My father was born in Fannin County, Texas in 1910, the birthplace of John Wesley Hardin. I grew up listening to stories of Hardin's exploits and was pleasantly surprised to run across Steppen Wirth's book, John Wesley Hardin: Suppressed Memories. Many of my father's stories of Hardin came to life and old memories resurfaced.

The various biographies about Wes Hardin are little more than a retelling of his autobiography. Some authors go on to vilify, and some glorify Hardin but none really gives any insight into Hardin's personality. There isn't any reason for anyone to write
another biography on Wes Hardin unless new information is uncovered and that is doubtful. That's why a book like Steppen Wirth's is refreshing. He is not limited to rehashing Hardin's autobiography. Like one Reviewer put it: "The line between what is real and what the author has crafted from imagination is difficult to see." In Steppen's book Hardin steps from the pages, you can feel him breathe. You can almost touch him. The softer side of Wes Hardin, his deep love for his wife and close bond with family and friends moved me. Just when I started to feel empathy for Hardin the author reminded me of Hardin's willingness to kill. I admit there are parts of this book I think are too graphic for my taste. I wonder about the necessity of such violent detail. I have never understood why men have to kill each other but I've never understood war either. Most women don't. I realize Hardin's world was a different world, a world where you had to stay alive during that horrible period after the Civil War. I know anti-Union sentiments were still strong in my father's youth.

This title is a welcome addition to the Hardin list of books. Steppen's prose is vivid and strong. I became so engrossed I read the whole thing in one sitting. I will read this book again and look forward to more books by Steppen Wirth.

This book tells the story of the meteoric rise of master gunfighter John Wesley Hardin, a legend by the age of eighteen, who dazzled outlaws and lawmen alike with his extreme daring and phenomenal skill with firearms. The author, Steppen Wirth manages cleverly to interweave crystalline paragraphs, reminiscences, letters, journals, and newspaper accounts to recreate this intensely human story. Eminently fascinating...a colorful, and inventive book, but not one for the queasy.

As a Hardin fan I read this book with great curiosity. In fact I read it four times and each time I found something else to like about it. Steppen Wirth effectively conveys the many sides of John Wesley Hardin's complex personality. It is truly a work of art. I highly recommend it.

In his own time, gunfighter John Wesley Hardin was one of the most feared men in Texas and the Southwest. Author Steppen Wirth has created an unusual yet enteraining book about Hardin by combining fiction with facts, eyewitness accounts, and old photographs from the 1870s, 1880s, and 1890s. The line between what is real and what the author has crafted from imagination is difficult to see. And that is a key factor in the charm of this work, now in its second printing. Mr. Wirth, a Texas native, lives and writes in Montana.

I like elegant language, and I don't like violence. JWH's autobiography has none of the former and plenty of the latter, yet it is exactly right for what it is, the autobiography of a notorious gunfighter who thought the easiest way to solve any problem was to kill the problem. You only had to look cross-eyed at Hardin, and you were a dead man. Yet, as John Wesley tells his story, every one of his forty-odd killings was justified. The reader almost feels sympathetic...

....

That aside, this is a wonderful book. it is not well written, but Hardin never claimed to be a writer. This is the only known autobigraphy by an actual American West gunslinger, and Hardin, according to both himself and history, was one of the greatest.

There seems to be a fair amount of exaggeration and plain old tale telling, but I think you'd find that in any autobiography. This is both an insightful view into a time long gone and an entertaining read. If you've ever watched a western, read one, or just plain pretended you were an outlaw when you were a kid, then you owe it to yourselfd to have a copy of Hardin's book on your shelves.

Gunfighter is the autobiography of famed western gunfighter John Wesley Hardin. It was 1868 when John killed his first man at the age of fifteen and became a wanted outlaw. He took up a life of cattle drover, gambler, and killer whose bloody trespass through Southern states after the end of the Civil War brought him into contact with Wild Bill Hickok, the Texas Rangers, an emerging Ku Klux Klan, lynch mobs, bounty hunters, and assassins. His journal/autobiography ends abruptly in 1889 and was first published in 1896, a year after his assassination and remains the only extent and authentic autobiography of a western gunfighter. Out of print for the last four decades, this new edition of a western classic is enhanced with an informative introduction by Mark Manning and highly recommended reading for western buffs and students of American frontier history.

This collection of essays explores how individuals view commonly-owned resources. The clear conclusion is that people are biologically selfish: each person sees his/her own interests as more important than the group's interests. Altruism doesn't work as a policy. This flies in the face of common wisdom. I wish this book could be made standard reading for all high-school students. It explains the population's apparently self-defeating habit of destroying their own habitat.

Very informing information...Innovative, intuitive, interesting. -B. Baggins

You couldn't find a more interesting character than Hardin but his own account is written in a common and stilted style that zaps all excitement from it. Hardin should be grateful to James Carlos Blake's historical fiction "The Pistoleer" to put him in the proper light.

The original manuscript of this book was discovered after John Wesley Hardin's death. He was shot in the back of the head while standing at the bar in the Acme Saloon by John Selman in El Paso on August 19th, 1895. This book was published a year later by Smith & Moore Publishing in Sequin, Guadalupe County, Texas. It sold, in paperback, for fifty cents each.

Hardin was one of the real, genuine hard cases, in those days. It is said that he killed at least a score of men. By some accounts, it was at least 40.

Hardin was born in 1853, the son of a Methodist preacher, who proudly christened him after their faith's founder. No doubt he was expected to follow a spiritual path. It was not to be. He killed his first man, a freed negro who was full of his new freedom, and was going to chastise Hardin with a club out of anger for losing a wrestling match to the boy and his cousin the day before. Hardin killed him with a revolver.

Texas was administered at the time--immediately after the War between the States--by Northern carpetbaggers, and Hardin's life as an outlaw commenced.

He was captured, eventually, in Florida by Texas Rangers and brought back to Texas where he served time in prison. He was obviously intelligent and more literate than the average. After his release, he became a lawyer, and so his autobiography reads well, with probably no more self-justification and self-aggrandizement than most autobiographies.

It is said that he had his pockets lined with leather, so that he could carry his pistols without wearing out his clothing. Not a carry method conducive to the idiotic Hollywood myth of the "fast draw."

John Wesley Hardin was a dangerous man with an ungovernable temper. His story, as told by himself, is more literate than most and highly readable. How well it adheres to the absolute truth is anyone's guess.

I found it most interesting.

Joseph Pierre
author, Handguns and Freedom...their care and maintenance

As John Wesley Hardin wrote his autobiography he was, presumably, trying to present himself in a favorable light; shading things to make himself look good. That said, he still comes off as an utterly cold-blooded killer without conscience or a twinge of remorse. This makes the reading all the more interesting as he isn't holding back or trying to apologize for, or justify, the things he did.

The story is very well-written (Hardin was a lawyer when he wrote it, during the brief time he survived once he was released from prison). As authentic western adventures go, this is a top-rate book. Hardin tells of cattledrives, chases by posses, encounters with the law including Hickok, and shootouts.

Never has Eliot's famous verse "Not with a bang, but a whimper" come in so handy as when applied to the last few chapters of Jack London's "The Sea Wolf". The book is superbly written, but for a book to be included in a list such as the Easton Press collection of "The 100 greatest books ever written", it should be able to hold its own not only for style, but also for the tale itself, the "myth" behind it. The Sea Wolf does a fantastic job of building such a myth for about two-thirds of the novel. Then Ms Brewster appears, and suddenly the plot peters out. What begins as a gripping, sobering account of life at sea under a ruthless captain and a brutal crew, ends as a bland, unconvincing account of childish romance and "survival". If London had only combined this book's literary richness with the heart-rending plot of The Call of the Wild or White Fang, he would be truly immortal.

The Sea Wolf is a gripping, thrilling and stunning peice of work. Van Weyden and Larsen come to grips with eachother and with themselves in this book. The confrontation scenes between the two are amazingly written and the stark realism of the boat, it's crew and the violence that is almost an everyday occurence combine to make this a book that can not be put down.

The introduction of the female slows the book considerably but in my honest opinion, the ending is fine. Larsen's final fate is surprising and heart rending. The repeated phrase "Bosh" leads to one of the books best moments. While I wish London hadn't included the female, the book is well worth the read. At least before the female comes in, the book is darkly violent and challenging. The social implications of the debates between Van Weyden and Larsen are extremely sobering. All in all, this book is one of the best I have ever read. Brilliant is the best word I can come up with.

When I first dipped into THE SEA WOLF, I was struck by its similarity to CAPTAINS COURAGEOUS. Humphrey van Weydon's ferry-steamer, The Martinez, is rammed by another ship in San Francisco Bay in a heavy fog. Van Weydon is rescued by Wolf Larsen, captain of the seal-hunter, The Ghost. Larsen refuses to take Van Weydon ashore, laughing at his offer of money. Once again, I am reminded of another famous book, MOBY DICK, and Larsen is Captain Ahab. Ruthless and single-minded, Larsen decides to make Van Weydon his cabin boy on this four month trip to provide seal pelts for fashionable American women. Van Weydon resists until Larsen catches hold of his arm and squeezes. A man of letters who freely admits never working a day in his life, Van Weydon does everything he's told from that point on, including aiding and abetting the Captain as he mistreats his crew.
Early on we learn some of Larsen's motivation when he and Van Weydon have a literary discussion. We discover that Larsen is a literary bully. He's never spent a day in school, but he reads Shakespeare, Robert Browning and John Milton. London's theme becomes clear and Larsen and van Weydon argue about immortality, van Weydon declaring that man has a soul; Larsen retorting with a Scrooge-like "Bah!" And suddenly we have the first gleanings of an existentialist novel. If there were no God, how should man behave? Larsen, seeing evil everywhere he looks, decides he will do whatever is best for him personally.
The conflict is not precisely good versus evil. Van Weydon is a weakling, a pampered rich man, a coward. There is also much to admire about Wolf Larsen. He outduels seven men during a mutiny. He's constantly reading, constantly trying to understand. When Van Weydon's story arc begins to ascend--he learns seamanship, rebuilds the ship when its masts are destroyed--we can't help but give Larsen a bit of credit. Larsen never took no for an answer, no task was too difficult.
Another interesting element in the book is London's fledgling steps toward women's liberation. Van Weydon falls in love with another castaway, Maud Brewster, and together they overcome storms, isolation on a small seal rookery, and sabotage.
I guess I knew London was a better writer than the man who wrote CALL OF THE WILD (His short story "To Build a Fire" is one of my favorites), but I wasn't expecting a philosophical discourse wrapped around a sea adventure.

After purchasing this audio novel I was initially upset because it was only an hour long. I much prefer my audio novels to be at least 2 hours long. With a foul mode in place I began to listen to the tape. In a few short minutes I was quickly swept up into the story, recogizing my favorite Star Trek actors as they played their parts. The audio novel although short has an excellant production quality. The story is concise and easy to follow. I would like to thank John DeLancie for directing this project and for the participaction of the other actors. I would not hesitate to recommend this audio novel and look forward to others from John DeLancy, Lenard Nimoy and the rest of the Star Trek gang. (The RAMA science fiction series would be great.) Please make them at least 2 hours though.

This book is written in installments: first-person narratives by people who know the main character. Most of them are only a few pages long, and few of the narrators repeat. Thus, it's impossible to really sympathize with any of them. The main character himself, gunslinger John Wesley Hardin, is hard to like: we never get into his head, and from the outside he looks like just another gangster. The reader sympathizes briefly when he's wounded and imprisoned, only to be put off when he commits his next act of mindless violence or drunken stupidity. The post-Civil War American West, as presented by the author, whacks the reader over the head with violence, lawlessness, and what I felt were rather gratuitous scenes of sex with prostitutes. I'm all for "gritty" historical fiction, but here it sometimes seemed like the author was just trying to show off. Without emotional content, grit is just an irritant. Having said all that, the book is intelligently written and apparently well researched, and it might be somebody else's cup of tea more than it is mine.

There was nothing like the American West in the history of the world and figures like Hardin exemplify it; deadly, brave, sad and foolish all at once. His death seemed a relief because by 1895 there was no place left for the bravado of a gunslinger who would draw over an insult.

I found the writing format, the telling through other's eyes, less engaging and certainly less tasty than Blake's current style.

This was some book ! Absolutely outstanding in every respect - as a story, in its style, very exciting, excellent dialect, really funny in spots, ..... Chapter by chapter I went from hating the arrogant ... (John Wesley Hardin), to wanting to be a Hardin. If he really was as portrayed in this book (which I doubt), he was mostly the kind of person I respect - leave him alone and he'll buy you drinks all night long and otherwise give you the shirt off his back. Meddle in his business, get in his face, or harm his family and he'll whip you or kill you. Now don't get me wrong. Any reader would try to see where they fit in, in that day and time and I am pretty much left with the sad conclusion that I would have probably been a sorry, boot-licking peddler of some kind . . . . not a Hardin.

A fair book. It is about the life and times of John Wesley Hardin. Please read it with a grain of salt. Mr. Hardin was not the hero he appears to be in the book. Some is fact but lot is fiction. He kills his first man at age 15, I think, then is really on the run from then on. He is quick with a gun and very good with a shotgun. He finally gets married and has two children. As usual, he is caught and pays the price, as set out by a judge and jury. Lots of shooting, lots of western clans involved. I am sure true to life at that time. Just don't believe he was as good as book leds one to believe.

Overall, I enjoyed Braun's Noble Outlaw. It was very well-written, and Braun managed to transform a thug with a nasty temper into a sympathetic and misunderstood Texas hero. Though I'm not so sure the men Wes Hardin killed would appreciate the author's skill, I enjoyed the book and intend to read more of Mr. Braun's work. I would, however, be careful and not use the term "Historical Fiction" too loosely, for according to my history books, Wes Hardin was no hero.

Although always a gentleman, Mr. Metz, seems to have tried to get into the head of Hardin.This comes across as if Hardin is justifing his misdeeds. Frankly, Hardin is not worth of the acclaim and now honors that Texas is doing him. Metz's research was excellent, but I think that this is a misguided effort to simulate interest in the wrong sort of Texas characters

Yes, you get the facts of John Wesley Hardin's life, probably more of them than you wanted to know. What you don't get is any kind of decent prose.

Having considered myself a sort of amateur historian of Texas figures, I know quite a bit about J.W. Hardin. Leon Metz's biography is the most honest and thoroughly researched one I've come across yet. This along with Metz's engaging writing style made this book a hard one to put down. He doesn't glorify or vilify this Texas gunman, and the reader comes away with a new understanding of the times and tribulations of those who lived on the frontier. I'm a hard sell, and yet I would recommend this book to anyone interested in characters of the American West.

Intriguing, romantic cover that captures the Westerner's imagination. Too bad the cover artist didn't write & illustrate this book (really a comic book as "graphic novel" would be a complimentary exaggeration). Text is apologist history, weak on facts, thick on excuses for Hardin's murderous tendencies. Hardin doesn't get to his infamous gunfighting career until page 86, so "Lost Cause" doesn't even work as a traditional Western romp. Artwork inside is crude featuring stiff, exaggerated characters that make "Pokemon" look like Rembrandt. "Lost Cause" doesn't work as history or entertainment. If you are interested in Hardin, check out Leon Metz's or Richard Marohn's bios or even Hardin's autobiography. As for "Lost Cause," save your money--the cover is the best part & you've already seen that.