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This volume picks up the thread of the Time of Troubles where _The Bristling Wood_ left off, and is continued in _The Red Wyvern_. In the present day, picking up a thread from _The Dragon Revenant_, Salamander has turned his talent for dweomer into a living as a stage magician in the Bardek archipelago; as a half-elf, he has a life long enough to search for the soul of his beloved wife, dead untimely of fever, until he finds her reincarnation. Alas, the dweomer can't just be turned on and off like a lightswitch, and he'll pay for his abandonment of his true calling someday if he doesn't look out.
In the time of troubles, Maryn, the young Marked Prince of Pyrdon, is being groomed by Nevyn as the high king who can bring the wars to a halt, since he has close blood ties to all the contending claims for the throne, except Cerrmor - and since Cerrmor's heir is Princess Bellyra, an unmarried girl of Maryn's own age, that's not a problem. Cerrmor is in dire straits, and will welcome Maryn as a suitor for Bellyra with open arms - if he can get there alive. (Bellyra, for her part, is intelligent enough to realize that he'll never love her; she's just what he needs for the kingdom's sovereignty, and maybe a friend and ally, but no more.)
Some followers of the dark dweomer attempted to work magic against Maryn by creating a curse tablet. Nevyn has managed to get hold of it, but daren't destroy it, discard it, or be caught with it while trying to unravel the spells on it without harming Maryn. (This thread eventually doubles back on itself, in Kerr's nonlinear, braided storytelling style, giving him the idea for creating the Great Stone of the West (the opposite of the curse tablet) which we saw back in volume 2, _Darkspell_.)
Be warned, the dark dweomer workers did something VILE to enchant the tablet - Nevyn finds the evidence with the tablet. Grisly. Also, while Maryn has been groomed to be a warrior's ideal of a king, he's not a saint (the silver daggers when in transit introduce him to a brothel, which actually turns into a hilarious if bawdy scene through no fault of Maryn's).
Bellyra, for her part, is not only intelligent, but unusually well-educated and intellectual, and will grow into a formidable political force if she survives the siege of Cerrmor. Like Maryn, she is one of the recurring characters being reincarnated at different stages in the history of the series. One of her incarnations appears in _A Time of Exile_, while both she and Maryn have been reborn late in the 'present' day.
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To date (the beginning of the 2nd season of Nero Wolfe), A&E has adapted 2 of the 3 stories herein. I've sorted them here by chronological order rather than as they appear in the book.
"Help Wanted, Male" - May 1944. Adapted for A&E's 2nd season. Wolfe isn't taking any private cases while working for Army Intelligence (and anyway, Archie is technically in the Army rather than doing legwork for Wolfe in his private capacity). When Ben Jensen (having met them during the court-martial of a man selling Army secrets for political purposes) comes to Wolfe asking for help after receiving anonymous death threats, Wolfe turns him down - although he would anyway, since there is ultimately no protection against a determined assassin. It's material, though, because Wolfe himself receives similar threats after Jensen's murder. (Granted, his first reaction is that Archie provided these last as a gag.) Then when Archie gets to Washington to request a combat assignment yet again, he sees a *very* unusual newspaper advertisement, seeking someone matching Wolfe's description.
"Instead of Evidence" a.k.a. "Murder on Tuesday" - October 1945, 1 week after Archie is officially out of the Army. Many attempt to hire Wolfe to keep someone from killing them, but none have ever been accepted - because a sufficiently determined killer can always succeed (and with enough patience, maybe not even be caught). Eugene Poor owns half of Blaney & Poor, manufacturers of novelties, but Blaney is determined to get sole control without paying full value for Poor's half - so Poor says. Mrs. Poor would rather see Eugene sell out for a pittance than run the risk of being murdered. Wolfe, in the end, undertakes only to see that the cops are tipped off properly if Poor is murdered - and the neatly typed list of facts is called for before bedtime by Cramer of Homicide, now that a bomb disguised as a cigar has blown Poor's face off.
"Before I Die" - Adapted for A&E's 2nd season. 7-8 October 1946, when Wolfe is desperate for a controlled substance - meat, under post-WWII rationing. Another desperate man - Dazy Perrit, king of the black market - can provide a quid pro quo, if Wolfe can protect his daughter. Even Beulah herself (through a combination of circumstances) doesn't know that Perrit is her father, but some of his underworld associates have been trying to find her, so he hired Angelina Murphy to play the role of daughter. "Violet Perrit", however, has become greedy, blackmailing Perrit by threatening to expose the charade. He's come to Wolfe to get him out from under without endangering Beulah.
The title quote is actually from Archie, who's really scared by this case, since they now know far too much of a dangerous man's secrets for comfort.
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She's been re-writing her series from the beginning. I thing her original names for the first few books were terrible (almost kept me from reading them), but changing them is confusing!
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I found this sequel to The Red Wyvern slightly unsatisfying, but still an absolute charm of a novel, with the kind of detail a fantasy trainspotter like me thrives upon. Kerr does feudal villages and castles and fantasy/history exceedingly well; her characters are multidimensional and challenging - particularly the women, which I believe is deliberate: the men tend to be more distant - romantic figures or even caricatures - which I suppose might annoy you if you are a man. But this is quite unashamedly a book from a woman's point of view: for instance, when the men go to war the action of the novel tends to stay with the women left behind. This works very well indeed: it's not a feminist treatise, just an honest authorial perspective.
In The Black Raven, we meet my favourite Lillorigga again, this time on the horns of a different dreadful dilemma, torn between her good, honest, loving, considerate, brave, strong, boring husband-to-be and the not altogether natural charisma and charms of the importunate Prince Maryn; working with dangerous magic to unravel a deadly curse on the Prince at the expense of her health and not entirely free of the spectre of her evil dead mother.
But it's Niffa who takes my fancy in this one. Just coming into the awareness of her psychic abilities and hounded by Raena, the misguided sorceress with little conscience and too much power for her own - or anybody else's - good, Niffa mourns her murdered husband and is comforted by the family ferrets, unaware that her pain and persecution is a repetition of that of Lillorigga and her mother, doomed to continue, cycle upon cycle, in different incarnations, until, presumably, the battle between the supernatural forces which blights the lives of the inhabitants of Deverry and, centuries later, Cerr Cawnen, is resolved.
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Finally, I must say that many of the reviews I find herein, both for this work as well as others, seem to ignore any proportioned approach or critical evaluation, burdened by an emotional bias that refutes credibility. It beggars belief that every book written deserves either 5 stars or an opposing trashing. It would be nice to see a bit more balance in these reviews, as well as evidence of thoughtful and comparative approach.
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As mentioned above, I was pleased to find her finally completing her tale of the Civil Wars, begun so many books back and left dangling for so long. I had begun to despair ever finding out in full about the conquest of Deverry by the High King and his supporters, so many of whom have played successive roles as Kerr's series unfolds. And, I gather, this part of her story is not yet fully over. In a similar vein, I was also heartened by hints that Ebany will once again be appearing, after being rather unceremoniously dumped back in "A Time of Omens." A complete jettisoning of these plot and character elements would have done much to diminish my opinion of this series. As I have thus far enjoyed it greatly, I was pleased that my faith in Kerr's writing had been rewarded.
Much more episodic than the current and, apparently, more popular works by Martin and Jordan, this work is nonetheless their equal, and deserving of more attention. While I believe this series overall is deserving of five stars, I gave this particular entry four, as I found Part 3 somewhat weaker in plot than the rest of the book. I realize this may be due to demands placed upon the author for setting up the next book, but nonetheless found this chapter unbalancing to the book's overall structure. This doesn't, however, lessen my anticipation for the publication of the next book. And for those fans already missing the passing of Jill and Nevyn, I suspect Jill in other guise is already back, and Kerr has indicated that Nevyn will shortly follow; Take heart!
For those of you who are waiting for the Black Raven with bated breath, I would suggest visiting www.voyager-books.com - where, oh joy, the first chapter is online to read. For people interested in the Deverry series in general, Katharine Kerr has a website that you can link to off of tor.com. And as to what is coming after the Black Raven, there will be either 2 or 3 more books - I've got conflicting information on that.
Supposedly, at the end of this series, things will all link up into one big Celtic knot, and we will finally see the whole story line. Also, all the characters are supposed to come back in the end for a grand finale. Personally, I can't wait till this happens - and I have plenty of speculations about WHAT will happen. Is Jill Rhodry's daughter in this incarnation? Will Haen Marn ever get back to Deverry? Will Nevyn be incarnated as Domnall Breich's son? Will Evandar and his people all be born into the world of men? Will I ever quit asking all these questions? No. Well, I have one final question, which is certainly one that EVERYONE will want to know. WILL THIS SERIES HAVE A HAPPY ENDING?!?
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In this book, the influence of Dweomer is much more pronounced--however, she manages to make it believable.
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I have a confession to make... Halfway through, I quite frankly gave up on this book and went on to read twelve other books. But for the first time in my life I resumed reading a book I had given up on- This was solely because of how much I enjoyed her first three books, and my hope that the next few would be up to her usual par.
A few things did impress me here though. Salamander- a very interesting character is fleshed out for the first time. Kerr's dialogue and Deverry's culture give her works a wonderful feel. I would have enjoyed a grander resolution between Rhodry and his brother/enemy Rhys, but the ending made the book worth while with several surprises and a very neat closure to the whole series. Or was this just a bridge? On to Omens and Exile for the answers I go. And I can't wait to get to Dragon Mage since I previewed the first chapter- looks exciting!
Set within a celtic realm, Kerr's tale actually follows the interwoven stories of several different characters spread across a time span of several hundred years in the history of the Westlands. Some readers used to the more conventional use of a linear plot may find this disconcerting, but Kerr has used it effectively and originally in evolving her story over the past six books. The realms of Westlands are varied and richly landscaped, and the mythology behind the world intriguing. The only flaw that prevented me from assigning 5 stars to this book was Kerr's sketchy handling of Jill's time spent in Anmurdio, a problem similar to those that plagued Kerr's first book, "Daggerspell." Nonetheless, a worthy successor to previous books in the series, and definately well worth the read.
One final note of complaint, directed at the publisher: It would be helpful, for those of us with a geographical bent, to provide maps of the Westlands with all of the books in the series. Since the second, book maps have been absent, except for a partial map available in "The Dragon Revenant." Even more irritating is the lack of provision in certain books of a full and complete character list covering at least the major characters in all six books. With all the shifts in plot line in time that take place, as well as the reappearance of certain characters in later books, it would be helpful to have this aid for one's memory.