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The characters were not well-developed. Because of the fact that we didn't get enough background, it was not easy to figure out their motivations for the things they did.
Jack's attitude toward Maggie was arrogant & self-centered. She was good enough for him to have sex with, but not good enough to have anything more with because she was an alcoholic. Who by the way hadn't had a drink in almost ten years and during that time gone to law school and had a thriving practice. I realize his mother was an alcoholic but his mother NEVER stopped drinking! And it's not like he was perfect!
I found myself reading compulsively till the end, although about two thirds of the way through, I'd figured out who done it - the tension in the plot doesn't let up until the last chapter. My only criticism was the pace of the book - it actually covers only a few days, so I suppose the fact that it sometimes seemed to move too fast, is understandable. I would have rated it 5 stars if there had been a little more character development to contribute to the romance - maybe a few more flashbacks to flesh out the roots of these characters' angst, rather than simple explanation passages in the narrative. Still, a fairly good read, with an original twist and nicely flawed (human) characters - even if the Texas characters are somewhat stereotyped!
Lisa and Maggie are talking -- Is Maggie going to let Jack get away? Lisa assumes that Maggie is in love with Jack. Her comment - "I've seen the way Jack looks at you." Maggie replies "That's lust!" Lisa insists that Maggie is not the type of woman that men lust after. Maggie laughs - not insulted "Oh? What type am I?"
Lisa says, "Wholesome. The one-man-one-woman-till-death-so-us-part type." -------- "Well, phooey!" [from Maggie] --- "What's the matter." [Lisa] ------ "I think Jack's the love-'em-and-leave-'em type."
I thoroughly enjoyed this book and others by Joan Johnsten, especially the Captive series [4 books] plus
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Once you get inside, you will see there are three selections in this book: "Redbird" by Diana Palmer, "The Bluest Eyes in Texas" by Joan Johnston, and "The Bounty" by Rebecca Brandewyne.
I enjoyed "Redbird" the most because the characters and the situation they found themselves in were believable. The author did not gloss over the possible consequences of the kidnapping, and instead worked with it. I also believed that the two would actually want to be together and make their marriage work by the end. Finally, I really liked the hero, a must for me to truly enjoy a romance story. While he could be rash, he is really a big lovable bear, with the nice twist of not being a ladykiller in his behavior. He is a good mix of Alpha and Beta characteristics.
"The Bluest Eyes in Texas" was OK, but it was over-the-top cliched with Ranger Burr Covington being obsessed with the social-economic differences between him and the governor's daughter, Lindsey Major, and especially with her blue eyes. I realize it's the title, but Johnston relied on the "blue eyes" theme to the point of annoyance. Considering the abruptness of the ending and the fact that I didn't believe for one minute Covington would have really proposed that soon, she could have deleted half of the references to "blue eyes" and saved the words for more character development and a better ending.
I liked "Bounty" the least. While it has the hottest sex scenes, I simply did not like Rafer Starr. He is a cliched Alpha-bad boy character. He sees "strong" Hayley Harper and immediately wants to "tame" her down, like some sort of house pet. This story also relied far too heavily on sexual chemistry and simply did not make me believe the characters were compatible for anything more than a roll in the hay by the time the story ended.
I felt that Palmer ("Redbird") did the best with the short format the authors were restricted to, and made the most of the space she had to create a more realistic romance. "The Bluest Eyes in Texas" would have benefited from more space to make the story less one-dimensional and allow for a richer, fuller maturation of the characters' relationship and especially a better ending. "The Bounty" would have not been any better with more space, just longer. Rafer Starr is simply not a likable character. His attitude is, "Sure honey, we can have a partnership. As long as I'm always in charge and you let me take care of you!"
The characters of Burr Covington and fellons were great and Lindsay Major was not too bad but......
The plot of the story is not too bad but then again not enough.
Is not one of her better stories -- would not care to read again.
Alright to read once. Ho, hum, back to bed hopping!
Haley Harper is a stong woman, except when it comes to her hormones. She is after the bounty.
Rafer Starr, of Shooting Starr, Incorporated, is a renowned bounty hunter. Admired even by Haley's dad, a bounty hunter in his own right.
The bounty on Dolan Pike is 25,000 dollars. Haley needs this bounty to keep her one woman organization going. She certainly is not going to brook any interference from Starr.
Except, wouldn't you know, Starr turns the tables on her and abducts her. Therein lies a great short story. Haley is not given much choice except to work with Starr. Of course, the hormones kick in and the attraction escalates.
If she is pushing 40, how many kids does she think she can have?
Both want children but whoa, they sure better hurry up.
Any chance of finding out in a later story??????????
Definitely recommended if you like kick butt action.
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Its entertaining, romantic and easy read. I think the author knows her material and knows how to make her characters interesting and exciting. She makes you want to be back there to share in their world. I have read several other books by Ms. Johnston and look forward to reading more of her books in the future.
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Creighton "Cricket" Stewart,a free spirit, at 17 is the youngest of Rip Stewart's three daughters. Rip is a wealthy cotton plantation owner in Texas at the time it was still a young Republic. Rip taught his daughter's all special skills of survival. In Cricket's case thanks to her father, she was so self reliant that she thought she didn't need any man, ever!She could handle whatever came along, Hostile Indians, Mexican Bandidos, she even had wolves for pets.
Enter Jarrett Creed, a handsome Texas Ranger on a secret goverment mission, to expose traitors to Texas, during this time that the republic was under siege from both Mexiacan armies, and Indians alike. Jarrett, who has lived with an Indian tribe is able to save Cricket from a fix she manages to get herself into with the Comanches ... They both infuriate each other as they travel together to uncover a conspiracy, that also unwittingly has Cricket's sister involved. Together they face danger, adventures, and unexpected romantic situations, which get pretty steamy at times.
And just when you think the story is over, Ms. Johnston gives us a sneak preview of "Texas Woman" and "Commanche Woman" (The stories of her sisters) leaving us wanting more.
I read this book while sitting in hospital waiting rooms, thank you Joan Johnston for taking my mind to another time and place. Laurie
Their story takes them across Texas and into New Orleans and back again, all to save Cricket's sister, Sloan and the Texas frontier. The last thing the two expect is to fall in love...
*****Another five stars from me. This book I approached apprehensively, (I'm not really into these types of novels) but I found that I could not put it down! This novel was wonderful, full of character and humor. I was reading it on my breaks and people were staring at me because I was laughing so hard. This is definitely a good read, and now I'm looking forward the rest of this series called Bitter Creek. *****
Reviewed by Kim Blair
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There are other grating inaccuracies and impossibilities which also irritated me: for instance, Marcus travelling with his twin nieces without a maid or governess in sight?! No way. Absolutely would that not have happened. These are daughters of a duke. They would be protected and chaperoned at every turn. Marcus may have been a relative, but he was still a man; he would not have been alone with them.
And then later in the book, Marcus sends someone to ride from Kent to London, to see his solicitor and a vicar and arrange for a special licence and dispensation to be married after dark, then visit Eliza's friends and get them to Kent for the wedding. All in the same 24-hour period! No chance; that's a complete impossibility. Sure, a rider on a speedy horse could get to London within a day, but do all this and get back again??? And, if I'm not mistaken, a special licence could only be obtained *in person* from the man about to be married, and only from a bishop.
I do find it irritating when writers clearly haven't bothered to do the most basic research.
Johnston doesn't take care with her language, either: her characters are supposed to be English, and English aristocracy at that, and yet a lot of the time they talk like Americans. Simply omitting contractions doesn't cut it, Ms Johnston. For instance, no young lady of the aristocracy - or even any English person - would talk about 'fixing' hair. One 'arranges', or - for that period and class - 'dresses' hair. That's just one example of several irritating Americanisms which leapt out at me. And Ms Johnston or her editor really needed to pay a little more attention to grammar, especially punctuation.
Some of this wouldn't have mattered so much - as with the inaccuracies in Edith Layton's early books - if at any time the characters had engaged my emotions. They did not, in any way. I found them flat and one-dimensional. And when I think of what someone like Mary Balogh or Mary Jo Putney could have done with a premise like this, I feel bitterly disappointed. This premise, in the hands of a Balogh or a Kelly, would have been a tear-jerker. Johnston's book has simply left me bored.
The relationship between Eliza and Marcus is odd to say the least. Why would a person who is so badly scarred emotionally and physically force a woman to marry him? Why resist her so much if he wants her that badly? Why does she agree to it all? What is the secret she is hiding?
There are many things wrong with this book, but it does compel you to finish it! Despite the inaccuracies that will frustrate and irritate you... You still find yourself turning page after page, so... there must be something in it to merit a good rating!!
Michelle Harris, Author of Moonlight Midnight Glory, ISBN: 0595000355