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The poems are dense and full of Civil War references, so it would behoove the reader to brush up on his history. Likewise, the reader will quickly realize why Melville's poetry didn't receive the critics' acclaim. They are melodramatic, with an overemphasis on composing within the traditional (some would say archaic) rules of poetry: rhythm, rhyme scheme, etc., which does not translate well into our time and makes it not the most entertaining style to read...
These are interesting poems, but seem to have more historic value (U.S. history and the history/development American poetry) than poetic.
My personal favorites include: "The Stone Fleet," where Melville experiences romance for the whaling ships sailing out of harbor and which, consequently, he never sailed on; and, "The House Top," from where he overlooks the New York enlistment riots, where he implies that those who don't fight for our country aren't for God.
--ross saciuk


First, _Battle-Pieces_ should be credited as artistic, sometimes beautiful, poetry. Some of the poems are somewhat doggeral, and would be much improved by a few less forced rhymes. Others, however, are truly moving.
In these latter poems, Melville conveys the horrors of the war--and occasionally the humanity that shone through, uniting the brothers across the battlefield. Few men or women of the time had the experience (he participated in a chase of a Southern soldier) and writing ability to show us this time so effectively. As a result, he produced what, in my opinion, is a book at least as good as his most well-known novel.
At the end of the book he includes an essay on Reconstruction, in which he pleads for an easy reconciliation with the conquered South, more along the lines with Lincoln and Johnson's plans than the Radicals'. While somewhat disappointing (we'd like the man who created QueeQueg to support Southern blacks' rights a little more), the essay is well-written, and allows us to read the nonfictional beliefs of a man we usually associate with fiction--just as the poems let us read the verse of a writer of prose.

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"Torn from the Nest" is a brilliant story of love, power, courage, oppression, virtue, incest and deceit written in 1889, and was selected as one of the first volumes in the Library of Latin America, Oxford.
The "Library of Latin America" series makes available, in English, major nineteenth century authors whose work has been neglected in the English speaking world. To be selected as one of the first works by this editorial committee was no small feat, especially when you consider the plethora of writing against which this title competed.
Clorinda Matto de Turner dared to change the demented orthodoxy of the Roman Catholic Church and the oppression of the indigenous Indians by the immoral wealthy gentry, including the village priest. Her anti-clerical tone was unmistakable; so much so, that the Catholic Church in Peru immediately condemned the book and considered it heretical and blatantly irreverent (that was enough to get me to read this book). This condemnation set in motion the persecution of Clorinda Matto de Turner. In the months and years to follow, because of her social, political and religious writings, she was suppressed, oppressed and finally driven from her county.
Though a century has passed, the Indians of Peru are still a oppressed people, held back by lack of education, oppression of culture and language and economic exploitation. This year, for the first time in Peruvian democratic history, a candiate from Inca descent has been elected president of Peru. For those interested in the . Highly Recommended
"If the book is good, is about something that you know, and is truly written, and reading it over you see that this is so." (Ernest Hemingway)

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This book is the typical formula that that was old after Clancy's first book - it is looking no better with age. So, we have nothing new - but the death of many trees. It is a sad thing that this type of book gets published when there are probably much better books just waiting.

In between the combat, Herman shows a less-than-deft approach to Israeli politics. USAF pilots, well educated as they are, usually have their own opinions about such subjects as Israel's occupation of the West Bank and the settlements erected there - but Herman's protagonist is conveneiently clueless, and the readers can take heart that a sultry Israeli love interest is on hand to explain the UN resolutions against the Settlements while arab bombs rain down from above. The Knesset scenes, where charachteristically litiguous Isreali politicians censure each other for believing their own propaganda, is probably accurate. Less so are scenes meant to depict life in typical Israeli combat units. One such unit, a tank platoon, contains a Druze arab and an orthodox jew, the latter of the two doesn't really do anything but annoy his commander. Because the orthodox doesn't really exist outside his CO's negative perspective, he comes across less as a separate charachter than a blank apparently intended to symbolize all orthodox jewish soldiers. Let those orthodox jews who serve extended military tours debate the accuracy - it's simply poor writing, the product of any writer who can push just about anything with his miltary credentials, no matter how unrelated to his area of actual expertise. Doubtless orthodox soldiers still unaccounted for in the Lebanon war weren't given copies of "Firebreak" to enliven their captivity (assuming they lived long enough for the paperback ed.)
Worst of all, Herman's Israeli protagonist is the sexy Israeli linked up with the novel's hero. When are writers going to wise-up and realize how dated this stereotype is? This has to be the 3rd book I've read since the Gulf war that featured Israelis exploiting sex. Desert Storm, which showed how far ahead our military is in just about every way, has also revealed the how medeival technothriller writers are. Herman's understanding of the mid-east clearly neglects how often real-life anti-zionists (whether Islamic fundamentalist or secular pan-arabist) fall back on the stereotype of Female Mossad agents seducing otherwise stalwart arabs into sedition. So dated is this stereotype that, were Herman's military units comparably equipped, they'd be fighting with slingshots and pointy sticks.
Instead, Herman applies his critical thinking to his command of military technology, but even here comes up flat. These have to be the flattest flight scenes of any technothriller - comparable to some circa-1991 flight simulator. As usual for this sort of book, the plane come off feeling less like soaring engines of military might than cheap plastic models. Ofcourse the author refuses to depict air-to-air confrontations from a single point-of-view, preferring instead to show where his planes are at all times. In real air combat, the relative positions of different planes is one of the single most important factors. Herman's inability to exploit this element robs his air combat of both drama and realism, marring a book with little credibility to recommend it.


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This book was more slow moving than his behind -the-scenes expose of Disneyland. If that's what you're looking for, purchase the Mouse Tales books. You won't find much interesting here. On the other hand, if you'd like to hear how the movies evolved, and enjoy uncovering hidden Disney images, this is a good book for you. You should be a fan of the animated movies to read this book, as there's little else here of interest.
It held my interest---but not by much.


Filled with fascinating behind the scenes glimpses at the production of the movies, along with trivia notes and things to catch, this book makes watching the Disney Animated Features an extra special treat.
You'll learn about the missing songs from the classics, and just how Disneyland and WDW got their famous rides.
Recommended for the Disney phile- particularly those who want to study each film piece by piece now that most of them are available on video.

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Well - it was worthg it. In fact, twice the price would have been fair. Not, of course, that I'm complaining.
"Force Of eagles" is the second of Herman's books, and it's a great yarn. Tautly plotted, with excellent airborne and land battle sequences, the action's non-stop. The concentrated action, however, doesn't interfere with the development of a bunch of likeable characters.
Yes folks, it's battle time, and the good guys are good, the bad guys are bad. (OK, so they're a little cliched. But hey... get with the picture. They are the bad guys, after all!)
The scenario's realistic (Herman must have war-gamed the action a number of times) and is told from a number of perspectives: the pilots, the ground-crew, the medics, the CO and his staff, the odd civilian.
Good stuff... as good as Dale Brown, without the political posturing of the letter.