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When John Muir made his "Thousand-Mile Walk to the Gulf" the U.S. was not as heavily populated as it is today, although much had changed from the time when European settlers first moved through the area he explored -- a path that stretched from Indianapolis Indiana to the Gulf just north of what is Tampa Florida today.
Muir moved South in the aftermath of the Civil War, so he encountered much unrest, unhappiness, and destruction along the way. He describes not only the flora and fauna he found but the condition of humans as they struggled to rebuild their lives.
He says, "My plan was to simply to push on in a general southward direction by the wildest leafiest, and least trodden way I could find, promising the greatest extent of virgin forest." To a great extent, he was able to do that, however, he could not escape some of the realities of the world around him. For example, in Georgia, he encountered the graves of the dead, whom he says lay under a "common single roof, supported on four posts as the cover of a well, as if rain and sunshine were not regarded as blessings." A bit further he says, "I wandered wearily from dune to dune sinking ankle deep in the sand, searching for a place to sleep beneath the tall flowers, free from the insects and snakes, and above all my fellow man."
Muir wonders at the teachings of those who call themselves God's emissaries, who fail to ask about God's intentions for nature. He says, "It never seems to occur to these far-seeing teachers that Natures's object in making animals and plants might possibly be first of all the happiness of each one of them, not the creation of all for the happiness of one. Why should man value himself as more that a small part of the one great unit of creation? And what creature of all that the Lord has taken the pains to make is not essential to the completeness of the unit--the cosmos?"
Partly as a result of his writing, and the writing of other Naturalists, the National Park System came into being, and today, more trees grow on the East coast than grew in the late 1700s (American Revolution). The fight is not over, however, it has only begun. Many of those trees are "harvested" every year. Sometimes, even within National Forests they are all felled at the same time through a process called clear cutting. The lovely large oaks that Muir beheld are mostly long gone and have been replaced by Pine.
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To anyone considering this book, save your money and go read "Riding the Iron Rooster," by Paul Theroux or any other adventure book that's been written about this part of the world.
I'm just finished the book (it's now 2003). I believe Peter's trip to China took place in 1984. I'm sure things have changed a great deal in the last 19 years!
I would recommend this book.
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But that changed with the release of PETER PARKER: SPIDER-MAN: A DAY IN THE LIFE. Written by Paul Jenkins, this collection of two separate Spidey series (WEBSPINNERS: TALES OF SPIDER-MAN #10-12 and PETER PARKER: SPIDER-MAN Vol. 2, #20-22 & 26) has rekindled that interest. With the same contemplative and insightful style that made his take on THE INHUMANS such a compelling read, Jenkins manages to inject poignancy and humor into this classic character again. We see the personal struggles that have weighed heavily on Peter's conscience. We relive the tragedies that besieged his life and the events (and the people) that shaped it. And best yet, we see him persevere and continue fighting the good fight.
If you like Spider-Man and would like to maintain a sense of history, especially in the wake of the "Ultimate" Spidey reboot and the film, or just want to read one of the best Spidey stories in years, I strongly suggest you pick up this TPB (trade paperback). And I'm not saying that you should disregard ULTIMATE SPIDER-MAN--you shouldn't. It's a great series, too. What I am saying is that this collection is one of THE definite Spidey stories that I've read, and a great way to get back into a character that had seemingly lost his way.
Check it out!
But that changed with the release of PETER PARKER: SPIDER-MAN: A DAY IN THE LIFE. Written by Paul Jenkins, this collection of two separate Spidey series (WEBSPINNERS: TALES OF SPIDER-MAN #10-12 and PETER PARKER: SPIDER-MAN Vol. 2, #20-22 & 26) has rekindled that interest. With the same contemplative and insightful style that made his take on THE INHUMANS such a compelling read, Jenkins manages to inject poignancy and humor into this classic character again. We see the personal struggles that have weighed heavily on Peter's conscience. We relive the tragedies that besieged his life and the events (and the people) that shaped it. And best yet, we see him persevere and continue fighting the good fight.
If you like Spider-Man and would like to maintain a sense of history, especially in the wake of the "Ultimate" Spidey reboot and the film, or just want to read one of the best Spidey stories in years, I strongly suggest you pick up this TPB (trade paperback). And I'm not saying that you should disregard ULTIMATE SPIDER-MAN--you shouldn't. It's a great series, too. What I am saying is that this collection is one of THE definite Spidey stories that I've read, and a great way to get back into a character that had seemingly lost his way.
Check it out!
Jenkins became a household name with his unbelievable work on the INHUMANS, but it is here in his take on Spidey that he truly does shine. His characterization is par none, he takes you on a trip into the Spider-Man saga and fills in points of history, with original art of that time, but never truly changes anything for the old reader. He makes things come to life with his words. The take on going back and forth in the past sure does display his powers as a writer. This is a man that was set to write any hero and make him out to be more human than the people you see walking the street everyday while going to work.
The whole story delves completely on Peter Parker and how his life as Spider-Man has come to be in the recent years. This is a man who has been through much and still persevered to tell the tale. He is your average guy who you might bump into while playing softball in the park or the guy next to you in the movie theater. He is a living, breathing human being and not a comic book character. At times, a person might think that he's probably too human with all his flaws and gestures. The TPB starts off with how the Chameleon, one of Spidey's first foes views him. This trip goes without saying is an in-depth look at Spidey and Peter Parker that has never been explored before. This culminates in Chapter 3 where Spidey is defined as the true character he really is. The following 4 chapters take you on a ride of how Spidey came to be through the eyes of Peter Parker. Flashbacks on his life as a child help create the man he is now and the hero he then later becomes. Jenkins takes you all the way, with a day in the life. The witty humor and the pretenses don't leave you laughing out loud, but keep giving you that smile that you carry on throughout the story. Anyone could be Spider-Man given the right circumstances, but it is only Peter Parker that makes the character who he really is. You feel the loneliness that he feels and the sadness that he carries each day with him. The loss of his loved ones, his uncle and his wife. You just learn that no matter, to be who you are, you have to learn how to laugh. In the end, that's what helps us being ourselves. That's what makes us appreciate our life for what it is. This is a smart piece of fiction, superbly written by Jenkins and drawn by the industry's top artists.
Spider-Man is a comic character, but Peter Parker is a real man in all sense of the word.
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The storylines presented here cover Peter Parker: Spiderman issues #27-28 and 30-34. They include...
#1 - Spiderman battling his arch-enemy Stromm...and then being placed into a situation where he has to decide, "Is it right to kill someone if thousands of future lives will be saved?" Interesting question but it could have been presented in a much stronger light. The villain of Stromm is also not one of the stronger antagonists that Spidey has battled.
#2 - Spiderman battling a revenge hungry foe called Fusion. This storyline takes several interesting turns, the most interesting being when Spiderman receives that "One Small Break" of the title's name. Overall an average outing but there was plenty of untapped potential.
#3 - The best storyline of the bunch (and the only one worth reading in this collection) is a story dealing with Peter Parker (not Spiderman) and his past relationship with his Uncle Ben. The story focuses around an annual attendance of a Mets game and it works on several levels. Again there is some cartoonish nature that detracts from it and keeps it from reaching a "Best of..." level, but overall this one is a great read.
#4 - A silly and stupid and underdeveloped story about a man cursed with dangerous powers and who is being chased by some friendly monks (in the Monk-Mobile!). UG! Why was this story written in the first place...much less included in a TPB? What a waste of space and it doesn't say much if this is the higher level of story to be included into a mainstream TPB.
If you're "Jones-ing" for a Spiderman read then you may want to pick up One Small Break. But if you want to read Spidey in some of his top storylines then look for other TPB's available such as: The Death of Gwen Stacy, Power and Responsibility, or Untold Tales of Spiderman, you'll have a better time there.
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