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"The citizen expects police officers to have the wisdom of Solomon, the courage of David, the strength of Samson, the patience of Job, the leadership of Moses, the kindness of the Good Samaritan, the strategical training of Alexander, the faith of Daniel, the diplomacy of Lincoln, the tolerance of the Carpenter of Nazareth, and, finally, an intimate knowledge of every branch of the natural, biological, and social sciences. If he had all these, he might be a good policeman!"
And I add to that, If he had all these there would be no need for a book such as this, but sadly we are both dreamers, hence this book is a necessity for all members involved in law enforcement and or media relations....
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Clotel would have historic interest simply by virtue of the fact that William Wells Brown appears to have been the first African American to write a novel. But it's not merely a literary curiosity; it is also an eminently readable and emotionally powerful, if forgivably melodramatic, portrait of the dehumanizing horrors of slave life in the Ante-bellum South. Brown, himself an escaped slave, tells the story of the slave Currer and her daughters, Clotel and Althesa, and of their attempts to escape from slavery. The central conceit of the story is that the unacknowledged father of the girls is Thomas Jefferson himself.
There is an immediacy to the stories here--of slave auctions, of families being torn apart, of card games where humans are wagered and lost, of sickly slaves being purchased for the express purpose of resale for medical experimentation upon their imminent deaths, of suicides and of many more indignities and brutalities--which no textbook can adequately convey. Though the characters tend too much to the archetypal, Brown does put a human face on this most repellent of American tragedies. He also makes extensive use (so extensive that he has been accused, it seems unfairly, of plagiarism) of actual sermons, lectures, political pamphlets, newspaper advertisements, and the like, to give the book something of a docudrama effect.
The Bedford Cultural Edition of the book, edited by Robert S. Levine, has extensive footnotes and a number of helpful essays on Brown and on the sources, even reproducing some of them verbatim. Overall, it gives the novel the kind of serious presentation and treatment which it deserves, but for obvious reasons has not received in the past. Brown's style is naturally a little bit dated and his passions are too distant for us to feel them immediately, but as you read the horrifying scenes of blacks being treated like chattel, you quickly come to share his moral outrage at this most shameful chapter in our history.
GRADE : B
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"Red Dragon" is the first book I have read by Thomas Harris. I am normally a very big Stephen King fan, but I found this book quite enjoyable nonetheless. However, like I have seen in so many books before, this had the chance of being an amazing novel, but was spoiled by a disappointing ending.
To begin, I would like to say that I do not enjoy Thomas Harris' style of writing when he uses choppy sentences and switches between the first and third person narrative. However, I soon got over that. It did not take away from the book.
Plot: 9/10--I found Francis Dolarhyde to be an extremely strange and frightening character, yet we could relate to his story. You could sense the tension between the characters as they tried to hunt him down.
Action: 8/10--This book is more of a crime drama. It is filled with more "Law and Order"-like searching than action and violence.
Characters: 9/10--Dolarhyde was extremely well-done, but Will Graham was not developed enough. He seemed like a jerk at some points despite his attempts to stop "The Dragon".
Overall: 8.5/10--This book should be at least a 9.5, but the ending was not enjoyable for me. It was an oustanding book, yes, and I will continue to read work by this author, but it seemed rushed and unoriginal. I think Mr. Harris could have come up with a better way (WARNING: SPOILER--DO NOT READ ON IF YOU WANT TO BE IN SURPRISE!) for "The Dragon" to die. It was like most horror movies today, and non suspenseful like the rest of the book. Not only did Dolarhyde suddenly lose his strength and cunning brilliance, he was killed too easily.
"Red Dragon", in conclusion, is a great piece of fiction that I cannot say enough about, but beware, the ending may be slightly disappointing to some.
In this novel, retired FBI agent Will Graham comes out of retirement to work on a case involving a killer that kills whole families including their pets. The novel opens up with Graham at his home in Marathon Key, Florida with special agent Jack Crawford. From their the investigation starts. The killer is being dubbed the "Tooth Fairy," a name given due to the bite marks left on his victims.
Meanwhile the killer calls itself "The Red Dragon," after a pcture that the killer is obsessed over. "The Red Dragon" writes to Hannibal Lecter Ph.D, and says what an idol Lecter is to him and just makes staement about Lecter's brilliance etc., etc. I won't give away any more information regarding the plot. This is a novel that takes you to the corners of the FBI and through a killer's mind. Written by one of the greatest writers ever known, Red Dragon is a novel not to be missed. I reccomend this novel to fan of a fabulous book but not to a person that cannot deal with gore and violence. Once again, READ THIS BOOK!
HAPPY READING!
FBI Special Will Graham has retired to Sugar Loaf Key, FL with his new wife Molly and her son Willie. Retired because of his nearly fatal encounter with a linoleum knife wielding Hannibal Lecter, whose capture he was responsible for, and because of the emotional troubles that have accompanied his ability to develop an almost extrasensory empathy for such killers, such that he has trouble purging their feelings from his own psyche. His peaceful idyll is disrupted when his old boss, Jack Crawford, shows up and asks for his help in catching The Tooth Fairy, a serial killer who is notorious for the tooth marks he leaves and for dicing his victims with shards of broken mirrors. Reluctantly agreeing to join the chase, Graham decides, in order to recapture the mindset that has made him so eerily effective in prior cases, to visit Hannibal Lecter in the Chesapeake State Hospital for the Criminally Insane. There the administrator, Dr. Frederick Chilton, shares an anecdote about Hannibal that demonstrates just how horrible he is:
"On the afternoon of July 8, 1976, Dr. Lecter complained of chest pain. His restraints were removed in the examining room to make it easier to give him an electrocardiogram. One of his attendants left the room to smoke, and the other turned away for a second. The nurse was very quick and strong. She managed to save one of her eyes."
"You may find this curious." He took a strip of EKG tape from a drawer and unrolled it on his desk. He traced the spiky line with his forefinger. "Here, he's resting on the examining table. Pulse seventy-two. Here, he grabs the nurse's head and pulls her down to him. Here, he is subdued by the attendant. He didn't resist, by the way, though the attendant dislocated his shoulder. Do you notice the strange thing? His pulse never got over eighty-five. Even when he tore out her tongue.
I don't think we're any closer to understanding him than the day he came in.''
After tabloid reporter Freddie Lowndes splashes this visit all over the pages of The Tattler, the killer too contacts Lecter who urges him to attack Graham. Thus begins a suspenseful, violent minuet as Graham develops increasing insight into the killer's methodology and psychoses, the killer plans his next kill (he's on a Lunar schedule) and Hannibal pulls strings from the dark background. Harris provides fascinating detail on police procedure, he writes savvily about how the FBI uses the media and the inventiveness of the crimes he dreams up is genuinely disturbing. But the most interesting part of the story is the delicate mental balance that Graham has to maintain in order to think like the killers but still remain sane. And as Graham penetrates further into the killer's mind, Harris reveals more and more background about the Tooth Fairy, Francis Dolarhyde, who it turns out was a horribly misshapen baby, abandoned by his mother and raised by a demented grandmother, early on manifesting the now classic signs of the serial murder--torturing animals and the like. This background and Will Graham's troubles dealing with the thought patterns he shares with Dolarhyde raise questions about what separates us from such men and whether there's a formula for creating such evil beings. Is it really simply a matter of psychosexual abuse of young boys and, presto chango, you've created a serial killer?
In addition to this kind of portrayal of the psychotic as victim, our effort to deal with these creatures has resulted in a sizable batch of thrillers where the serial killer is portrayed as a nearly superhuman genius. This flows from the same impulse that makes folks so willing to believe that assassinations are conspiracies. It is extremely hard, as a society, to face the fact that nondescript shlubs like David Berkowitz and Lee Harvey Oswald and Richard Speck and James Earl Ray are really capable of causing so much social disruption. Their crimes are so monumental that we want the killers to be equal in stature to the crimes. The sad truth of the matter is that these monsters are, in fact, generally hapless losers. They are not Lecterlike geniuses.
That said, Hannibal is still one of the great fictional creations of recent times, our age's version of Dracula or Frankenstein, and Harris's imaginative story makes for a great, albeit unsettling, read with more food for thought than most novels of the type.
GRADE: A
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