
List price: $16.95 (that's 30% off!)
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This is a lovely item, obviously assembled by and for those who share an affection for this complex painter.

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what shocks me is that people (some who even read this book!) still think dropping this bomb (not to mention the one on nagasaki) was worth it. granted, there can be a million arguments justifying it, about how it saved lives, and how the japanese committed horrible atrocities too, etc., but just seeing the pure horror this bomb inflicted (through the eyes of these characters) is enough to make me say "no way - going to this degree of horror cannot be justified."
and to all you who still want to argue that dropping this bomb had its merits...and that creating even more destructive nuclear bombs has its merits...well...well...i feel sorry for you. because horror is horror, and when it comes to weapons of mass destruction we are all innocent. no one deserves that.

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PLEASE do yourself a BIG favour and DO NOT get this book!

This collection of stories, more than anything, reminded me of Sherwood Anderson's WINESBURG, OHIO. I have become distrustful of fiction writers who load up their characters with endearing (or annoying) idiosyncrasies in order to make them more memorable (as much as I enjoyed Berendt's MIDNIGHT IN THE GARDEN OF GOOD AND EVIL, I suspect he indulged in this vice a bit). Like the citizens of Winesburg, Ohio, Hersey's Key West natives are believable people experiencing a plausible share of dissonance with the world they seem trapped in. The result is often poignant, as in "The Two Lives of Consuela Castanon," the story of an obese young receptionist who resists, then acquiesces to the advances of a handsome young man not from Key West. In fact, Hersey comes close to replicating the eeriness and desperation of Shirley Jackson's "The Daemon Lover." The best crafted story in the collection is "Fantasy Fest," a story about a woman who has been contacted by the son she had put up for adoption when he was an infant. In his letter to her he suggests that they each dress up as "their own particular fantasy" about themselves and join in Key West's Halloween parade. He is confident that using this ploy they will both be naturally drawn to one another. Does it work? Do they meet? I wouldn't dream of spoiling the story for you. The longest story in the collection, "Get Up, Sweet Slug-a-bed," is the story of a gay man dying of AIDS and of the people in his life. This is no TUESDAYS WITH MORRIE. The relationships are complex and unsentimental. Like Anderson, Hersey does not people his world with saintly or purely wicked folk. It's a fallen world, for sure, one peopled with sinners, many of whom act with the best intentions.
Intercut with the short stories are fictionalized glimpses of Key West's history and legends. Neither Hersey, his widow, nor his editor reveals the publication history of the pieces that make up this collection, but I suspect the "historical" pieces were items Hersey wrote for the local newspaper. Taken together, they give the reader a sense of place. Key West is more that the southernmost town in the United States, a tourist destination, or a gay haven. It's a place with a history, a place that has always honored independent thinking. The historical vignettes bring more than color to this collection, they provide its spine.
This collection is Hersey's swan song...and he sings it well.


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