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Do you know how you feel when watching an old black-and-white movie that you have long loved which has been "colorized"? Yes, your favorite golden age actress now has pink skin, fucshia lips too big for her face and what color are her eyes supposed to be, exactly? The Babar art has been colorized in the most grotesque and garish sense of the word--which is really horrid when you consider that most of Brunhoff's original illustrations were already in color to begin with. Random House has decided, apparently, that Brunhoff's colors are not bright enough. Where Brunhoff shaded, Random House has plastered one uniform cartoonish shade from line to line. Babar's green suit ranges from merely loud green to splitting-headache green. The suit which he wears while playing trumpet in the circus defies description. Suffice it to say it is very blue and very red.
The beautiful scene in which the Celesteville residents bring gifts to infants Pom, Flora, and Alexander has lost its pastoral sweetness and is positively grotesque. The babies lie in their pram, which looks as though my kindergartener re-outlined it in black magic marker, under glaring green palms and flowers with a turquoise blanket scarcely dimmer than the book's cover (see above), while royal blue butterflies flit nearby. Babar is standing in a suit that is (if possible) even greener than the greenery directly behind him. A uniformly orange cow and dromedary are in the reception line. Think Fisher Price.
Does your child really need to know that the mermaid Eleanore's sisters are peeking out of the water when Zephir captures Eleanore? Due to the paint job the sea has suffered, you may need to point this out, as Brunhoff's few lines are no longer recognizable as the tops of mermaid heads. Somebody overdid the brown on the faces of General Huc and Colonel Aristobald, these brave and clever monkeys no longer have visible eyes, mouths, or hairlines.
The subtlety, the grace, the old-world patina of the gorgeous Babar art is gone. In its place, we have. . .well, they do say that bright colors are good for babies' development.
I want to cry.

TIP: We take the dust cover of any of his books that have dust covers and put them in plastic sleeves for later when we are sure he will not rip them up. That way when he is older the book looks like new even though it really is old.


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The language and sentence structure are simple enough to make this book useful as an easy reader as well.


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This book is pretty interesting. It is about artists who share what they like to draw and about their lives. They are asked questions such as, "Do you have any kids or pets?" The illustrators show some of pictures that they drew when they were children. They also show how the children illustrators got their inspiration to draw.
I liked this book because it was neat to see how good some of the kids are at drawing and then to see them draw as they are older. Also that was cool it showed how to draw pictures in the back of the book. I recommend this book to people who are just stating to draw and people that want to read an interesting book.

The styles of the artists are very diverse and they use many different techniques that kids and adults alike would like to try out. I highly recommend this book!

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I thought this story was a bit pointless. The plot seemed to be thought up in a few hours and I still don't understand the title. However, there were some good aspects of the story that drew me to the end. The author got detailed in the environment, calm and serene, that made me feel like I was in the scene. The characters were humans that made mistakes and basically were set up realistically.
I don't recommend this book to advanced readers above 8th grade level because after reading it for a few hours, the plot got to seem pointless. The level of comprehension this book requires is average and maybe less. The vocabulary was plain, and simple adjectives described everything. If you read all the Harry Potter books, Stephen King books, and Tolkien books, then you can give this book a try, but don't expect a spectacular adventure.



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My concern about the book is the portrayal of the classic interaction between an older and a younger sibling: teasing with that edge of clever nastiness. I've now become somewhat immune to it but during the first few readings I cringed, wondering if taunting needs to be modeled even in charming books. My husband and I, however, are careful to leave that tone (how easy it comes to us!) out of our voices as we read Sheila Rae's responses to Louise.
All in all, it is a fun book and wonderfully illustrated. It is great to see Sheila Rae being a good sport when she is foiled by her own game.