Includes over 800 entries, illustrations, synopses of books and chapters, biographies of Joyce and his contemporaries, bibliography, a very useful index, as well as the text of Jude Woolsey's ruling to lift the ban on "Ulysses." The writing is clear, wide-ranging, and complete without bogging the reader down in minutiae. Not as thorough as the encyclopedic "Ulysses Annotated," but very useful in disentangling Joyce and his works without great effort! Written by a Professor of Theology and English at Molloy College (and vice president of the James Joyce Society), and a professor of English at Marquette University.

Elvis, the Beatles and Marilyn Monroe have received the A to Z treatment in which every aspect of their lives and works have been reordered alphabetically, so it was only a matter of time that the mania would spread to lesser figures in our popular culture, in this case Mark Twain, James Joyce and Virginia Woolf.

This series of three books, originally published by Facts On File and now updated and reprinted by Oxford University Press, combines facts culled from the writers' lives and works, shakes them up thoroughly, and recasts them into easily locatable entries. The result is an addictive pleasure, a page-turning odyessy for anyone interested in learning more about their favorite writer.

At 304 pages, the Joyce volume is the smallest of the trio, but what it lacks in size it more than makes up by offering extensive commentaries on "Ulysses" and "Finnegans Wake." Those who have tried to read these modernist (or post-modernist, the argument still rages) classics have quickly recognized the need for assistance. For "Ulysses," the Joyce volume reprints Joyce's chart that lists each chapter's time frame, location, symbols, technics, organs, art and correspondences to the original. Each chapter is given its own entry, which describes the action, Joyce's intentions, and clairifies points of Dublin's history. As one who attempted "Ulysses" solo, and suffered for his sin, I can speak with authority that this volume would have saved me a great deal of agony. I only wish they had abandoned their schema and combined the chapter descriptions into a single, lengthy appendix.

No detail is too small to escape the editors. There are also entries on Gustave Flaubert, an influence on Joyce's writing style; Throwaway, the race horse whose victory in the Ascot Gold Cup figures in "Ulysses," and the Volta Cinema, Dublin's first movie theater, which Joyce helped to open.

In short, this guide can help the Joyce reader move through the complexities of his work without feeling like you've earned a Ph.D in comparative literature while you're doing so.

We first meet Jimmy as a nine-year old boy, listening to Dragnet with his police officer father in their Staten Island home. We follow him through the police academy and then out to the streets. We meet his fellow cops and feel the pressures of the job, watching some of them turn into alcoholics or commit suicide. We see how many of the rules are bent to accommodate the reality of what is going on in the street. We're right alongside Jimmy, feeling his anger and despair when he goes to funeral services for fellow cops brutally gunned down. We meet celebrities and junkies and Hell's Angels and other assorted oddball characters. We're surprised at some stories, and we cringe at others and wonder how one man could have experienced so many outrageous things. Then we realize that these are the highlights of a long career, all compressed into a fast paced, action packed narrative with something new on every page. It's a good story, well told. Recommended.

"As weeks and weeks went by, I didn't hear a single one of the defendants say a single word of loyalty to this government and this flag...." So declared the federal judge as he sentenced 18 leaders of the Socialist Workers Party and labor movement to prison for opposing WWII on the day the U.S. entered it.

The loyalty of these leaders was to the working class of the world. This meant opposing their own ruling class and its government, and leading a movement to replace it with a workers and farmers government.

What amazes me is that hordes of "readers" are falling all over themselves to buy Tom Wolfe's latest, and so few people are jumping at the chance to savor a truly great novel like this one. There's no justice in the book-buying world.

Steve Vivian

The problems of using source documents are detailed as well as the triumphs of modern archealogy in expanding our understanding of this period of history.

The photographs, drawings, and maps compliment and support the text nicely.

Highly recommended as an introduction to the period and its people.

The physical presentation of the book is far more attractive than is usual for textbooks. It is in a large format and lavishly illustrated, including a number of color pictures, and has several good maps of England (although it is curiously lacking in maps illustrating the European context of English history, and it could also use genealogical tables to help sort through some of the myriad characters). The bibliography is good up to 1981, the original date of publication, but unfortunately it was not updated when Penguin reissued the book, and thus cannot take account of the scholarship of the past two decades. It also has, regrettably, "secret" endnotes at the back of the book, not signaled in the text, which often lead the reader to primary source material and some secondary discussions; it is well worth the reader's effort to seek out the endnotes periodically.

In short, The Anglo-Saxons is highly recommended for anybody seeking a general introduction to the history of this period. My highest praise is that when I taught a university course on Anglo-Saxon history, this is the only book I considered for a main textbook.