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Kenneth Prewitt, President, Social Sciences Research Council
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The essays are the some of the best in the field and the summaries well written. But, the overall usefulness of this book is limited. It may be a good starting point for research; readers will quickly find themselves wanting the full text of some of the essays summarized. It may also be a useful study guide for students who have read many of the complete articles and would like a quick summary that is more complete then a usual journal abstract.
Beyond that, this is not a helpful book. I would recommend Ecological Economics: The Science and Management of Sustainability by Robert Costanza, which contains many of the same articles and other works by many of the same authors.
This book is priced much lower than other collections of essays in Ecological Economics, but considering it does not contain full articles it should probably be even cheaper.
In all, this means this collection, apart from being an important reference book, is providing a very comprehensive way of making essay collections in general. So all five stars are indeed well deserved.
Kenneth Prewit, President, Social Sciences Research Council
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Sad though it may be to read the account of each of these survivors, even sadder it is to realize that many, many more children could have been saved where it not for the selfish attitude taken by many nations. For those who have had an opportunity to visit the Holocaust Museum in Jerusalem, it is a consolation to know that the children saved by the kindertransport are not listed among the other 1,000,000 children who did not have the same opportunity. And history keeps reapeating itself... not much thinking is nedded to realize that at the present moment there are people in several parts of the world who would have their lives saved if the "kinderstransport spirit" were to prevail.
There is a film in DVD/Video version of "Into the Arms of Strangers," which won the Academy Award for Best Documentary Feature. It is highly recommended, the book and the film complement and enrich each other.
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Hauser is always provocative and sometimes amusing. There are surprisingly few examples or paintings analyzed in any detail and sometimes he goes off in such detail on literature that one wonders where the focus of the book truly lies.
This book is worthwhile reading to understand the roots of modern art history - for Hauser is responding to 19th century writers and sees Impressionism as the great watershed in his discipline. He is thus aware of the importance of his own historical nexus, yet is caught up in a kind of analytical conformity that all too often seems like a grey flannel suit imposed upon the art in question.
When I purchased The Social History of Art I had never intended to read it from cover to cover. It is, in fact, a bulky book, which covers the history of art from pre-historic to contemporary times. I thought it would be one of those books you place on your bedside table and from time to time, have a look at it, and read bits and pieces when you are sleepless in the small hours. Surprisingly, I started reading it from the very beginning and couldn't stop till I reached the final sentence. I still cannot make out how a single author managed to cope with such an ambitious project.
Unlike other books of art, which stick to the description of each style, and some artists' works as something divorced from other events that took place at the time when they were produced, this book contextualises all the art productions according to the philosophical principles that underlie them, establishing the necessary link with the historical panorama and the social and political backdrop at the time that each artist lived and produced his/her works. Above all, Hauser's The Social History doesn't stick to the analysis of the visual arts as most art books do, but on the contrary, his broad scope extends to literature, drawing, paintings and even films. Never had I dreamed of understanding art as I could understand after reading Hauser's book.
Besides, as an amateur admirer of art, I was thrilled to realise that I could read and grasp his meaning with no extra effort; even so, he never patronises the reader. After reading this book, I realised that concepts I had always taken at face value and had never disputed, had gone down the drain. To my surprise, artists such as Shakespeare and Michelangelo are, in his book, not Renaissance artists but Mannerist artists. So, you learn to evaluate the artists and classify them using a different criterion. Well, this book is good value for money!
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I really enjoyed this book, and I would recommend it to people 14 or older. Since the novel was written in the 1700¡¯s, the words, grammar and usage are a little confusing. The reader also must have prior knowledge of 18th-century politics to get a full image of what Swift is trying to convey. At some points, the author goes into detail about nautical terms and happenings, and that tends to drag. Overall, the book is well-written, slightly humorous, if not a little confusing.
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Nice plot twists that involve CIA, Politburo, European aristocracy and others searching for the amber room. Along the way art dealers, ex KGB agents, and NYC cops get involved.
Descriptive writing carries the reader from NYC to Moscow to Europe effortlessy. I thoroughly enjoyed this book, and knocked it down to 4 stars only because I would have liked to have seen more extensive character development. However, the book was a great read, and I didn't set it down until I finished it.
Hope to see more soon from this talented author, and hope as he matures as a writer we will see more development of his characters.
Highly recommend this book and eagerly await his next work.