This isn't one of the most famous books in Well's canon, lacking the classic status awarded to books like War of the Worlds, The Time Machine, and The Invisible Man. The Sleeper Awakes is a good book, though not one on par with those works. It drags in some places, but is on the whole interesting for it's fairly unique (for the time; like many Wells novels, this has a central plotline that has been re-done by many a faceless SF author since.) Also, the vision of the future presented here is an interesting and slightly novel one, which Wells himself, in the introduction, admits to being one that will almost certainly never come to pass, which makes this book's warning not as clear as say, 1984's or Fahrenheit 451's, but is nevertheless notable. Thus, the novel is entertaining, and, in spots, fast-paced. Recommended for the Wells fan, newcomers to the father of science fiction should start elsewhere.

DO NOT BUY THIS BOOK
GO TO THE LIBRARY AND BORROW IT FOR FREE
IT IS NOT WORTH IT

It is a sad thing when an author starts a series with a great idea, like rewriting history with a different set of scientific laws, but then doesn't know how to finish the story. I originally bought the first two books in the series by accident but was happily surprised when I finally sat down and read them. Then when the third came out I was excited to continue the journey, but upon finishing I was somewhat let down. But now, even though I still have 50 pages left, I have been sorely let down.

Keyes seems to have lost track of his characters, giving them outlandish abilities which work in no logical sense. The great powers of the Earth find themselves prostrate over their own minor problems which they never got around to dealing with earlier on in the series. And further, this is the point which angers me the most, the French witch Adrienne becomes a sad copy of Franks Herbert's, Lady Jessica of the Dune series.

She is supposed to be a being not born on chance, but of a breading program monitored over centuries to produce a superbeing. HELLO? This a complete copy off of his plot thread, used to fill in a story loop hole so large a small moon could easily fall into it.

The philosophies brought about have become more mundane with each page. The ideas never coming to any sort of fruition understandable by any sensible reader. The lead characters have lost the readers attention, and have become less important than the much more interesting less brooding supporting cast.

How sad it is when an want to be writter has a good idea but no story arch.

Better than the last book. Things come to a conclusion, which is good because its the last book. Things are also more fully explained for example the nature of the Malakim and the sun boy king. The very end is a bit disappointing in the way he decides to bring about a "happy ending" and bring everything to a resolution. Though to be fair I couldn't see that there was much he could of done different other than destoying the world, which doesn't happen. I give it a B-.

Nothing makes a series [better then] a reader like extended delays between volumes. Unfortunately for me, not only was J. Gregory Keyes a long time in issuing this last volume in the 'Age of Unreason Series,' marketing for it was so poor that it was a year before I actually found it, and even longer until I finally started to read it. Given the scope of the series, this nearly caused me do decide not to read it.

The key of the problem is that the cast of characters is immense, and seems to include everyone of note in Europe and North America from Isaac Newton and Ben Franklin to Tsar Peter the Great. At the beginning of 'The Shadows of God' Keyes spends about 40 pages re-introducing his characters. Before I gave up counting he had mentioned thirty major characters and a host of lesser. Moreover, while diligent in the matter of name-dropping, Keyes makes no effort to provide continuity between this volume and its predecessor.

As such, it was a while before I remembered that Keyes had Newton discover the existence of the Malakim, angels who intersected with the human world and whose powers could be harnessed. As he and his student Ben Franklin move across Europe, great powers are set in motion, eventually leading to London's utter destruction by an aimed meteor, and a Russian attempt to conquer the world. With Europe in tatters, the action shifts to the new world, where men battle men and Malakim, and everyone who can tries to destroy their enemies and take the earth for their own.

In North America, invading armies of the Malakim inspired Sun Boy and James Stuart, pretender to the English Throne prepare to overwhelm the indigenous races and colonists from New England to New France. Ben Franklin is the ringleader in for those who oppose the Malakim as he tries to deal with overpowering magic, traitors on every side, and the rulers of New France, Sweden and Russia. With his family life in a shambles, and his imagination stretched to its limits Franklin must prepare to fight a battle that truly is the apocalypse.

This is primarily alternate history, based on the thesis that Newton's discoveries were of the laws of magic rather than those of science. Misled into thinking that the Malakim were harmless, Newton did not realize that these were the fallen angels, stranded on earth by God, and that many of them fiercely desire the end of man. The fascination of a new scientific system, and Keyes' great writing are what keep the series moving, and this volume is no exception, despite the slow start.

The book probes the possibility of a universe based on and entirely different meta-narrative and the effects of that world on those that people it. It also questions the significance of good and evil and God's place in the entirety of corruption. Keyes created a high action plot while taking the time to investigate philosophical and emotional considerations. In the end, I found the story very satisfying, but be warned that 'The Shadows of God' would be nearly unreadable for someone who has not read the first three volumes. It is unfortunate that Keyes will probably never get the recognition he deserves for this work of science fantasy. If you have the opportunity and the time, you will find the series well worth reading.

I consider myself a big fan of J. Gregory Keyes, so it probably comes as no surprise that I found this book, like its predecessors, to be delightful. This third book in the "Age of Unreason" series picks up ten years after _A Calculus of Angels_ left off, and the three main characters of the tale (Ben Franklin, Adrienne de Montchevreuil, and Red Shoes of the Choctaw) soon realize a malevolent entity in the western reaches of North America threatens all the Colonials have fought for.

Keyes' style is round-robin, and he rotates between characters, chapter by chapter, throughout the book. He is somewhat guilty of blatant cliff-hangerism, but I've learned to enjoy it. His characters are interesting enough that I didn't mind being torn away from one to hear about another.

But without a doubt, his strength is his masterful concoction of cultures that could have been ancestors of our own. His knowledge of native American tribes is evident, and he uses it to greater effect in this volume than in the previous two. My biggest complaint was that _Empire of Unreason_ seemed to end like a movie whose film had run out, which is why it gets only four stars. Certainly, there could've been a grander climax, but the book as a whole stands solidly.

If you've read the first two books in the series, the third is no reason to stop. My favorite still remains _Newton's Cannon_, but this book sets up a fourth (and final, so I hear) book that I eagerly await.

Ten years have passed since the death of Isaac Newton, ten years since the Russians had access to his scientific journals fromn Prague, the less critical ones than the few he could manage to take with him to Venice. We see now why he did not want to contribute to the 'science' of the Royal Society, nor lend much aid to the monarch in Prague - in reality the 'technology' of the malakim (the realm of spirits between humans and God), or even more correctly - plain old fashioned sorcery - "philosophically useless" as Newton once told Ben Franklin. A guilded cage for the truly scientific spirit. And what use have the Russians made of his discoveries? They produce more and more hideously evil machines of war, even a life-gobbling maelstrom of malakim known as the keres, a "dark engine". One suspected that Leonhard Euler would make an appearance, but so far, maddeningly, he JUST MAKES AN APPEARANCE!. Probably the most gifted mathematician to ever live, he frees himself from service to Tsar Peter, and goes in search of, who else?, Newton's clever young apprentice, Franklin. And the subplot is dropped there! Red Shoes becomes a frightening apotheosis of the Native American shaman, and Adrienne finally learns the error of 'using' the malakim, thoughtlessly, like a witch. But is it too late?, and her son...it is her passions that will destroy the world. And maybe that is the point of Keyes' opera: that what makes us humans distinct from our mere human nature - (read especially her 'dream' in the abandoned wilderness that was once the gardens of Versailles) - is our reason, which we ought not abandon, even in the face of extraordinary temptations to gain everything: power, wealth, revenge, victory ... simply by "asking" for it.

Empire of Unreason is the third volume (out of four) in J. Gregory Keyes series, "The Age of Unreason." The series depicts an 18th Century world that has discovered the existence of angels who take an active role in the human world. These are not the beneficient creatures that appear on Christmas cards, but spirits that intend the control and destruction of the human race.

In the first volume, "Newton's Cannon," we find three key players, Isaac Newton, Benjamin Franklin and Adrienne do Montchevreuil enmeshed in the plots and machinations of the English and French kings. This is a titanic struggle over Newton's discovery of Philosopher's Mercury. It ends in the destruction of both countries when Louis XIV managed to aim a comet at London.

In the second volume, "A Calculus of Angels," the world is plunged into a new Dark Age by the cataclysm. Newton and his assistant Franklin flee to Prague, while Adrienne struggles for survival and is drawn to Tsar Peter the Great. Cotton Mather and Blackbeard lead an expedition to the Old World to find out what had happened. Along with them comes a Choctaw shaman, Red Shoes, who will play an increasingly significant part in later volumes.

With most of the players introduced book three, "Empire of Unreason," plays them out on a canvas that focuses on events in the New World. Franklin and Red Shoes lead separate efforts that bring them in direct conflict with the machinations of angels manipulating imperial Russia. These manifest as the appearance of James Stuart (the English Pretender) with an army on the Eastern Coast and the invasion of the Western Coast by Oriental and Russian forces lead by the Sun Child, who is actually de Montchevreuil's son. The plot swirls with complexities as the various characters are drawn into what may become a confrontation in the next volume. Here they fight battles and hunt the creatures of the Malakim (angels) and are hunted in turn. The writing is colorful and there is a never-ending supply of cliffhangers and twists to keep up the reader's interest.

I am reading another alternate history series at the same time, Mary Gentle's Book of Ash. This follows a young woman military commander in a struggle across the face of 15th century Europe. The two series have much in common. The heroes are facing enemies that would eradicate the human race. The primary characters are touched by magical forces that change them permanently. And their struggles are against overwhelming odds.

The series differ in that Ash is true science fiction coupled with superb military history, while the Age of Unreason is a fantasy with the illusion of a scientific basis. Age of Unreason is the more intellectually interesting, since the author takes the time to delve into philosophical and metaphysical ideas. Not in such detail that the narrative is ever the least bit tedious, but there will be times when you put the books down and think over a paragraph.

Both series are exceptional works of author's imagination that I recommend wholeheartedly. Certainly, if you enjoy one of them, you will enjoy the other.