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Part One provides background material on the history of Buddhism and its transmission to America and includes a short chapter on "Very Basic Buddhism" for those new to the subject or wanting a refresher. Part Two, the largest part, discusses the various forms of Buddhism in America, with chapters on Jodo Shinshu, Soka Gakkai, Zen, Tibetan, Theravada, and "other Pacific Rim migrations." And Part Three explores some "Selected Issues": gender equity, social engagement, intra-Buddhist and interreligious dialogue, and the Americanization of Buddhism.
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Highly recommended.
Much to my amazement, I discovered that this book, which the publisher has unembarrassingly labeled "the definitive biography of America's First Billionaire," was not exaggerating. The story that unfolds here is a real pageturner...one of a life that hit upon politics, Hollywood, aviation, science, and parental neglect of the most extreme variety. What makes this book work as well as it does is the ability of the writer, Richard Hack (of whom I know nothing but intend to read more), has built the plot as if writing a novel. His words are lush with emotion and frustration, as the reader is brought along as an innocent observer of an incredible life story. It took a special talent to make material that has been attempted to be told elsewhere new and exciting. "Hughes" is both well researched and beautifully written. I cannot recommend it highly enough to men, women and teenagers.
So I would nominate George Clooney to take this role to the big screen. There are remarkable similarities in their looks, and the public would just eat up this tale. Here we have a man who was lucky enough to inherit a big fortune early in life. But he didn't just sit on his money. He re-invested a lot of it into other industries, such as movies and airplanes. His resources greatly advanced the art of aviation in it's time, and his movie marketing greatly enhanced Jane Russell's breasts in their time. He was a hands-on, get involved manager who flew test planes himself, setting many speed records.
This dashing lifestyle also made him the darling of Hollywood. His string of glamorous conquests was a who's who of movie actresses, from budding starlets to major icons. He literally had the world in his hand for awhile.
Alas, something happens to people when they gain so much power that there are very few people or institutions that can tell them "No". We've seen this in the last 100 years with characters such as Hitler, J. Edgar Hoover, Elvis, and Michael Jackson. They get a few successes, and think they are infallable. This leads to bad decisions in life that either deteriorate them, or leave a mess for those that surround them. They also withdraw, always mentally, sometimes physically, from the world around them, as if they were surrounding the wagons to protect them from that world.
This also happened to Howard Hughes. We see early signs of where he's going when he was merely a ruthless young business man. The first thing he did upon inheriting part of a company was to immediately buy out all the other inheritors to give him total control. Holidays such as Thanksgiving and Christmas mean nothing to him, and he calls upon his associates to work on these days to get more done. Marriage had it's uses, but none of them ever involved love.
So we get to see one side, which is this dashing young millionaire who becomes America's first billionaire. We see him as he lands at crowded airports after setting yet another air speed record. We see him with every hot babe on the silver screen, and a lot more hoping to get there. America even liked him thumbing his nose at the government when he felt they were digging into his private life too much. This would all have to be portrayed.
But we would need a director like Martin Scorsese to turn this into a "Raging Bull" type of hell. Yes, he had the women, but the feedback from them seemed to indicate a very selfish lover who often couldn't produce where it counts. Yes, he directed several films, but was such a control freak that the products went way over budget. And the volumes of instructions he wrote to his staff on how to guard against germs, real or imaginary, show a very disturbed mind.
And the movie would have to show how this increasingly lonely man deteriorated in his last ten-fifteen years of life. While it is true, as suspected, that his paid caretakers took advantage of his situation, and in fact sped up his demise, it is also surprising how much of his faculties remained in his later years. While he was well on his way to looking like the Walking Death he eventually became, he still had the ability to conduct a two-hour press conference to convince the world that the Irving biography was a hoax.
But the ultimate ending would have to show that all the money in the world cannot buy happiness. For the last several years of his life, he was surrounded only by people who were paid to be there. His hair, beard, and nails grew to extreme lengths. While obsessed with germs, he ended up living in putrid squallor, with jars of his own wastes stored everywhere. His body was stoked up with enough drugs to kill an average person, and he even had the remnants of five broken needs inside his arms.
This could be Oscar time for both Clooney and Scorsese if Hollywood lets them do it right.
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What impressed me most about the work is the number of levels upon which it works. A child could easily read this book as an adventure story, while an adult would read it and grasp the minute horrors that its children face. To say this is a masterstroke of its author would be putting it mildly. Very few authors can successfully pull it off, and Hughes deserves any and all recognition he receives for that accomplishment alone. Forget that the book is a lightning fast read on its own.
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The weather was building, but the captain felt almost no concern at all. His freighter was no ordinary ship, and the hurricane season was past. Surely, he was facing no more than a fall gale in tropical waters.
What he was actually facing was one of the most powerful ocean storms ever recorded. By Wednesday, the ship was experiencing a full hurricane. On Thursday, the barometer would fall to 26.99 mb and the winds would be blowing 200 knots. That's when the horror began. During the ensuing days, the wind and the sea were about to perform feats no living sailor had ever seen before. Read this book!
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The metalwork I do is with steel and I bought the book to color steel. This huge medium is never dealt with in the book.
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Hughes traces the two main streams of our tradition, exemplified by "founders" Barton Warren Stone and Alexander Campbell and how Stone's apocalyptic, countercultural worldview and Campbell's "progressive primitivism" and focus on restoring the ancient gospel merged in second and third generation leaders like Tolbert Fanning, David Lipscomb and James A. Harding. As one who grew up in the church of Christ, I was intrigued to learn from Hughes in the book, that our tradition had several pre-millennial evangelists (actually a pre-millennial "wing" of our brotherhood), which I had never realized before (most traces of it were "stamped out" by conservatives such as Foy Wallace, Jr., until memory of this branch of our tradition was lost by the mainline churches). Those sections of the book alone make it worth reading.
Hughes continues by examining in detail the triumphs and controversies of the twentieth century, through the insitutional wranglings of the fifties and sixties, the Crossroads movement of the seventies and on into modern times.
Some readers may be suprised at much of the material presented, as much of it has been consciously or unconsciously "swept under the rug," as it were, by the church as a whole. For this reason, many have inaccurately accused Hughes of "revisionist history."
My one problem with the book is the absence of any substantive material on Alexander Campbell's father Thomas, and the latter's pivotal 1809 "Declaration and Address," which greatly influenced the thinking of his son Alexander and, at least in the early years served as the movement's Magna Carta.
But all in all, Reviving the Ancient Faith is a great primer on the Churches of Christ and what makes us tick.
The book covers the standard history starting with Alexander Campbell and Barton W. Stone, continuing through the various controversies that divided and subdivided the body in the late 19th century and first half of the 20th century: missionary societies, instrumental music, premillennialism, moderization and institutionalism. It then provides excellent sections on more recent trends and controversies, including racial issues, campus ministries, the indwelling of the Holy Spirit, the Crossroads and Boston movements, the emphasis on grace, the "new hermeneutic" crisis, and the role of women in the church.
I would highly recommend this book for every member of the church of Christ and for anyone who wants an excellent overview of the church's modern history.
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However, I was disapointed that it had just a few recipes as it is really more of a travel/guide book. I returned the book because I wanted a cook book, not a guide book. But if you want a guide book, you will be pleased.
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I thought some of the safety horror stories were a little far fetched until I learned that most of them were true.
Written from the perspective of a safety insider the book managed to keep me entertained while giving me a look at what is really happening out there and some of the less than positive results of our global economy.