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Despite this, the book is well-written which one can not say about many of the books written about Prince William. This book can be appreciated by adults and not just gushing teenagers who are crazy over Prince William. It's easy reading and can be easily read in an hour.
Richard Buskin has written several books about the Royal Family - Diana in particular.
Prince William has had to grow up rapidly considering the events which have taken place in his life. As everyone knows, the world is on the verge of a new millennium, and for William, the twenty-first century king, it appears to be there for the taking. There are many picture of Prince William from infancy to the present; however, there are no new ones.
Since the death of his mother, the late Diana, Princess of Wales, Prince William has grown into a mature young man, and whatever the future holds, the eyes of the world will certainly be on Prince William.
This is a paperback book which contains 159 pages and measures 4x63/4 inches.
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What differentiates Schickel from Bogdanovich and Emery is the fact that, for many years, he wrote film reviews for Time magazine and thus had an immense audience with which to share his opinions about more than a thousand films. Also, he is the author of more than 20 books about film making which include biographies of Marlon Brando, Cary Brando, and James Cagney. Over the years, he has earned and richly deserves his reputation as one of the most thoughtful and knowledgeable of film authorities. In this volume, he interacts with eight of the greatest film directors. At no time does he seem intimidated by them nor does he ever disrupt the flow of information exchanged with self-serving observations. He guides each director into subject areas which are probably of great interest to most film buffs but he also allows each director to ramble, digress, etc. when reminiscing or when sharing specific opinions about films and actors with whom they were associated. Sure, there is some delicious gossip. And yes, some insights not otherwise available. However, for the most part, Schickel sets up various subjects and then allows each director (many of them a personal friend) to proceed wherever he may wish, at whatever pace he may prefer. His brilliant orchestration of responses ensures their scope and depth. That is to say, he did not merely turn on the recorder and then let each of the eight take it from there. On his reader's behalf, Schickel remains actively involved, indeed engaged in the exchange of information but at no time is intrusive. Within its genre, this is indeed a "classic."