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This isn't a bad book, but it pales in comparison to to Hardy's major novels. I like Hardy when he's at his gloomiest, when weird events happen in the depth of the English countryside. This book is pretty routine stuff both in its underpinning theme (who will marry the eligible young lady? - it seems to me that nineteenth century novelists were almost totally obsessed by this)and its lightness of style. Utterly harmless, but instantly disposable stuff.
The ending aside--where the oddness is confined to just the last two pages--this is a superb character study of five disparate main characters and a handful of minor characters. Hardy is a master at imbuing each character with not only distinct personalities, but with the inconsistencies and flaws that make them leap, whole and warm-blooded, from the page. His characters are never stock people; they always seem as though they are people you could (or do) actually know in your own life.
The primary character is Anne Garland, a lovely country village girl who is much sought after by three different local men. These include Festus Derriman, a ne'er-do-well with a temper and a lust for his uncle's money; John Loveday, a soldier and the trumpet-major of the novel's title, who is the kindest, most patient character I believe I have ever seen in a novel; and John's younger brother Bob, who is a boisterous sailor with good intentions but a short attention span when it comes to the ladies. The machinations by which these three seek to catch Anne's eye is endlessly inventive and endlessly interesting for the reader, and her varied reactions to their attentions is a marvel of observed detail and the inconsistency of human nature. By turns hot and cold towards each of the men, Anne never seems shallow or thoughtless--merely human. There is also another sharply etched female character, the actress Matilda Johnson, who appears only a couple of times, but who is the linchpin of much important action.
As always, Hardy likes to insert subtle humor into even the most serious of situations. In detailing the village's concern about Napoleon (who is referred to frequently in the book by the derisive nickname "Boney"), Hardy writes:
Widow Garland's thoughts were those of the period. "Can it be the French?" she said, arranging herself for the extremest form of consternation. "Can that arch-enemy of mankind have landed at last?" It should be stated that at this time there were two arch-enemies of mankind, Satan as usual, and Buonaparte, who had sprung up and eclipsed his elder rival altogether. Mrs Garland alluded of couse to the junior gentleman.
You will be surprised, as I was, by the man with whom Anne Garland ends up. Yet now, just a day or two after having finished the novel and having been almost affronted by the abruptness and seeming insuitability of the ending, my position has softened and I can see that Hardy was actually quite true to the characters, their motivations, and their choices--however inconsistent they may at first have seemed to the reader. This is not by any means a great Thomas Hardy novel, but an average novel by Thomas Hardy is still a marvel of construction, of character, and of plot.
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