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Lanham Neal, a Confederate vetran wounded in his first and last battle against the Yankees, had finally settled in as "caporal" at the small ranch run by Griffin Daingerfield and his daughter Zoe. While Lanham, Zoe, and some ranch hands were away from the ranch house rounding up and branding their cattle, Mexican guerillas crossed the border, killed Griffin Daingerfield and others, and burned the ranch buildings to the ground. Neal found himself in the middle of the conflict. He must balance his priorities between his love and loyalty to Zoe, her insistence on revenge for the death of her father, and his own conscience. Eventually Captain L.H. McNelly and his small company of Texas Rangers enter the scene with orders to bring law and order to the territory regardless of the price in lives and property and the action excalates.
This novel is part of a series of "Tales of Texas." Anyone reading this book will gain an interesting insight into this violent time in Texas history.
What is strange with this book is the time and place chosen -- the site of the worst attrocity of the Texas War for Independence. And yet it works. Kelton's Buckalew brothers are solid characters, and will certainly appeal to most readers. Teresa, the book's love interest, is appropriately enticing.
If there is one problem with the book, it is that Kelton makes the romance seem too unattainable. This is especially true in light of the fact that so many Tejanos were active supporters of Independence, and indeed were leaders in it. Furthermore, the selection of Goliad for the backdrop is disconcerting -- the tragedy to come is almost too overpowering for those who know Texas history. But the key word here is "almost," for that is Kelton's gift.
Much as the improbable romance and impending tragedy of TITANIC appealed to millions, so, too, does this story.
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His favourite subjects are the Plains tribes, mountain men and the cavalry, each tackled with an eye for detail and story which is quite compelling. I suspect that, like Constable, he would gladly paint unpopulated scenes - his love of the plains, mountains and forests of North America shows in his sensitive and meticulous portrayal of landscape and sky and his keen eye for lighting shows in virtually every canvas.
McCarthy's mastery of texture and form, and his handling of atmospheric effects like dust is second to none. His ability to capture movement and the broad sweep of action is thrilling but his draughtsmanship is a touch weak at times, his horses having a slightly homogeneous look and his depiction of Native faces can occasionally appear a little stilted to my eye.
The text by Elmer Kelton is a bit mellifluous for my taste but suits the stirring nature of many of the pieces and often provides a narrative not obvious to a viewer unfamiliar with the subject.
Despite these minor reservations this remains a valued book in my collection, evoking a great feel for place and time, and I find myself leafing through it quite often.
If you like McCarthy's style, look out for "The Art Of Howard Terpning" (also sadly out of print) you should like his work too.
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