The overall tone of the book in the mouth of the son is light and deceptively casual, alternately raucous, hysterical, and rational, and one wonders whether Henry is really affected at all. Then we remember that he is a teenager, albeit mature for his age, trying to grow up, to deal with his own sexual yearnings and the desire to fit somewhere in the world. When confronted with his mother's indiscretions, his father's ineptitude, his younger sister's obsession with the Civil War, and his worries about her sexuality, he feels that he is the only "normal" one and that it is he holding the family together. He deals with the situation with humor and self-deprecation, with an 'I don't care what happens to my crazy family' attitude, and occasionally defiance. Hardly anyone in the family notices, at least for awhile.
From folk music bands and country dances, to first love in a religious summer camp, to fortune tellers and Wisconsin farms, the family plods along, yet each in their separate worlds, until they gather at the mother of all Civil War reenactments. That is when Hamilton lowers the boom. Her timing is immaculate. It is there that the entire family is faced with a wake-up call, and some hard truths have to be faced.
The Shaw family are very real. They are like people we know and maybe a little like ourselves. Once again, Hamilton demonstrates that she can adroitly translate the crises of American families, as well as the roles of and relationships between the sexes into great literature.
Although, on the one hand, Addams seemed the typical Progressive; on the other hand she did not follow many of the ideas of the more radical reformers. She was very practical and refused to be swayed by the claims of certain social movements and untried panaceas. she did not become a socialist. Although she greatly admired Tolstoy, she found his message "confused and contradictory" and doubted its suitability to the situation in Chicago. She deplored any violent tactics associated with socialist and anarchist groups despite their "noble motives." Addams demostrated an understanding of the ways in which strikes had a detrimental effect on people outside the labor movement (her dying sister was unable to see her family because the transportation system was blocked due to the Pullman strike. Unlike most reformers, she also had respect for the immigrant cultures represented at Hull House. A labor museum put native sewing machines and other instruments and crafts on display for all to enjoy.
One observation made by this reader was the animosity on the part of European reformers toward the work of the settlement residents. Tolstoy offered petty criticisms and one English visitor concluded that reformers in America were indifferent to the plight of the poor because they could not recite the "cubic feet of air required for each occupant of a tenement bedroom." Such remarks smack of a "caring competition." Addams, however, was well aware that the settlement house experiment was far from complete. Jane Addams' honest and humble account--albeit long and sometimes rambling (don't let the skinny paperback fool you)--demonstrated her unwavering commitment to achieving the improvement and unity of humanity.
Lessons to be learned from A MAP of the WORLD:
· When responsible for others who are dependent on you for protection, stay alert and in the present. Don't get sidetracked with daydreams.
· Never threaten others, not even when they deserve it. Example: Alice threatened Carol Mackessy with calling the authorities and it backfired. Carol had Alice called before the authorities, taken away from her family, jailed, beaten unconscious by a cruel, mentally deranged prison inmate, lost her farm and almost lost her familly.
· If you find you're having trouble being in charge of yourself and the path of your life, get yourself into therapy before tragedy strikes. Alice obviously had self-awareness-identity problems. It's' too bad someone, she or her hubby didn't' recognize that fact and get her into therapy before the unimaginable incident came to pass.
· Forgiveness. How to forgive the unforgivable. I don't know how the mother of the drowned child could do it so completely and immediately, without questioning or demanding some sort of payment or special favor.
· People, lives, and apparent everyday situations and circumstances are far more complex than first glance might indicate. Never take routine for granted. Be alert for the unimaginable, the unthinkable, and the unexpected! Especially when helpless little ones are in your charge.
I guarantee A MAP of the WORLD provides fuel for lively, enlightening discussions and haunting dreams.
The book is written in the first person, narrated by the son Henry who at the time was 17. From the start I felt that the voice didn't sound quite right. A few pages into the book the reader learns that the story is being told "less than a decade later", which would make Henry in his mid-twenties. This made the voice a little more believable, but I still had trouble with it, I had the constant nagging sense that his writing style and observations just did not ring true. Then I wondered if in the end there would be a reason for the story being told ten years later, would we learn how these events affected Henry as an adult, or would it turn out that his printing of the emails would trigger some event years later?
There is so much that could have happened in this book, so much that I kept expecting to happen, but there just isn't enough here in the way of plot, and very little dialogue. Yes, there is some dialogue, but more often conversations are described. Much in the book is described, observed, thought about. It has a slow pace. In spite of all this, I started out enjoying this book and for the first 100 pages or so I had a hard time putting it down. The writing is beautifully crafted without getting bogged down and I liked the way the narrator saw the family's life, even though I never bought the idea that the narrator was a 17 year old boy or even a 27 year old man. When talking about the family moving from rural Vermont to Chicago he says "Outside we would be in danger from both the careless ways of the rich and the careless ways of the poor." And "I was taken from Vermont before I could think to want to leave it myself, and so for me Wellington is the ideal, my old backyard there my deepest sense of home."
It's lines like these that kept me turning the pages, up to a point. But then I got tired of not knowing who these people were. The father is a cheerful near-saint and not much more complex than that. The sister is passionate about Civil War reenactment. A good part of the book deals with that, but her character is not developed beyond that one aspect. And not enough happens in this book, although I kept thinking something would happen soon. Henry considers deleting some of the emails from his mother's lover before she can read them, or better yet, replying to the emails himself, posing as his mother. Will he do that? Will that lead to something else happening? His mother talks openly to the family about her lover, a fellow musician she has just met. She wants everyone to think this is just another friend, she wants to not appear secretive, but talking about him is risky. Will this lead to something? The mother goes to a psychic for some relief from her inner conflict and the son reads about it in an email and visits the same psychic. Will this lead to something?
Curiosity and good writing kept me reading the book but in the end I was disappointed. There were so many possiblities in this story, but none of them, for me, was realized. There was a weekend when Henry was distracted and unable to concentrate. He was reading a novel by a contemporary author whose name he has now forgotten. He says "A book I read from beginning to end that weekend without registering much action or dialogue." Maybe that line has to do with his lack of concentration. Or maybe it has to do with the book itself. That pretty much sums up my feelings towards this book. I read it, but I didn't register much action or dialogue.