Christine Blackstone, aka Chrysanda Flamande, is one of the biggest stars of the silent film era. She lives with her widowed sister-in-law, Norah, and her Pekingese dogs, in the hills of Los Angeles. After wearing an ancient Chinese necklace in one of her movie costumes, she is cursed to be killed by the Rat God.
Sounds just like a pulp thriller, right? Fortunately this particular book was written by Barbara Hambly, so what you get instead is an intelligent, well researched, somewhat spoof of Hollywood in the 1920's. The characters are well rounded, the plot is interesting but not overly complicated, and the writing is superb. Now if there was only some way to get rid of that terrible cover....
Barbara Hambly practices the martial arts, and this lends considerable reality to her depictions of combat.
The magic system rocks.
The primary plot, two ordinary people in our real live world are contacted by someone in the fantasy world and are drawn into the action via interdimensional travel, while still fresh when these books came out, has been duplicated so often in so many ways since then, that some people might feel it is just one more story in a sub-genre of fantasy that is already overloaded. Well, I say, go and read these books.
There, mysterious creatures known as the Dark hunt mankind as there natural prey.Perhaps even more dangerous than the Dark is the political infighting of these people's Church and state as both are impotent to provide a true solution.The only ones who might be able to save man are the wizards, feared or misunderstood by most ordinary people, hated as evil by the church,and considered a double-edged sword by the ruling powers that be.
The characters are very realistic and the storyline is seamless and full of surprises and twists that are done in a very unaffected manner.It's almost like the story really happened and Hambly is merely relating,rather than creating.
Just don't get too far into book three unless you have time to read to the end, because you won't want to put it down.
I was enchanted by how thouroughly Hambly describes her world,and how realistic the training of the women is.The character was a bit dislikeable at first,but he developes.
Warning:The violence is exrtremely explicit.
Hambly's New Orleans is a dangerous fog shrouded place. It is fever season again and various voodoo factions are involved in the plot. Some are leaving graveyard dust at January's doorway. Tennessee trappers are trying to murder him as he desperately seeks clues to exonerate his sister.
This book does not move as quickly as others in this series. It sometimes bogs down at various twists and turns. It does however add depth and interest in the characters involved. The authors insights and research about the history of New Orleans brings the time and place to life.
A young "colored" sculptor, Isaak Jumon, has apparently died of poisoning, procured by his wife from January's voodoo sister, Olympe. Yet his body has not been found. Also, there is an issue with his father having left him an inheritance and his mother trying to claim him as a slave. Throw in an opium addict brother, a shadowy uncle and a demon of a grandmother and you have the makings of another southern gothic mystery set in old New Orleans. It's up to Benjamin January to find out what really happened to Jumon if he is to free his sister before she is hanged or taken with fever from the filthy jail, the notorious Cabildo.
It's another steamy summer and Ben is still recovering from injuries he suffered in "Fever Season." Money is hard to come by, with the music season slow and Ben being unable to earn a living as a doctor. Yellow Fever, and perhaps even Cholera, are taking their toll on the population, and Ben must confront his deepest spiritual beliefs in a conflict of voodoo and Christianity.
I liked the further development of January and found him to be an excellent observer of his surroundings. Although a man of deep moral conviction, he is full of conflict with his societal role, mourning for his dead wife, and challenged by the voodoo signs haunting his every turn. His main ally continues to be Oxford educated, opium-addicted, Irishman Hannibal, slowly descending with consumption. Rose Vitrac returns and their friendship continues to grow.
The complex web of families continues to be fascinating. I would love a peek at Hambly's notebook detailing the genealogy of whites, blacks and colored, creoles and Americans, wealthy and poor, that she so aptly illustrates in her writing.
Her writing is very descriptive and one really gets a full range of senses, from the smell of the gutters to the detail of a house in the swamp.
At times, the detail can become overwhelming and drag parts of the story. Also, I still would like a "cast list" to keep all of these people straight, as there are so many names, both American and French, that I sometimes forget who is who. The sheer number of characters makes it difficult to keep them all straight.
Still, I am enjoying watching the growth taking place with Ben January, and look forward to the next book, "Sold Down the River."
But it is much more - one sees motivations and the way that friendships develop under adverse conditions, and what prices people pay to protect themselves and their loved ones to the best of thier abilities. And how people reconciliate thier actions to themselves.
Yes, there are a few spots that are a little jarring to the consistancy, and a bit of a deux ex machina at the end, but in all, the plot development, the charactors, and the logical actions and reactions blended quite well - as well as the historical and location feel.
When Ms. Hambly is your historical tour guide, you can feel the mists and swampy miasma rise around you as you make your way through the cypress tangles bordering the cane fields along the river...
You won't get sold down the river with this one...
Her writing is as well done as I expected, the descriptions of New Orleans, the plantation, the rural areas surrounding both, are all lush and/or disturbing. The depiction of slavery itself seems spot on also, and learning some of the details of went on made it a hard read in spots, but worthwhile. Her characters are all well differentiated from each other but there are quite a few of them to keep straight, I especially had difficulty with keeping track of everyone in the plantation owner's family for awhile. Hambly is able to write tender scenes, graphically violent events and suspenseful moments with equal skill.
While the writing is excellent, the story itself is sometimes hard to swallow. One of the keys to allowing the reader suspension of disbelief is to read the cover where it says "A novel of suspense." It's not really a mystery, as the clues tend to be discovered by the reader and the protagonist at the same time, with explanations as to what the clues mean fairly quickly. The character is somewhat amazing, as other reviewers have mentioned. Many of the scenes read like an action movie. The character always manages to stumble across the major elements of the puzzle even if he's not actively looking for them. This is all more easily forgiven if you realize what kind of a novel it is. Still, it does take away some from the believability of the story which is why I can't give the novel 5 stars. Because of its realistic depiction of slavery and great writing style though, it's on my highly recommended list.
Barbara Hambly weaves yet another yarn that is well-spun
with character depth and a plot that, convoluted as it may
sometimes seem, is internally consistent and easy to swallow -
despite its liberal sprinkling of wizards, ghosts, spells and
curses. The story includes characters and a historic setting
that is comfortable and familiar to any who have read her
Windrose Chronicles, yet the story is independent of those
works and stands on its own, with a very different perspective
on the politics and day-to-day lives of the inhabitants of the
Empire.
Kyra - whom we met briefly in Hambly's "Dog Wizard," is the
central character, and her unravelling of the mystery as to what
has twisted her own developing magic skills, who and what is
threatening the life of her sister, and how to navigate through
the quagmire of paternal resentment, socialite scheming, the
suspicions of the Church's Magic Office and her surprisingly
conflicted heart over the man who would be her brother-in-law,
are expertly and masterfully interwoven by Hambly's skills as
a storyteller. A very good read - even more than once.
Hambly excels at describing, in a matter-of-fact manner, surroundings that may be fantastic, unreal. Kyra is bold, even fierce, and in Spens we find a surprising equal. The magic in the book is fun, the plot engrossing, and the ending is perfect.
Someone was crossing the forbidding Void between the universes. In San Serano, Joanna felt the terror strike, before dark hands were seizing her to kidnap her and take her...elsewhere. In the Empire of Ferryth, Caris watched a wizard murdered by a figure that vanished into a tunnel of darkness. And abominations were crossing through the weakening fabric of the Void.
And in the Silent Tower, where every stone was sealed and spelled against all magic, Antryg Windrose, student of the Dark Mage, was supposed to be going mad.
Only Antryg and the Dark Mage had understood the Void, the Archmage claimed. Yet the Dark Mage had been executed for his evil twenty-five years before. And Antryg was helpless. Or was he?
Just when you thought there wouldn't be more to add to this series Hambly pumps out another good story.
This is a book in and of its own...it isn't necessary to read the earlier books. But there are reoccuring characters from the earlier books and having read those made this more enjoyable.
knowledge - yes; but wisdom never; wraiths are paying now the cost..."
But in this environment of hopelessness and despair there is hope, life. The story of Ingold and GIl, Rudy and Sante goes on blooms and makes me long for more
This is another good book by Hambley. Again she dazzles us with her precise, vivid writing and heartfelt characters. She makes you worry about what will happen to them. The reader will also learn a bit about what Hollywood was like 80 years ago, before all the glitz and glamour (although Hollywood 1923 at times sounds like Hollywood today). Seeing Norah finally climb out of her pit of despair from her husbands untimely death in World War I and find love again uplifts the heart. Glimpsing the vulnerability of Christine and seeing past her confident facade makes one wonder about the stars of today and the price of fame. The story itself is a bit rough around the edges, but generally this is an enjoyable book that readers of all ages and genres should enjoy. Another great addition to anyone's library. Really, this book rates 3.5 stars, not 3.