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George does better with the character of Will Somers, whose critical comments intrude on Henry's "manuscript" from time to time. She also does a pretty fair job of explaining a long and complicated span of English history. Character development tends to be limited to Henry and his six wives and several mistresses, but that is part of the historical romance genre. The important men in Henry's life: Wolsey, More, Cromwell, Cranmer, come off as cardboard sticks. ( I would have loved to have seen more of the inscrutable Cranmer--now THERE'S a novel for you.)



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This new edition to the Young Royals series has to be my favorite. It was quite accurate and Anne was potrayed perfectly as a girl who just wanted to prove herself worthwhile to a world that shut her out. To many Anne was the ulimate symbol of evil, but after reading this book, my opinion of her changed. She was in a tough position, but ulimately her big ambitions was also her downfall.
This book definitely will be more fitting for older readers. Doomed Queen Anne also probably appeals to an older audience than the previous two books. Definitely a great book to add to your collection.


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Mary was a Catholic like her mother Katherine of Aragon. She tried so hard to bring Catholism back to England that she has gone into history as earning the nickname "Bloody Mary." Mary burned about 300 heretics in her short five year reign. Mary was portrayed as being merciful, but resorted to flexing her control as she had so many people against her.
Weir again introduced the reader to the importance of alliances and marriges of monarchs during the 16th century as well as the importance of religion. This book is an easy to read narrative of the politics of accession to the English throne after the death of Henry VIII and the adult life of Queen Mary I. Weir takes the reader into more depth of Elizabeth's reign in her book, The Life of Elizabeth I.
Although it is not necessary for the reader to have read The Wives of Henry VIII in order to enjoy this book, it does help the reader in understanding the genuine hate Mary had for Elizabeth because of Elizabeth's mother, Anne Boleyn.
This is another wonderful chapter of The Tudors.


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Fraser says 'the six women have become defined in a popular sense not so much by their lives as by the way these lives ended.' Largely, they became identified (as most historical figures do) as stereotypes. Fraser's stated intent in the book is to examine the real women behind the stereotypes, to find the human strengths and frailties behind the historic labels.
Divorced, beheaded, died...divorced, beheaded, survived
-Catherine of Aragon-
Divorced
Stereotype: Betrayed Wife, bigoted Catholic
Reality: a learned woman, politically astute, perhaps not entirely blameless in the break-up (but then, what can one expect? Divorce was presumably out of the question given religious and political considerations, so might she have felt safe to be more forward than anyone should be with the formidible Henry?)
-Anne Boleyn-
Beheaded
Stereotype: Temptress, Protestant activist
Reality: she was more Protestant because the Catholic church wouldn't recognise or grant the divorce. She played a demur and devout character in court, but then, could she have publicly appeared as anything else, given the unprecedented events going on about her and because of her? She didn't have a chance to build up a power base, and suffered greatly for it. Indignatio principis mors est. Little known fact: Anne was actually divorced from Henry on the eve of her execution.
-Jane Seymour-
Died
Stereotype: the Good Woman, Protestant yet Catholic
Reality: 'Jane Seymour was exactly the kind of female praised by the contemporary handbooks to correct conduct; just as Anne Boleyn had been the sort they warned against. There was certainly no threatening sexuality about her.' Henry would look back on Jane as the wife with whom he had been uniquely happy. She died as a result of the stress of childbirth (a not uncommon fate of women of any class), Henry's only legitimate male heir.
-Anna of Cleves-
Divorced
Stereotype: Ugly Sister, Lutheran and Catholic
Reality: an interesting and difficult marriage to put together. 'Paradoxically, the King in his last forties, gross, no likely object of desire, was far more difficult to please than that handsome boy of 1509, ready to fall in love where policy directed him, whom any girl might easily love in return.' By this time, of course, Henry had a reputation of being at the least an unlucky husband. Solemn, looking older than her age, Anna was almost instantly disliked. Perhaps this saved her from a worse fate, if Henry had come to know her and then fall out of love with her.
-Katherine Howard-
Beheaded
Stereotype: the Bad Girl
Reality: Katherine was expected to produce the 'spare' to the heir produced by Jane. 'Katherine was, on her own admission, one who knew how to "meddle with a man" without conceiving a child.' Her affair with Culpeper not discreet enough, Katherine suffered the fury of Henry, who blamed his Council for forcing on him 'a succession of such ill-conditioned wives.'
-Catherine Parr-
Survived
Stereotype: the Mother Figure
Reality: not well educated but not unintelligent, a caring but politically astute person. 'As for the King himself, it was remarked that as Bishop Gardiner pronounced the now familiar words of the marriage service, an expression of real happiness crossed that bloated face.' She had taken as her motto 'To be useful in all I do.'
Fraser goes into detail about the lives, and the aftermath, what became of these women, even to the extent of recounting the period neglect and restorations of their graves. Speaking of Catherine of Aragon, she writes: 'It is rare to find the Queen's grave without fresh flowers placed upon it. Nothing is known about those who over the years have performed this touching act of respect. One can however safely assume that, whatever their own religious view, they agree with this estimate of the character of Catherine of Aragon: loyal, pious, courageous and compassionate.'

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The book details the rise and fall of Katherine Howard, a young, impoverished noblewoman of an illustrous family. As a young girl, she was sent to live with her grandmother, the Duchess of Norfolk, where she, unfortunately, fell in with a licentious group of retainers and became ensnared in two unsuitable affairs of the heart. Little did she know that they would serve to haunt her a way she could never have imagined.
An opportunity, orchestrated by her Machiavellian and ambitious uncle, the Duke of Norfolk, arises for the beautiful, though foolish, Katherine to go to the Royal Court as Lady -In-Waiting to the fourth wife of Henry VIII, the kindly Anne of Cleves. Katherine obligingly goes. There, she falls in love with her cousin, Thomas Culpepper, a gentleman of the King's Bed Chamber. Her hopes of marriage to her handsome cousin are soon dashed, however, when she catches the wandering eye of the King, who loathes his current wife.
Having charmed the King and having little say in the matter, Katherine becomes his fifth wife, once he divorces Anne of Cleves. Katherine's initial happiness as Queen is cut short, however, when her lurid past comes to light and is brought to the King's attention. This, coupled with her indiscretions with Thomas Culpepper, are enough to abruptly terminate her brief reign over England as its Queen and cause a number of heads, including hers, to roll.
This is an intriguing blend of fact and fiction, which is laced with enough historical detail to satisfy those readers who enjoy historical fiction. It is with good reason that the author has a legion of devoted readers.

I read it when I was studying Kathyrn Howard for a report for school. I wasn't expecting much at all, but I got an awesome book.
I plan to buy it next moth when it comes back into print.

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I think a full two thirds of this book could have been cut and the rest reshaped, and it would have made a good story. As it is, I wouldn't pay money for it. I'd look for it in the library or borrow from someone.

Gregory's novel opens and closes with two executions -- it begins with the execution of the Duke of Buckingham in 1521, and ends with the execution of Anne Boleyn in 1536. With this rather grim events framing her book, the novel proper starts in 1522, with Anne arrival at the Tudor court, where her elder sister, Mary, is already lady-in-waiting to Henry's wife, Queen Katherine. From the very beginning we see that while there is a bond that ties the Boleyn sisters together, there is also a deep rooted rivalry between them. It is a tense time at court: the queen (already quite a few years older than her husband) has yet to produce a male heir to the throne, and people are beginning to question if the aging queen will ever be able to bear children again. Some of Henry's advisers are even began to gently hint that he should put his Spanish wife aside and look for a younger more fecund wife. In the midst of all this intrigue, Mary soon catches the king's roving eye. Although she is married and still quite loyal to the queen, her family (her ruthless parents as well as her uncle, the powerful and equally ruthless Duke of Howard) decrees that she put her marriage and loyalties aside and cater to the whims of her king. Bedazzled, it doesn't take Mary very long to fall in love with both her golden king and her role as the his 'unofficial' wife. A few years and two royal by-blows later however, Mary is shunted aside when the king begins to loose interest in their relationship and her ambitious family fearful that they will loose all the power that they have gained, throws the more ruthless and seductive sister, Anne at the king's head. From then on Mary, her eyes finally wide open as to how low her family will stoop in order to gain power, watches from the sidelines as her family, led by Anne, begins their high stakes play for the queen's crown. Finally realizing that she can only depend on herself for her own future, Mary is inspired to take a few risks herself in order to gain some measure of happiness and security.
The sheer scope of this novel is gigantic -- there were so many things that were going on both on and off stage and the number of people that were involved in all these shenanigans! So that it was a treat to find that the novel unfolded smoothly and effortlessly, and that Gregory did not drop the ball once. She kept each chapter short and succinct, and yet still managed to give the reader an enthralling and exciting account of what was going on. I also liked the manner in which she depicted all the characters in this novel. From Queen Katherine who was portrayed not only as a loyal and loving wife, but also as an intelligent woman who saw and understood what was going on around her, even as she clung to the hope that the king would recover from his obsession with Anne; to the authour's chilling portrayal of the Boleyn family (father, mother, Anne and George). With a few well chosen words and phrases, she's paints them as wildly ambitious, ruthless and pettily cruel individuals, willing to use each other in order to achieve a particular goal. But the authour's characterization of Mary Boleyn was probably the best thing in the novel. Here we see a young and intelligent woman with a heart and a sense of morality that is constantly at war with her feeling of familial obligations. How Mary struggles with this dueling feelings and the decisions she makes -- sometimes good, sometimes bad -- is what makes this novel worth reading.
All in all, I'd say "The Other Boleyn Girl" is a rich and rewarding read.

In the beginning of the book, Mary is an obedient daughter of the Howard/Boleyn family. She marries William Carey at the age of 12. A few years later, when ordered to do so by her family, she leaves his bed to become the mistress of the king. In its quest for power, the family considers its daughters to be disposable fodder - used to attract and hold the king. It is only later, as Anne succeeds her as the king's favorite, that Mary decides to follow her own path. This contrasts with the fates of Anne and her borther George - who sacrificed all in their quest for power.
The book also brings to fresh life the familiar Tudor personages - Henry VIII and his first three wives Katherine of Aragon, Anne Boleyn, and Jane Seymour.
Highly recommended for those who enjoed historical fiction.

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The title of the book is a little misleading. While clearly a critique of the manner in which these women were treated, it is also clear that many women of this time led enriching and productive lives. The text is lively and flows very smoothly. After reading this book, I feel that I have a much better understanding of the time period.


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Katherine Howard, armed only with education, wit and honesty, becomes the Fifth Queen, Henry VIII's fifth wife in this amazing historical trilogy. The plot-ridden court comes to vivid life as everyone high and low maneuvers for advantage. Everyone except Katherine Howard, whose unwillingness to scheme will make her queen and defenseless at the same moment. Even knowing the general story this is a fascinating and occasionally shocking novel, with a stunning ending...