In many climates around the world, forest is the natural state of vegetation. It grows without anyone's say-so. It takes no human effort at all for nature to be sustainable, diverse, productive, multi-dimensional, and beautiful. However, most people's gardens, even food gardens, are really none of these, despite large amounts of effort on the part of the gardeners. So what would it be like to garden in tune with nature, to grow a forest garden, with many of the features of a natural forest, and little of the labour usually involved in gardening? Robert Hart pioneered this approach to growing food sustainably, based on his long experience of agro-forestry around the world. He applied his wisdom to his backyard and wrote about it in the classics, 'Forest Gardening' and 'Beyond the Forest Garden'. However, much of what Hart wrote was general and philosophical - explaining the 'why' perhaps more than the 'how'. Patrick Whitefield has produced this intensely practical guide to the 'how' of forest gardening, starting from first principles and including all manner of precise details. Whitefield is an experienced permaculture practicioner and teacher, and he rightly places the forest garden in context as a very useful component of a larger system of sustainable living. On the strength of this book I am in the process of transforming my standard suburban plot into a beautiful forest garden, with apples, pears, cherries, raspberries, loganberries, figs, redcurrants, perennial herbs and salads. It has proved to be an invaluable and much thumbed manual, and an inspirational work. It is directly applicable to temperate climates, and will be of use to those living elsewhere too.

This book was cool. It certainly lists a lot of songs...but if you have the knack for it, you could make up a lot that are better than some listed. But all in all it really helped my campaign, I wouldn't say it is a must buy but it does help.

In "Walking with Thomas Merton," the teacher, lecturer and author Robert Waldron allows us to follow him through a summer as he prepares a presentation on the works of the Trappist poet for a September retreat. It is a journal-like chronicle of Waldron's contact with one of the more energetic minds of the age, a glimpse into the impressions of a humbly astute reader as he encounters Merton's thought in poetry and prose.

The book assumes a familiarity with the works of Merton, but readers who have encountered only two or three Merton books need not fear: Waldron's style is accessible and congenial, sometimes surprisingly, pleasantly conversational. He speaks as one reader to another, one spiritual explorer to another, confident that we will catch his enthusiasm not only for Merton, but for poetry in general.

As we see Robert Waldron sift through the compendious opus of the celebrated monk, making choices about which poems to present in his lecture, which portions of the prose to incorporate, we see him remembering when he first encountered Merton, we get brief commentary on how the work affected him (we echo his praise for the poetic prose in "A Vow of Conversation" and share his befuddlement at the attempted innovation of "Geography of Lograire"); we receive a sense of Merton's influences, and are pointed in the direction of his kindred spirits. He is compared, briefly and sagely, to another Catholic author and diarist, the late Henri Nouwen -- the differences being highlighted, as well as the similarities.

The life of Merton is generously assessed: the monk is lauded, justly, for his refusal to abandon his Cistercian life at a time of much turbulence for Church, nation, and the monk himself. His explorations into Buddhism are seen as evidence of a magnanimously ecumenical spirit; his affection for a Louisville nurse, as a humanizing moment that broadened and made tender the heart and soul of the monk. (We are offered a small but moving excerpt of one of the "Eighteen Poems," written during the days when monk and nurse were often in each other's company. It might be worth noting that "Learning to Love," volume 6 of Merton's journals, contains three or four excellent poems from this time.) Merton's sometimes uncritical enthusiasm for the politics of the left is not dealt with extensively, as Waldron's concern here is with the contemplative, creative, and poetic aspects of Thomas Merton's life-work.

"Walking with Thomas Merton" is the culmination of a lifelong enthusiasm for Robert Waldron, and he manages to convey, charmingly and disarmingly, why Merton's poems and prose fascinate him, and just might fascinate us. Merton's poems (and all fine poetry, as Waldron can attest, being an English teacher) cause us to pause from the hustle and hullaballoo, and gently urge us to pay attention to the minute particulars we often overlook, to go with the poet to a quiet space and re-create ourselves. Waldron baptizes (literally, immerses or plunges) himself in the poetry of Thomas Merton, that he might better speak forth the word (praedicare verbum) to his September retreatants. That we are allowed a glimpse of the retreat via the book's final pages, and to be alongside Waldron as he prepares for it, is a significant blessing. Waldron has given us a triune ode: to Thomas Merton, to the art of writing, and to those grace-filled moments of regenerative serenity that, please God, happen in the lives of us all.

Phew. Judging by this book, Merton was a much better person than he was a writer. Maybe I went into this book expecting too much, but I finished the book utterly unimpressed with what it had to say. It boils down to a series of very discrete strategies for living one's life in a loving and satisfying way. I can't really ``disagree'' with it--yeah sure, ok, love is good, uh-huh--but that doesn't stop me from wishing Merton were a lot more explicit and rigorous in his prescriptions. As it stands, I don't know how anyone could possibly profit from reading this touchy-feely manifesto.

This collection of some of Mertons mature work from the 1960's covers, in essay form, meditations on love, life, death, Christian Humanism and more (you want more! ), always given the penetrating and broad social perspective of one very spiritual master, who chose to share with us. Still relevant.