Many readers will start off by pinning the signs on the donkey's backside so to speak i.e. Moses the crow who tells the overworked animals that their afterlives will be bliss represents the church. Benjamin the wise, but silent donkey is the silent intellectuals who could see what was going, but did nothing to save their own skin and so on. It still shocks me how accurate Orwell is, I can recognise a Squealer (the government publiscist talking in fanciful meaningless figures), a Napeloen and sadly too many Boxers in my own country. Strange that what Orwell wrote about the Russian revolution applies to almost any third world country today.
The simplicity of the prose of Animal farm is by design, he wanted his book to be accessable to the masses, afterall this is the man who changed his name from Eric Blair to Goerge Orwell just to appeal to the "average Joe". I don't think he would have wanted this book to be discussed by intellectuals, he wanted it to reach you and me.
Humanity has learned (in some parts of the world at least) that the only organised idealogy that works is the abscence of an organised idealogy. Utopia can never exist because 1- It can never be defined 2- It is against human nature not to strive to be better, superior, more powerful and richer then others. Unfortunate but true.
The character of Snowball is in my opinion the most important of the book. He is full of good intent, he wants to start classes for the other animals to elevate their understanding of the world. He is also a careless and unrealistic character. What Orwell is saying here is that intent without action is useless. A person who cares about injustice and can't do anything about it is no better than a person who doesn't give it a moment's thought.
Animal Farm is Orwell's masterwork, it is clairovoyant, the Soviet Union has indeed fallen. I believe the events of 1984 are only a few you years away, the government can already take pictures of your roof top. If you for some odd reason are among the few who haven't read Animal Farm, you must rectify that situation. It will make the inexplicable around you crystal clear.
If you are an animator who already owns every other book on the subject and you have 30 bucks burning a hole in your pocket then this book is for you. However, if you don't own the 50 other great animation books by Frank Thomas, Ollie Johnston, Richard Williams, Eadweard Muybridge, John Canemaker, Brian LeMay, Jeff Kurtti, Preston Blair, Chuck Jones, Tony White, Culhane, Finch, Schneider, Adamson, Rebello, Green, and Hart to name a few; then please go buy one of theirs.
This one is going back for a refund. Sometimes you just have to say "The Emperor is Naked."