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Victor has just been released from prison for shooting and crippling a young policeman. Coping with the changed world without and terrifying rages and phobias within, Victor is resentful, totally amoral, and feels he is entitled to whatever he can get - or take. Unbeknowst to the police, he is also guilty of a number of violent rapes, for which he has never been charged. The 'normal' side he can present to his social workers and employers is countered by the crashing and tortured screaming that others hear coming from his room, and he hears within his head.
Envious of the public admiration for his victim David, whose stoic acceptance of his paralysis has won him high regard and accolades, Victor can't stop himself making contact. To his surprise, David and his girlfriend Clare welcome him, assuming his motives are benign - that he, also, is trying to make sense of how the incident has affected his life. Victor manages to act normally long enough for them to become 'friends', but the tension of his scheming, David's skepticism and Clare's naive belief in Victor make you feel something awful is just around the corner. Away from his friends, all sorts of things in Victor's mind are starting to surface, and go out of control...
Ruth Rendell never writes a bad book, and this is one of her more original plots, no normal whodunnit. From the first pages Victor's incipient violence is so well portrayed, yet what happens is still a complete surprise. Rehabilitation of violent offenders, and their integration back into society, is a very low priority of governments today. The thought that there are people like Victor on the streets around us is all the more worrying for probably being true. A discomforting and somewhat disturbing story.
I thought the book was well read and all the characters were convincing. My favorite was David Fleetwood. I felt I knew him very well, even though only one chapter was from his perspective.
Rendell has written many wonderful books, and this is one of the best. I highly recommend it.
Highly recommended. Also read Judgement in Stone, possibly her best and most brilliant!
Guys jealousy and obsession grow as the book goes on, and Rendell develops it's perfectly.
This is another of her best books, with a great cast of characters, and complex plot. The writing is excellent, and her stories are always topical and interesting. (This one having more than a little to do with the concept of stalking, and obsessive love.) Even though Guy is obsessed, the reader does feel sympathy with him because he truly does love Leonora. This brings the reader into a conflict of emotions, which is something that all good writers do. Even moreso because of the fact that Leonora's new love, William, is not a particularly likeable character. Coming across as slightly arrogant and full of himself.
Guys increasing paranoia is built up masterfully, and the conclusions is great. a wonderful release of tension.
Rendell cannot be faulted. She is truly the best.
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The love of baseball is transmitted from father to son to granddaughter, and it is in that slow but certain transmission that the author conveys the beauty of the game. No other sport treasures its history so much. No other major sport is so unconstrained (at least, theoretically) by time.
Donald Hall has written an unhurried look at baseball, growth, and decline. We meet the young Babe Ruth as a star southpaw for the Red Sox, then follow (with the New Hampshire family portrayed here) repeated years of father-son baseball games, rooting for the Babe as he keeps breaking his own home run record, and then, briefly, the Babe's last, uncompleted year in baseball. Between the lines we see the dimmest outlines of a flawed man. The book is both a sentimental evocation of a New England family's enchantment with baseball, and an unstudied meditation on the passage of time.
Of course, the above is from an adult perspective. Elementary school kids (and older) will enjoy the depiction of times past, the two encounters with the young and the older Babe, and, most of all, the outstanding illustrations by Barry Moser. Like baseball, it can seem a little slow, but if you have the time and the inclination, the book will envelop you like an old familiar glove.
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The Color of Water is a choice book for memoir-lovers and those who appreciate topics that deal with race. McBride handles the issue beautifully, as he is most fit to do so, being of mixed color himself. An especially moving recurrence in the story comes from the gruff responses by McBride's mother to any question of race, belonging, or any other topic concerning the rest of the world. McBride set the childhood view of his mother on a pedestal fortified by her own beliefs: education, religion (Jesus), and privacy among others. At the same time, the chapters that alternate between mother and son show a weaker side of Mrs. McBride, but provide a good balance to the book. While watching his mother's story unfold as McBride makes certain realizations about his own life, a basic question is answered. Often in memoirs readers wonder what it was in a person's upbringing that impacted that person's personality. Here the reader is allowed the opportunity to make that connection himself.
If there were one area of lacking, it was the description of McBride's siblings. I would have like to have known more about his relationship with his brothers and sisters, as this area seemed strangely weak in comparison to the focus given to his parents. The additional background would have strengthened the book by providing and even broader picture of the lives of those who shaped James McBride into the author of the autobiographical, The Color of Water.
After finishing the book, there was an unsettling feeling of unfinished business. I had enjoyed the book but would have had a better experience had my family not built it up to me so highly before I read it. Unfortunately, starting the book with such high expectations was disastrous for the outcome. This does not in any way mean, though, that I do not respect James' McBride's work on this piece and the hardships he has grown from, because I do. I only wish that I had had the opportunity to read the story having heard nothing about it. My recommendation to all prospective readers is to go in with a clean slate and try to read the book devoid of outside feedback.
Ruth McBride Jordan was born in 1921, in Poland, the daughter of Orthodox Jews. As a baby, her family immigrated to the United States where she was raised in Virginia where her father had a grocery store. Her life was harsh and when she married a black man in 1942, her family disowned her.
She raised 12 children, every one of them college educated, her indomitable spirit strong through poverty and the tragic deaths of two husbands. Her color confused her children who lived in a black world and it wasn't until they had grown to adulthood that her true story came out.
James McBride is a good writer, and his lively clear prose reflect a home that might have been lacking in material things, but was extraordinary in its warmth and love and nurturing atmosphere.
Ruth McBride Jordan's story is told in her voice through alternating chapters and her strength comes through in her words. Never once is there a shred of self pity as she tells her story. When she was first married she and her husband lived in a cockroach infested single room in Harlem with the bathroom in the hall. Her first four children were born while they were living in that single room. "It was one of the happiest times of my life," she says. Later they moved to an apartment with their own private bathroom which was quite a luxury.
The reader feels the emotions that James feels as he struggles with his own identity. He is the 8th of the 12 children and watches his older brothers and sisters being influenced by the "black power" movement of the 70s. Often, he's embarrassed by the color of his mother's skin.
Ruth is an active Christian avid churchgoer. James knows little or nothing of Jews. It is fascinating to read his point of view which is told with insight and honesty. And it is perhaps even more fascinating to hear the words of Ruth.
The book is an inspiration, a testament to love, and social exploration through the eyes of a mixed race family. Read it! You'll love it!
The author is equally effective when she moves away from the table to tell more directly of her relationships with friends and family. She describes some episodes that could be seen as time-bound clichés - living in a commune, working in a collectively managed restaurant - with a perspective sometimes lacking in baby-boom memoirs. She brings similar good-humored perspective to her mother's mental illness and her own struggle with anxiety attacks, never wallowing in graphic description of symptoms. You don't have to be a "foodie" to enjoy TENDER AT THE BONE, just a lover of warm, tender memoirs.
The stories are often laugh out loud funny, and some are very touching (her mother's manic behavior is explained later in the book). The book allows the reader to see Reichl's influences and her deep love of food through the stories, without Reichl ever coming out and saying "these are my influences."
Food lovers in particular will probably adore this book, but lovers of autobiographies will probably also enjoy it. The book is not about food, exactly, but about a woman's coming of age (and part of that coming of age is that she simply loves food and the art of its creation).
A delicious read--I couldn't put it down.
With good-humored perspective, Ruth Reichl, NY Times Food Editor, lovingly introduces the significant people in her life and the way she managed to find a path for herself and build a wonderful life in spite of a tumultuous childhood. A childhood that was filled with emotional trauma and rather ghastly home experiences, (imagine) Ruth's Mother picks her up from middle school, and without any preparation or explanation, drives to Canada, where she deposits Ruth in a Catholic boarding school where only French is spoken. When Ruth begs not to be left there, her Mother reminds her that she is the one that wants to learn French!
Reichl introduces us to quirky, memorable characters that thankfully guided the development of her love of fine food. A story filled with wit, sadness, resourcefulness and occasional mishap, Ruth will tell you she learned early in life that the most important thing in life is a good story!
You will be as amazed as I by the life Reichl led and discover a range of cooking and eating possibilities way beyond today's lifestyle. Excellent!
She is one terrific writer and I absolutely agree that it is hard to put her books down, while taking her life journey with food and early family years, friends, lovers, husbands and colleagues. Her food descriptions and emotions and turmoils are all boundlessly and abundantly juicy, almost soggy, with sensuality, pain, jealousy, rage and an inability to wait for one meal to digest before going after the next one.
That is what irritated me about her writing. I didn't get a sense of completion about anything in her life, or a feeling of being sated and satisfied with anything. It was exhausing by the end. Especially in her second book, being an adult, and no longer a child or young adult, I was waiting for her to develop some wisdom and grace about life - not just "solving" everything with food, escapes, and infidelities, even babies. And, trying to come off sounding like it was brave and adventurous. Sorry I didn't get that part. Not that I have any quarrel with great food or great sex or raising a family. Quite the contrary.
I felt sorry for Doug, who seemed like an anchor, a sweet guy with endless patience and a person who brought balance to her boundry-less appetities and confused emotions. I could predict from the start that the sorry adoption situation was going to end in disaster. Don't people get SMART by the time they're 40? I felt the author merely "went with" any emotion and felt it was ok simply because she HAD it. For example, what women in their right mind wouldn't LOVE that her husband and her dad developed such a wonderful bond - why the baby-like rage about that??
I also agree with the reviews about continual whining about her mother's habits. Funny during the child year anecdotes, but a drag when she's a grown woman. Get over it. And don't print such stuff about your mom while she's alive to read it! Where's the compassion for mental illness?
Ok, so I said I was irritated. All said and done, the girl knows how to write. But would I want to put up with her in a relationship? Guess.
Most people who experience life crises around 30-35 (almost everyone) tend to self-dramatize and feel sorry for themselves. Ms. Reichl treats life as an adventure to be embraced and tends to poke fun at herself. As a result, you cannot help but like her. She is also very down-to-earth, and is very candid about things that most people would downplay or try to keep secret.
She has a lot of courage. Whether it is ignoring the orders not to talk to people in China or offering her untutored opinions to great chefs, she just dives in with whatever fits her sense of the moment. You will probably admire her courage, if you are like me.
Ms. Reichl is extremely intelligent, and her imagination will stir yours. She has a great ability as a writer to help you enter into her world, and feel what she feels.
At the beginning of the book, she had just been surviving as a writer by keeping her expenses low and working as a cook. Her husband's art career had started to take off, and she gets a chance to become a restaurant reviewer. This opportunity is derided by her fellow commune mates in Berkeley, and couldn't be more different than her experiences with eating macrobiotic food that she often prepared herself. She only had one dinner out a year before taking this new job.
Soon, she is reviewing (after misadventures like having her credit card rejected at the first restaurant she reviews and reporting that a robbery had occurred in the parking lot of another restaurant without checking the facts) and starting a tempestuous affair with her editor at New West. The affair fizzles out when he marries another editor at the magazine. Ms. Reichl soon falls for a man who she cannot stand at first, and they also have a torrid relationship that ends happily in marriage.
Some of the best parts of the book involve the difficulties of opening new restaurants. You will get most of the gory details on two, including Wolfgang Puck's Chinois. The book is filled with other restaurant celebrities, and you will enjoy what you learn about them. They are most engaging when away from the harried moments in the kitchen.
The book also is filled with recipes. Now, most recipes in books are long on ingredients and short on instructions. Ms. Reichl is just the opposite. These are almost all simple recipes with oodles of details concerning preparation. For example, asparagus in balsamic vinegar has two pages of directions. Also, the dishes come from many cultures so they can allow you to have some adventure with your meals.
One of the many clever devices she uses in the book is to describe meals at Chez Panisse in Berkeley as a kind of measuring stick for her connection to the world of food. She nicely uses her mother's experiences with the restaurant in the same way. I was very impressed by this method.
After you finish reading this marvelous book, I suggest that you think about where you need to try more things. Ms. Reichl's life would have clearly been much less if she had not taken great strides to try things she had never done before. Where should you do the same?
Seize life and experience it with full flavor!
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