveries and an examination of coinage patterns to round out the picture of Alfred and his times.
One major strength of this work is its very careful comparisons of Alfred and his activities to those of predecessor kings of Wessex and successor kings of the Anglo-Saxons. Alfred's reign is not studied in isolation. How Alfred was both traditional and innovative in contrast to his father and brothers helps place Alfred in the context of his times. The legacy which Alfred left his descendants (to become kings of all England) is given special attention.
The author is circumspect in trying to get inside of Alfred's head. Alfred's physical afflictions are examined with an eye to a modern medical diagnosis and their effects on Alfred's personality. Using the marginalia in Alfred's own translations from Latin into the vernacular, the author tries to see inside Alfred the man - all the while cognizant that such a review is only speculative.
This is a great book and a very good read.
My only complaint against the book (which brought it from 5 stars to 4) is the author's very annoying insistence on quoting innumerable sources in French and then translating them in full into English. For those who read French, the English translation slows reading (one can't help but compare one's own translation to that of the author); for those that don't, the French is superfluous. This bilingual quotation method is occasionally useful when a critical shade of meaning must be brought across; to do it on virtually every page is just a nuisance.
One caveat: As with all histories of the day, it has zero objectivity with regard to the First Nations.
Still, the details this book provides will be found nowhere else.
Reading the accounts in other history books on the era gives you a general idea about particular battles. This book goes into GREAT detail.
It is worth both the price and the wait to have it printed. Superb!