
Used price: $2.99



Used price: $17.99



Used price: $7.75
Collectible price: $21.18



Used price: $73.50
Buy one from zShops for: $75.95


One point that Jon makes is that systems engineering has its multitude of inherent problems. Complexity, communication, understanding, and quality are all problems, which can be addressed by using a common communication tool. Unfortunately, 99.99% of all books on the UML are written for Software engineers. This makes it seem that the UML is only for SW engineering. This is extremely misleading, as the UML is just a language. By using a common tool, it is much easier and efficient to communicate to all team members so that the amount of confusion is reduced and the right solutions can be generated the first time.
Another concept is that UML contains all the tools necessary to model your systems. Static and behavioral modelings are explained in a through systematic way that includes both high level and in-depth coverage. All aspects of the UML are covered in depth and shown with examples that make this book one of the best desktop references available.
A final important point is through the use of numerous examples; the UML can get your job done. Jon shows examples including the modeling of standards, processes, and procedures. He shows how to model requirements and how to use extensions to allow the UML to model future problems. By showing how to model standards and compare them to an enterprises processes, it makes compliance documentation almost effort less.
In conclusion, "UML for systems engineering" by Jon Holt tells about all the aspects of the UML needed for real systems engineering. My opinion of the book is that if you are not working on a software project and are looking to see how the UML can work for you, then this is the book for you.

Used price: $4.00
Collectible price: $7.93
Buy one from zShops for: $10.00



List price: $22.50 (that's 30% off!)
Used price: $9.95
Collectible price: $19.95
Buy one from zShops for: $14.85





Used price: $10.00


The heartbreakingly beautiful and sensual Isabella, a woman with little motherly instincts, had been married to King John of England, the most depraved, dissolute, and evil tyrant ever to rule over England, when she was just a child of twelve. John had been the youngest son of Eleanor of Aquitaine and King Henry II of England. Unfortunately, he did not follow in the footsteps of his father in terms of his ability to govern his widespread kingdom. When John died a mysterious death, both Isabella and England were freed from his tyranny, and his and Isabella's eldest son, though a mere boy of nine at the time, became King Henry III of England. Isabella was now the Dowager Queen of England.
Meanwhile, across the English Channel in France, Blanche, the granddaughter of Eleanor of Aquitaine and King Henry II of England, had married Louis VIII of France. Her grandmother, Eleanor of Aquitaine, had handpicked her for that explicit purpose, as Eleanor had sensed in Blanche one such as she, a person with the wit and drive to be a strong queen. The marriage of Blanche and Louis had been a happy one, until an untimely death took Louis, who had been a well-meaning, though weak, king. Their handsome son, Louis, would become King Louis IX of France at the age of twelve. The beautiful Blanche, a virtuous and regal woman, was now the Dowager Queen of France.
When Isabella and Blanche would meet, it was clear that neither woman had much love for the other. When King John of England died, Isabella remarried Count Hugh of Lusignan, the man to whom she had originally been betrothed a lifetime ago, before King John had abducted her and made her his child bride. The fact that Joanna, her daughter with John, was now betrothed to Hugh did not deter Isabella from her determination to marry her first love. So, in addition to being the Dowager Queen of England, Isabella became a Countess through her marriage to Hugh, who was a vassal of France.
This was an untenable situation for Isabella, who despised Blanche and refused to give her and her son the homage that they were due. Isabella ruled her husband Hugh through her ability to provide many amorous and sensuous delights, causing him to commit many grave errors in judgment that were to cause much disharmony in his life. Isabella was single-minded in her determination to cause Blanche as much trouble as possible. She plotted and intrigued against the French crown and no perfidy was too great, encouraging her son, Henry, to try to regain the lands that his father, King John, had recklessly lost to the French. Blanche, however, was not oblivious to Isabella's hatred of her and, being a clever woman, made the necessary moves to keep her in check. One day, however, Isabella went too far and attempted the ultimate act of treason. It was an act that was to cause the tempestuous Isabella of Angouleme to come to an ignominious end.
This is a well-written and interesting work of historical fiction, revolving around two women who wielded a great deal of influence in early thirteenth century England and France. Replete with historical detail, the author paints a living picture of the political intrigues of the day. Historical figures are made three dimensional, adding a vibrancy to this enjoyable book, which those who love historical fiction of this period should enjoy.


Used price: $5.45




Used price: $4.40
Collectible price: $8.99


A lifelong student, Holt is his own person. Learning from himself and his world, and everything in them that will help him achieve. He makes good points about fear and disappointment building barriers to improvement. The battle between competing voices of critique and edification, of between differing interests, e.g. Holt's musician vs. writer.
All this is comforting and inspiring for the adult learner in each of us. Attempting to pick up the oboe in my fifties, having abandoned it at 14, understand much of what Holt communicates so well. However, his issues of tuning and fret memory are replaced for the double reedist by the ever trying reed dilemma.
I did not profit from the lengthy recall of his music past.
This touching and useful sharing of music growth will stimulate and inspire aspiring musicians of all levels. Learning to be a learner is a wonderful thematic gift of this work.

Like Wayne Booth's book on the love of amateur cello playing, Holt's book shows how the pursuit of amateur cello playing is available to almost anyone with the drive to put in the requisite practice hours and gather with likeminded people to practice their craft.
If you put down your childhood instrument decades ago, or never picked one up in the first place, Holt can inspire you through his example to consider taking it up.


List price: $22.95 (that's 30% off!)
Used price: $13.77
Collectible price: $13.68
Buy one from zShops for: $14.40



Essentially, this is a book about religious symbolism, covering an incredibly wide range of religious traditions. I think if you read this, agree or disagree, you will never look at religions the same way again.
Further, this is Eliade's most accessible and complete book.
I graduated with a religious studies degree from Yale University, and read this book in the first year after I graduated. I learned nearly as much from this book alone as I did from my undergraduate education. That is a strong statement, but I mean it.

Eliade bases his discoveries of common patterns in the global-religious-traditions upon a thematic theoretical framework. In this manner, he avoids the pitfalls latent in more common conceptions of religious experience that are defined by psychologically artificial categories created within perspectives that tend to be too narrow. Such commonly expressed and narrowly defined perspectives often stop short of understanding the limits of psychologically artificial, chronological, geographic and even ethnic categories; categories which humanity's important religious archetypes of divine experience have traditionally and absolutely transcended.
In this vein, Eliade's "Patterns in Comparative Religion" also provides important material for the interpretation of dreams. I think it is no mere coincidence that both primitive religious experience and the native realm of the unconscious both display a disturbing and important tendency to buck the rules of normality that our modern conscious minds so often wish to impose upon experience. It is from the creative associative milieu of dream symbolism that humanity's religious traditions have incessantly sprung and to which one must arguably return for the most fertile understanding of the 'primitive' divine experience.
Mircea Eliade's "Patterns in Comparative Religion" surely presented me with a formidable challenge, however, as with any important challenge to understanding that I have experienced, the rewards have far outweighed the difficulties encountered along the way.