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Adrian Conan Doyle is represented here as well, the adventure of "Arnsworth Castle" being simply a republication of "The Red Widow" from _Exploits_. (I disagree with the reviewer who thought the story was a "complete failure," but I also disagree with anthologist Green that it is the strongest of the younger Doyle's Holmes pastiches.)
The highlight of the collection is undoubtedly Denis O. Smith's "The Purple Hand." This is the first of Smith's Holmes tales (of which another -- "The Silver Buckle" -- appears in _The Mammoth Book of New Sherlock Holmes Adventures_); in general they are among the best pastiches in the short-story genre. (Smith has published them in three volumes under the title _The Chronicles of Sherlock Holmes_.)
Other high points include "The Tired Captain" and "The Green Empress," based on two unrecorded cases mentioned by Watson in the first paragraph of "The Naval Treaty." The latter of the two cases requires a brief explanation.
"The Green Empress" is the new title of the tale mentioned in a review below under the name "The Second Stain." Sir Arthur Conan Doyle, of course, wrote a story of that title as well, but the version he published does not match the description in "The Naval Treaty." Some Sherlockians (according to Green) also claim to find a reference to another "Second Stain" case in "The Yellow Face," though I do not happen to know the foundation of this claim. There would thus appear to have been at least two and perhaps three Holmes cases catalogued by Watson under the same name.
F.P. Cellie's tale fills in the details of the one mentioned in "The Naval Treaty." In 1967 it won a contest in South Africa under its original title of "The Second Stain," and its title has been altered for publication in the present volume. End of explanation.
Another highlight: this volume is the only one currently in print -- so far as I know -- in which Vincent Starrett's classic "The Unique _Hamlet_" is collected. In my own view this pastiche is somewhat overrated (being among other things ludicrously easy to solve), but at any rate it's a good one to have; at least it was one of the first, having been privately published in 1920.
And another point which may be of interest to Amazon shoppers: the larger and more recent collection _The Mammoth Book of New Sherlock Holmes Adventures_, edited by Michael Ashley (and with a foreword by Green), does not include _any_ overlap with the present volume. Owners of one may therefore feel safe in purchasing the other.
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But stating God and man are one is not only Kabbalah, it is all mysticism, and a high level of generality, if not touchy feely syncretism pervades much of this work, which would initially seem more destined more for the advanced than general reader. Green does an excellent job, laying out the history of the Kabbalah's development, the sephirot or Ten potencies of divine power, the relationship between the Torah, the Bible and Kabbalah, and the directions the Kabbalah may take in the future for liberal Jews.
However, he does all of this as a modern Jew who explicitly states that he has no faith and not even concern with, the efficacy of Jewish prayer and practice, or their ability to deliver to the worshipper what it is he or she prays for. Further, Green seems to down play Jewish uniqueness in the work in favor of a "toned down" mysticism, that leaves neither God nor Torah at it's center, but concepts more like "Eco-kashrut" and other spiritual forms of political correctness.
This particular point, "Eco-kashrut" is originally the brainchild of Arthur Waskow, but Green has adopted it as part of his program. Initially meant to signify vegetarianism, this term now indicates an "environmentally aware" life, where the Jewish person avoids all products and items which are made from exploitation of human or animal labor, or that pollute the environment. Needless to say, while this may be an idea implicit in Torah, it is not and never has been a focus of Jewish tradition, and this and other innovations proposed by Green, Waskow and others, leave this writer quite uncomfortable.
Ultimately, the Kabbalah proposed in this book, is weakened by it's very willingness to bow to contemporary fashion, and ignore so much Jewish tradition and history. History in particular, which is one of Judaism's great strengths, is hardly mentioned as an influencing factor in this book, yet without it's history, Judaism would be a shriveled tree indeed. For more traditional Jews, or liberally traditional Jews such as myself, Jewish history is the source of Jewish faith, as I prove in my book, " Jewish History and Divine Providence" available here on Amazon.
As a born and raised Reform Jew, I often felt let down by that denominations absence of systematic theology; now there may be too much of it, but done in the wrong sensibility. Grounded in both the Kabbalah and Jewish history, but with a profoundly ethical sense of Jewish law, "Jewish History" counterbalances the excessive trendiness found in Ehyeh, and read together with it, will give the practicing Jewish liberal, a complete model of 21st century(or 58th century) Judaism.
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Some readers will be distracted by the dated references to outer space and the cute chapter headings--"Methods for Mission Impossible," etc. Most of the first chapter, Wonder and Anxiety, was a teaching device that seemed to me to take forever to get to the point; other readers less familiar with ecology might find it useful, however.
Bottom line: I'd buy another book from this author. It's always nice to find clear voices in the sciences.
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The skeptic's response to all such apparent fulfillments of prophecy is to argue that since the actual wording of the quatrain is so vague, it can be interpreted any number of ways. However, it is even less logical to assume that Nostradamus was working totally blind and that future events correspond to what he predicted simply by chance. It has been said that if you put a monkey in front of a typewriter, he will eventually type out the words of Shakespeare. But again, it simply isn't possible for Nostradamus to be as accurate as he is working from within a total vacuum, is it?
Which brings us to "Nostradamus' Unpublished Prophecies" by Arthur Crockett. Crockett opens with a crash course for the uninitiated on the life history of Nostradamus, beginning with his humble yet nearly supernatural birth in 16th Century France through his time as a medical doctor working with victims of the Black Plague. Beginners to the subject will enjoy reading about the early years when Nostradamus first became aware of his gift of prophecy and the fame he acheived in his own lifetime, including his eventual championing by the French royal court.
Next Crockett gives an interesting overview of some of the prophecies already assumed to be fulfilled, such as quatrains that seem to predict the rise and fall of Adolph Hitler and the end of the Cold War. The accuracy with which Nostradamus predicted so many future events that are now in our past is the best testimony one can make for him being the real thing.
From there, Crockett moves on to the heart of the book, the prophecies by Nostradamus that were omitted from the seer's official collection.
"The legend goes," Crockett writes, "that shortly before his death, Nostradamus penned a series of prophecies so startling that he never had them included in his published works, too afraid was he of the effect they might have. These predictions were circulated only to royalty and were thought destroyed for many years until they were uncovered in the basement of the house where Nostradamus died. They were sealed behind a wall which only recently was torn down to reinforce the old building which is now a landmark."
So we are given something new to ponder over and wonder about. Many of the unpublished prophecies have to do with the Second Coming of Christ and visitors from Outer Space as well as several appearances by the Virgin Mary.
Also included with the book is a two-page insert called "Nostradamus' Black Prophecies," one of which is a story in itself. Keeping in mind that the book was published in 1983, the insert contains a prophecy that declares, "In the year eighty plus nine, the vast East collapses." You may recall that it was in 1989 that the student revolt in China happened, followed by a bloody massacre and the complete breakdown of law and order in China that lasted for several weeks. It's just such moments that keep students of Nostradamus hooked.
In any case, I heartily recommend "Nostradamus' Unpublished Prophecies" to both the adept scholar and the newcomer to the prophet. Whatever lies ahead of us in the future may have already been seen and documented in the four-line poems of a man who spoke through time itself.
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King Arthur and his Knights of the Round Table by Roger Lancelyn Green, were a whole bunch of different stories. They were how Arthur was raised and became king, how each of the knights came apart of the round table and how each of the went on their quest for the Holy Grail, and the departing of King Arthur and his kingdom.
The author, Roger L. Green, emphasized some differences to the original tale. For instance, Launcelot never loved Elaine. Elaine loved Launcelot very much but she was sad because Launcelot did not love her back. So Elaine went to Brysen who was a sorcerer and she made Elaine appear as Guinevere (Launcelot's love). When Launcelot saw Elaine that appeared as Guinevere he asked her to marry him and she said yes. The next morning when Launcelot saw Elaine in bed with him instead of Guinevere he went mad and started to live in the forest. Another change in the story was that the author called the Lady of the Lake, Lady Nimue. This book took place in the 6th century and the narrator is in 3rd person. The themes of the book were basically stories of each knight on their quest for the Holy Grail.
I would recommend this book to avid readers and people who enjoy fantasies. This reason because it is hard to understand some of the words are difficult to understand.
By: Roger Lancelyn Green
The book King Arthur and his Knights of the Round Table include numerous interesting stories. The author, Roger Green, did not only set Arthur on quests, but his knights too. From the adventure of the Green knight to the quest for the Holy Grail, this book keeps you entertained. The king Arthur and his knights were well known for their bravery and honorability. For example, Sir. Gawain kept his promise to the green knight to look for him in one year.
However, the old English and the number of characters in the many stories of this book become very confusing.
I rate this book five out of ten, because I enjoy more descriptive action stories rather than so much talking. I recommend this Arthurian novel to whoever enjoys stories rich in characters and dialogs.
The medieval setting is painted in a rather idealized fashion, limited to the nobility and figures of the court, who embrace all that is beautiful, brave and noble. These virtues are sometimes portrayed rather simplistically, as unknown knights engage in mortal combat, and only after they have virtually killed each other do the introductions begin: "What is your name?" Behind this medieval mayhem is a heightened sense of chivalry more reflective of legend than fact, where knights battle to the death for the sake of a woman - even one they have only just met. But isn't that what the Arthurian legends are all about? Nobody is under the illusion that they are to be taken too seriously. Journeying to Arthur's Camelot is a form of escapism - suspend your sense of disbelief, watch the flashing swords and fearful battles, and enjoy.
That's not to say that the Arthurian tales do not reflect any reality. Arthur's world is in many respects a real medieval world. Medieval beliefs in paganism and Christianity are evident throughout. Witchcraft and enchantment is presented as alive and deadly, and conversely the true religion - in this case the beliefs of the medieval Catholic church - is evident throughout as knights commend themselves to God in prayer, thank him for his help, and even repent from their sins. The whole notion of the Holy Grail is of course a very Christian tradition - although a tradition that represents more fiction than fact. And the moral virtues of justice, truth and right for which the honorable knights fight are still noble ideals of virtue today. Arthur's kingdom is presented as a kingdom blessed by the grace of God, a beacon of light symbolizing all that is good and true and right, and a worthy model for kingdoms in today's world because it revolves around timeless virtues. Tales that promote dignity, courtesy, courage, respect for right, respect for female dignity and purity are as ennobling as they are entertaining.
How much truth there is behind the Arthurian tales will always be the subject of debate. The fact remains that there is an extensive and confusing body of legend to wade through. In this work, Green has essentially followed Malory's fifteenth century classic "Morte d'Arthur." But unlike most other writers, such as Sir James Knowles, Green has made some significant improvements:
1. Firstly, the traditional Arthurian tales are a confusing mass of legends. But Green consciously weaves all the tales together as part of a single pattern. He needs to take some liberties with legend in order to achieve this, but these alterations are minor, and the end result is a plausible reconstruction with a clear development, revolving around the establishment of Arthur's kingdom, its climax with the successful quest for the Holy Grail, and subsequent downfall.
2. Secondly, most other collections slavishly follow the body of legend inherited by Thomas Malory. Green follows Malory in the main, but has researched the legends carefully for himself, and also incorporates some Arthurian legends not found in Malory.
These innovations of Green result in a very readable and successful version of the Arthurian tales, and yet one that does not significantly sacrifice faithfulness to legend. Those looking for a more historical reflection of the Arthurian tales would do well to turn to a version of Malory, such as that by Sir James Knowles. And those looking for a more developed and extensive modern version where the author has taken liberties beyond the original legends, would enjoy the classic work by Howard Pyle. But as a faithful, plausible and enjoyable introduction to the tales, you can't go wrong with this superb effort by Green.
Most readers looking to be introduced to the Arthurian legends need look no further than this collection by Green. It's not as grand as Malory, but it's a better read. There is no end to the accomplishments of sword and sorcery, adventures and quests. To our sorrow, Arthur's kingdom ends in darkness and disgrace, but not before it has shone with a wonderful and memorable light. Along with the tales of Robin Hood, the tales of King Arthur are the most exciting tales that British history has produced. This is the stuff of legend, and it's worth a read.
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There is very little to grab hold of in this book. Even the roster seems to be limited to what was found on the National Archives Compiled Service Records. Overall a real disappointment and not at all what I was expecting.
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Many pastiches try to parody or reinvent the originals, but theses stories affectionately recapture the flavor and tone of the canon.