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This guy is a phenom! In this book, a bit technical, he outlines the domains of various sciences and their relationships to and between each other. It doesn't go into the detail and grime of specific books, nor is it a 'cross-discipline' analysis, rather it tells you how far disciplines are from each other! It's like a taxonomy of the universe and the university.
I think this will help anybody make sense of the chaos we call a univeristy system. It helps you figure out exactly what people are studying and what they aren't studying. It would help if you've been through college and you still want to know what to do with your life because the information is technical, but it should be read by people going into college.
If you ever wanted to know a little bit about a lot, this is the book.
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Winston Smith, while not the ideal romantic protagonist, is still compelling in his own right with his inspiring (and finally tragic) fight against Big Brother. The struggle that takes place between Winston and the government in 1984 is psychologically thrilling and intense, and it is still difficult for me to put the book down each time I read it. I am particularly drawn to the character of O'Brien, who represents to me the culmination of a path that all seasoned politicians and government officials travel down.
The year 1984 has come and past, but an extreme statist government similar to the one portrayed in the novel still may haunt us in the future.
Two things in this book were especially profound for me. First was Orwell's exposition of the social conflicts between the highs, the middles, and the lows, which Winston Smith read about in Goldstein's book. George Orwell understood totalitarianism well enough to see that equality is not socialism's end, but merely the propagandistic means for replacing the highs. Self-serving tyrants inevitably usurp socialism's ideals and use them to become the highs themselves, indulging themselves in privilege at the expense of the rest of society. After reading Goldstein's book, Winston understood the how, and O'Brien explained to him the why when he declared, chillingly, that power was an end in and of itself.
The second thing which struck me as profound was Orwell's exposition of Newspeak, the official language of Oceania which robbed people of their ability to think by robbing them of their ability to express thoughts in words. Rudimentary examples of doublethink, crimethink, and the thought police can be seen in various political groups within our society today.
This book is brilliant and prophetic, a must read for all those socialist utopians who have forgotten the dark realities of human nature.
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William of Celle and his wife Eleanore had a beautiful, pampered daughter, Sophia Dorothea. His younger brother, Ernest Augustus, ruled in the rival principality of Hanover. He was married to Sophia, daughter of the King of Bohemia. Together they had a number of children, the oldest of whom was George Lewis, an ugly, coarse, and boorish man, born to be a soldier, rather than a statesman or diplomat.
There came a time when Sophia Dorothea, as a result of some underhanded political intrigues, was forced into a loveless marriage with her first cousin, George Lewis, much to her and her mother's despair and dismay. George Lewis was also not thrilled with the match, given as he was to coarser delights. Sophia Dorothea, however, tried to make the most of her unpleasant situation, buoyed by her own innate charm and disposition.
In the end, however, Sophia Dorothea became undone by her love for the dashing Count Konigsmarck of Sweden. Through the political machinations and intrigues of the jealous and sexually insatiable Clara von Platen, her father-in-law's long time mistress and Konigsmarck's spurned lover, Sophia Dorothea and Count Konigsmarck were betrayed. Ruined, Sophia Dorothea ended her days as a captive princess, the tragic and pitied Princess of Celle. George Lewis would go on to undeserved heights as George I of England, and the house of Hanover would become a force with which to be reckoned.
This is a wonderful account of the tragedy that befell Sophia Dorothea and an excellent one of how the house of Hanover rose to prominence in England. Well written and absorbing, it is a page turning book for all those who enjoy historical fiction.
The story of the beautiful, tragic Sophia Dorothea is well told by this artful translator of historic biography. Plaidy's novels are fairly close to historical fact without being tediously so.
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The topics are grouped in six main sections each with several chapters on that topic. Since it is unlikely that you will read this reference / text book left to right as you would a novel this organization helps in finding what you are looking for and focusing on the area(s) of interest.
There are many helpful illustrations and a good use of color as well as chapter summaries and all the exercises you could ever hope for.
A very excellent feature is the use of application problems that take you step-by-step through building an Excel spreadsheet. This is tremendously useful.
The web support is also a good help as well as the streaming video vignettes.
I honestly find this topic very interesting and the 11th edition of this book to be a very valuable resource.
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"Men At Work" reads like a tech manual. Hit, run, pitch, field. Okay fine, but when one distills baseball into such an exact science the passion leaves the game. "Men At Work" makes baseball into a game of economics- put in pitcher W against hitter X because he has a Y-to-Z ratio between his groundball outs and flyball outs . . . This is not why I love baseball.
Also, after a while Will's observations become redundant. George we spent fifty pages learning about the strategy employed by Tony Gwynn in hitting, why do we have to read twenty pages recapitulating the same things from Wade Boggs?
If you want to read a good baseball book, read "October 1964" or "Bunts". Don't read "Men At Work".
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In reading the book I think a little bit of a democratic bias comes out, just a little, but enough to notice. I also thought it interesting that they had far more details of the Gore group then the Bush camp, it follows the perception that the Post is somewhat liberal in its views. The book is an overview that came out almost 10 minutes after Gore hung up the phone on the second concession call so there are a few more details out now that they did not get in the book. Overall it is a good effort and a readable book, but not the end all be all on the subject.
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It's ironic that Blake originally despised Custer while writing DANCES WITH WOLVES then, later, found he liked Custer after all. If only he could have written about Custer's last days with more passion and ambition, yet, he did not.
I do NOT think this is a good book to start one's discovery of Custer. For that, I'd strongly recommend Louise Barnett's TOUCHED BY FIRE.
Don't expect a nice guy who dances with wolves. This one kills with "Wolverines."
Penned by the best-selling author/Academy Award-winning screenwriter of DANCES WITH WOLVES, in Michael Blake's MARCHING TO VALHALLA we again journey West to the savage frontier of post-Civil War days. Only this time our guide's no Indian lover -- he's an Indian fighter. And an immortal legend. George Armstrong Custer.
But as we accompany him on this journey through uncharted territory, we discover -- soul-wrenchingly -- he's as mortal as the rest of us.
It is 1876. On a long march to what Custer hopes will be his most glorious campaign, he decides to record his daily thoughts and observations, as well as the events that led him here, in his Journal. It is through this Journal that we enter the secret catacombs of his "true heart."
The skeletons of fallen Confederate soldiers unearthed by rain. The dark entombment of Custer's dreams during his court martial and suspension from military duty. The taste of blood-lust, more satisfying than the finest wine, when he commands the brigade known as "Wolverines" on the battlefield. And piercing the mists as magically as the rainbow-colored suns he glimpsed during the Washita Campaign, the love Custer shared with his wife, Libbie.
Through Custer's eyes we see the beauty of the prairie flowers, the way light "dances" through the cottonwood leaves. And through his eyes we see the horrors of war. Battlefield carnage. Three mutilated bodies found at a stage station. The senseless burning of a Cheyenne village.
Michael Blake's a master, and his imagery flows like warm, golden honey. His words ambush us and hold us captive. But secretly we hope he'll never let us go.
When Blake sends us riding across the plains to that final destination, Custer's thoughts whisper tragically through our own hearts. And for that brief, flickering moment we know the name of the horse we ride -- Fate.