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The format of the book is well organized and the index is broken down by neighborhoods, as well as by subject. So it is really easy to use. Also the book is nice and slim, so it's easy to carry.
I left my Paris Confidential with a friend in Strasbourg. I'm buying another copy, although I have no immediate plans to return to Paris. I want to thank the authors for a wonderful 24 hours.
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If you are looking for a beginners coaching book that outlines the skills in detail with a bunch of drills, this is NOT the book for you.
The caliber of contributors is excellent and the chapters were put together nicely...it flowed from front to back. I've played and coached for many years. I learned a few new things in this book, but I also felt like the book gave me a different perspective on areas I already knew. I will probably read/review this book prior to my club seasons.
There were a few graphics/demonstrations. There were great pics illustrating Conditioning and Stretching. There were a few sketches of attacking and digging. Jim Coleman did a nice job on Statistics.
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This volume contains four poems--two long, two shorter--which have made a big impact on this reader and many others. The two long poems which bracket the volume are "Sources," which evokes Rich's conflicted Jewish heritage, and "Contradictions: Tracking Poems," which works outward from the poet's lifelong struggle with serious arthritic pain to propose connections between "the body's pain and the pain on the streets." In both of these long poems, Rich makes her particular experiences serve as a framework for addressing the struggles of a range of people, including her 1970s constituency of American women but moving outward to engage with people across the world. That the poet must do this is the message of her poem "North American Time," which readers of earlier Rich poems might see as a rebuke to those poems' assumed facts about people's experiences. North American Time makes clear that the poet's intentions in the moment of writing may not last, but that the effects of those words does last: "we move/ but our words stand/ become responsible//and this is verbal privilege." In this poem, Rich makes her "privilege" one of a continuous witnessing of the lives of those around her (and far away, in other countries), in which the poet's language has to reflect these specifics.
In "In the Wake of Home," though, Rich gives a painfully sad and affecting picture of American middle-class home life and its losses. At the heart of home, she writes, is a "hole torn and patched over again." The connections Rich makes between this kind of pain "in the wake of home" and the much ! larger-scale violences of slavery and homelessness are not ! as convincing as similar connections made elsewhere in the volume; still, this poem shows Rich's conflicted approach to the problems of poetry she works to define throughout the volume, an approach of immense responsibility and power.
In earlier times, the death of one of these sisters might have been front page news. But perhaps the fact that Yvonne's passing was apparently an obscure news item, at least in the town where I live, is a sign that the sisters have finally acheived the level of privacy that they have so long desired.
The church officials who could have helped them turned their backs on them, telling them to "submit", and deciding that as long as their father gave monetary support to the Church, he was being a good Catholic. At a time when there was little if any separation of Church and State where the French Canadian government was concerned, there were many other children who experienced the same indignities. It is good that the Dionnes have spoken out on their behalf.
I'm glad that shortly after this account was published, that Yvonne, Annette, and Cecile were finally given $2.8 million dollars in compensation by the Ontario Government. But if there is any real justice, Ontario should be paying them annuity. After all, they didn't ask to become the saviors of Ontario during the Depression, and they only ended up as such by accident of being born Quintuplets and subsequent government manipulation.The Ontario Government made $500 million off of "Quintland" during the thirties. Caged and exploited for the first years of their lives, and tended to by Dr. Allan Roy Dafoe, they were eventually reunited with their parents and siblings after lengthy and strenuous custody battles. But while Oliva Dionne may have won the physical custody of his daughters, the loyalties of the three surviving sisters ultimately lie firmly with the Doctor who treated them with more dignity than their parents.
While it is well that these sisters, whose lives I have followed since I was a kid myself, have been compensated, I hope their siblings can make peace with them, although they shouldn't be entitled to their sisters' reward money after the way they treated them. Due to the times in which they were born, they aroused more public interest than they might have in a time of more affluence, and were led on a nightmarish odyssey that included experimentation, exploitation, physical, sexual, and emotional abuse, failed marriages, and the early deaths of the two youngest Quintuplets, Emilie, and Marie in 1954 and 1970 respectively.
Their parents will have to answer for their sins in another lifetime, since they are both deceased. But when the three surviving Quintuplets sent a word of warning to the parents of the McCaughey Septuplets about not letting their children suffer the indignities that they did, my respect for them was renewed.
I wish these three remarkable ladies all the best in their remaining years. Their story, so far, as had as fair an outcome as could have been expected. As their mother once said to an American auidience years ago during a vaudeville act, "Dieu Beniesse".--God bless you, Yvonne, Annette, and Cecile.
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