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The book has beautiful word-play and rhythm, along with classic sketched illustrations - A keeper for all time.
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This book helps the American family redefine their concept of family, extended family, and household as a source of strength for their cultural development.
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Collins' knowledge of the Hebrew Bible is extensive on both theological and historical levels. His knowledge is also useful because in the Hebrew Bible are the roots of the problems with messianic interpretation - the scriptures themselves. Once Collins places particular scriptures in their historical context, he then goes on to show their influence(s) and interpretation(s) in various post- and extra-biblical works of literature. We find a pre-existent, heavenly messiah, a priestly messiah, a kingly messiah, and a militant messiah in the works Collins analyzes. At least one messiah was expected and possibly and two, depending on who wrote the work. Collins also deals with the history of the word "messiah" and its various uses in the Hebrew Bible.
In reading the book, the reader will gain some insights as to how and why the writers of the New Testament understood Jesus the way that they did, but the goal of the book is not to connect these works to Jesus. The book is, in many ways, a survey of the messianic thought during and before Jesus' time.
This book is not an introduction by any means. It is an in-depth study; some previous knowledge of the Scrolls, the Pseudepigrapha, and Second Temple history will be useful to the reader. A glossary would have been nice and helpful and would have opened the doors for less knowledgeable readers to read and understand the book. Overall, this is an excellect read. However, previous knowledge will enable - and perhaps even be necessary - for reader to grasp the many insights in Collins' work.
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This version in terms of gesture and music is one of the more traditional versions. It assumes a communal celebration with Leader, Reader and "All". Each station begins with a short responsory and genuflection, the reader proclaims a scriptural passage related to the station, all kneel and the leader reads a short meditation applying the suffering of Christ at the station to our lives, the people respond with a short psalm excerpt, all stand and sing a verse of the Stabat Mater. Each station is accompanied by a line drawing.
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Sentence by sentence, this book resonates with the sound of classic literature. I'm a fan of eloquent wordsmithery, and Conrad was a master. Having read this independently, I probably didn't pick up on all of the symbolism or social commentary about European colonialism. However, the essential themes are clear and persuasively shown: the corruption of power and the potential in humankind for regression to savagery when social inhibitions are absent - much like "Lord of the Flies", which another reviewer astutely noted. Beyond the meanings, I think it works very well as a dark adventure narrative, building premonitions of disaster as Marlow journeys deeper into the continent and closer to the mythical Kurtz. My only criticism echoes many previous reviews: the encounter with a weakened Kurtz is anticlimactic and leaves the reader hungry for demonstrations of the great man's warped charisma.
I recommend this particular version of the novella because it contains a variety of essays, which discusses some of the main issues in the reading and historical information. Issues like racism and colonialism are discussed throughout many essays. It also contains essays on the movie inspired by the book Apocalypse Now, which is set against the background of the Vietnam War. I recommend reading Heart of Darkness and then viewing Apocalypse Now, especially in DVD format which contains an interesting directors commentary.
This volume is one of three. Originally, all in one book it was more roughly 7" x 6" in size. Being 8.5" x 11" makes the reproductions bigger, but unfortunately, the majority are still in black and white or not there at all. Many works mentioned, are not included in this (or older editions). What good is mentioning a work of art, the reader is likely not to be familiar with, and have a hard time finding elsewhere? This makes the text, frustrating.
Starting with Rome in the first chapter, following with Caravaggio, the Carracci, Caravaggio's followers, Painting outside of Rome, and ending with Architecture and Sculpture. An introduction giving a brief biography of the author and enlarged bibliography has been added.
Wittkower is an important art historian and gives a comprehensive analysis of this time period which is essential for anyone interested in Baroque art. If it had all colour reproductions and included more of them, I would give it 5 stars.