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I wonder how such a book could be out of print and what a disservice that is to readers. I treasure my copy even more and can only recommend that readers grab Harrison's latest "An Accidental Autobiography" while they can -- her writing is a necessary addition to anyone's library.

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Here Sylvia talks about health, relationships, angels, religion, reincarnation, death, the other side, protecting ourselves from the negative, creating joy, identifying our purpose in life, and on and on. This is a practical guide with simple exercises and reasonable explanations. It also includes many beautiful, powerful affirmations to apply to our daily lives.
Sylvia is NOT some silly "nutcase psychic." Yeah, she's really funny, but this lady knows whereof she speaks. What a delight! Thank you, Sylvia!


On my next trip to the library, something made me remember her. I asked about her book and got put on the waiting list. On my next trip, I grabbed this book. All I can say is "WOW"!!!!
Sylvia's book opened my eyes to a completely new way of thinking. I've always been more analytical than spiritual. What she says makes sense to me, though. She explains terms like coincidence and deja vu like no one I've ever heard before. The book calmed me and helped me realize my purpose on this Earth. I chose this life, this family, the illness of depression. They are all part of my "Blueprint" that I wrote before I came here.
One problem that I have with her writings is that they are too Christian based for my taste.

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In many places, I felt that Harrison repeated the obvious, reiterating the messages of earlier and equally (if not more) perceptive writers. For example, commenting on Fay Weldon's insights about women and fat, Harrison writes: "Fat is a dulling wall between you and the pain of reality; fat is a comfort, an excuse, and an escape from sex." I know this. I've known it for decades. I'm a voracious reader, writer, and connoisseur of insights. I get irritated when people explain things at length that I already know or have figured out on my own.
On the other hand, I was extremely moved by her descriptions of her mother--so much like my own bitter, critical mother. And I found her revelations about her long-standing relationship with a black man riveting and comforting. It shed light on a failed long-term relationship I had with an African-American man. It explains to me why this love will always be in my heart, even though the man is gone.
I have to conclude that the parts of her book that irritate me (much of it) reflect my own issues more than Barbara Harrison's skills as a thinker and writer. Otherwise, how could the other parts have hit home so accurately?


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The book is exciting because of the resistance acts the brothers perform. It can aslo be a little sad at times, though, you can really get into it.
This book would be good for a reader that can be patient and wait for the excitment. They must also have some knowledge on the whole Occupation to understand where Theo's feelings are coming from.


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The author takes a thoughtful and systematic approach; she begins with chapters that invite readers - men and women - to figure out at least the beginnings of who they are, the sort of person they are looking for (an exercise that can save you a lot of wasted ad space, time, and money), and what kind of relationship you are looking for. Refreshingly, she steers clear of sappy "success" stories in favor of useful information (on safety, "red flags," personal appearance, manners, and more.)
Harrison shows you how to write an ad that really expresses who you are, while avoiding pitfalls (such as negativity and too much generality.) She is encouraging and stresses truth-telling, and a positive approach. It's a mini-course in effective self-advertising, and as such it's very useful.
I've had some varied experience with Personals and was gratified to read Harrison's book, which reinforced much of what I had suspected. (Men appreciate some friendly personal information, and they are drawn to the word "fun-loving"). In addition Harrison provides useful tips on screening respondents, selecting, meeting, dating.
A compassionate, helpful, and very worthwhile book.

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Harrison writes with a woman's voice that is spontaneous and uninhibited. Unfortunately this sometimes comes across as fatuous. Women are defined by how attractive they are. An octogenarian aristocrat is described as looking to be decades younger. The old lady then goes on to tell a younger women how important it is make a good marriage with a wealthy man. A pretty young friend picks up a stranger she meets on a bridge in Venice; the author is abandoned while her friend goes off for a bout of casual sex. Harrison's attractive young daughter is accosted by men in the streets of Naples. Harrison herself is quite proud that she is still attractive to men at her age (around forty). The men she encounters are clichés. The vast majority are childish sex-crazed brutes with a few lovable little old men thrown in for variety. I don't regard this point of view as a fault but rather a heartfelt putting to paper of the author's own inner dialogue.
Several reviews have commented that the book is poorly edited. This is true. This is not a novel. The book is more a series of essays that all have in common being about places in Italy. The chapters mostly do not flow from one to another. Travel narratives are a curious class of writing in that they need not have a storyline. They assume more knowledge in the reader than would a guidebook. The travel books of Paul Theroux are similarly choppy.
This book had an excerpt in Travelers' Tales Italy which is also an excellent source for many more books about Italy.