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Speaking to bibliographer Ann Knight in 1983, Kinsella admitted that a few details from this story are semi-autobiographical: "The lady who keeps saying, 'He can put his shoes under my bed,' I saw at a Vancouver Mounties game in Seattle in 1954." And, "the business about the stewardess trying to give away a baby happened to me and a young lady at the Vancouver International Airport in 1970 or '71."
These stories celebrate particular relationships: between father and son, brother and sister, perfect strangers, a spiritual icon and her admirers, doctor and patient, father and daughter, bowling buddies, etc. They are classic Kinsella. No fan of his opus will want to overlook these initial, "adult-oriented" adventures into the regions of Magic Realism. These tales are Icarus flyers; they tempt the sun to melt their wings.
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To fill in the other points: I choose Nancy & her music. Life has been grand ever since.
This album continues the long line of excellent song writing and great voice.
I encourage everyone to listen to the words and float on the music.
"Thanks Nancy" FMJ
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If you are the kind of person who has to watch "Field of Dreams" at least once a year, then you should jump back a step and read "Shoeless Joe." Better yet, you should make the trip to Dyersville, Iowa, where the field and the farmhouse still exist and look just as they did in the movie. If you can stand on that baseball field without any emotion or without a chill moving along your spine, then someone better check your pulse.
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I'm deeply troubled by the fact that Stockton is _not_ given co-authorship credit on the jacket or on the title page, even though the best passages of the book are his writing, and most of the "inside" accounts of death row life are lifted and rewritten from his journals. It's disturbing that the true author of this story has been made into a mere exhibit by these authors. It's troubling to me that the book, based largely on the work of a dead man (and featuring big chunks of that dead man's writing) is copyrighted by these two authors, and that they're probably enjoying a full cut of the royalties. (I'd be happy to find out that they were sharing royalties with Stockton's family, but I'm not holding my breath.)
This is an important, essential book in the literature of death row. I just wish Dennis Stockton had gotten more credit for being the man he had longed to be -- a writer.
On top of being a gripping tale of prison life, the book is a damning account of capital punishment and our prison system in general. By picking Stockton as a subject, a probably innocent man singled out by the UN as an example of a case of capital punishment that did not meet up with the standards expected of international law, the authors make a ringing statement against death penalty laws and procedures in the United States. Only the most rabid pro-death penalty advocate could read this book and not come away questioning their support for the execution of criminals.
A further feature that permeates the story is just how seedy and corrupt everyone and everything in the book are. The courts, the cops, the guards, the prisoners, the politicians - they are all part of the same basically corrupt world. Only (not coincidentally) the reporters and some of the witnesses come off as being white in a very grey and black world.
The book is a magnificent, cannot-put-it-down peice of work that I heartily recommend to any lover of a good non-fiction tale!
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To be fair, the book does have a disclaimer in the beging which states that it's for more advanced users. So if you aren't very very familiar with struts don't start with this book. Once you get past the struts nightmare the rest of the book is pretty good. I wouldn't say the explinations aren't very good but the ideas they present are very usefull.
To be fair, the book does have a disclaimer in the beging which states that it's for more advanced users. So if you aren't very very familiar with struts don't start with this book. Once you get past the struts nightmare the rest of the book is pretty good. I wouldn't say the explinations aren't very good but the ideas they present are very usefull.
But all the chapters are good even though it was written by different authors.
The section on refactoring in the beginning set the tone of the book. Good authors. Would recommend this book to anyone working with jsps. Very easy language to understand too. The reason I gave it a 4 is 'coz I understood it more only after I began working with jsps for a while.
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This really ruined the authenticity of the book for us and led to a discussion about what can be believed in books. ...
The slang use is very realistic and open, and the way it repeated itself drew the children into the story. The illustrations are beautiful to the eye and fit well into the "back woods" feel of the story, mostly set in the Bat Maker's shack.
The book takes more then a few liberties with the truth - but they make the story more entertaining. The authors explain where they stretched the facts in a two-page story explanation, which includes Joe's involvement in the Black Sox scandal, and followed by another beautiful full-page drawing by C. F. Payne and a full career statistics.
I recommend this book - a student with an interest in baseball will eat this up. Students who like different stories, or who like when they are read to in an odd accent will want more. I hope there will be, with so many great baseball stories out there.