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The story centers around the person Robin Drake as he journeys to warn the other inhabits on "earth" of the return of the Beast, a villian the others thought had died fifteen years ago. Many of the superheros are cleverly introduced and united under the banner of saving the "world." Some heros take more proding than others, which aids in the story telling. It was interesting using Robin as the central character - considering he has always been a sidekick (even on his own, Nightwing has never really broken out of Batman's shadow).
This move gives the story more force and gives a "Frodo" of the Lord of the Rings" trilogy feel to the book, without copying the material too much. The formula also works well, so why change a genre that works so well - an unlikely hero, who saves the world.
The art is outstanding and many great artist contribute their unquie talents to provide pertinent images as the story progresses. A must for graphiic novel fans, who just want to read a good story, view some great art, and have a nice evening.
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The style and pacing is similar to Michael Grant's book on Jesus - so if you liked that book, you will enjoy this book too. -WGL-
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The art that Cicero practiced is not held in great repute today: We tend to distrust a man who can marshal cogent arguments and dazzling rhetoric in support of a cause. Consider, however, how remarkable it is that so many of Cicero's orations, letters, and other writings have survived today. Not only were his speeches eagerly read by his contemporaries, but early Christian monks saw in the great orator a basically moral, even if Pagan, writer whose work was worth saving in the scriptorium.
Among his own speeches, Cicero most highly rated his four blistering attacks on Catilina. My own personal favorite is "In Defence of Titus Annius Milo." In it, the wily orator shows he had a strong streak of Johnny Cochrane. The Tribune Publius Clodius Pulcher had been one of Cicero's most determined enemies and at one time had him banished for his advocacy of executing the leaders of Catiline's conspiracy. When Clodius is killed attempting to bushwhack a rival, Cicero jumped to defend the accused murderer.
In a letter, Cicero had bragged, "Let me tell you that it was I who produced the necessary darkness in the court to prevent your guilt from being visible to everyone." Where Cicero claims that Titus Annius Milo was attended at the time of the ambush with an "unwarlike retinue of maids and pages," he was actually accompanied by a large party of gladiators who were more than able to thwart the attack. While claiming that Milo had never threatened Clodius, Cicero wrote a letter to his lifelong correspondent Atticus stating the opposite, that Milo had openly threatened to kill Clodius.
Even when pulling the wool over his listeners' eyes, Cicero's political speeches in this volume provide a fascinating picture of a time and place which would otherwise be largely unknown to us.
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The book also points out the important fact that many of these erotic art ojects were not strictly for brothels but appeared in every day life. The penis, for instance, was a good-luck charm that appeared on buildings, erotic images were carved onto ordinary household items, so these things did not hold the controversy for ancient Pompeii that they might for readers of more "modern" sensibilities.
This is an excellent book, which, I believe, gives readers a real feeling for the ancient city of Pompeii . It would be quite useful for anyone planning a trip or interested in learning more about the culture of the city.