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The supplemental materials are also great, especially for people working with a tutor. There is a speech profile to be completed by the student and reviewed by an instructor or tutor, which can help students focus on their strengths and weaknesses. There is also a good review of the International Phonetic Alphabet (IPA) which is very useful for students who are not familiar with this transcription system. There are also sections which give an overview of the vowel and consonant sounds of American English. It also has good suggestions for independent learning, which are great to give students who have finished a class and are wondering what to do next.
The book can be used with or without the tapes. You do need to have access to a native speaker to make use of many of the exercises. This could be your teacher or tutor, or even just an American friend. I don't see this a weakness, because anyone studying English needs regular native speaker feedback , but it is something to be aware of if you are studying on your own.
Overall, one of the best pronunciation books available.
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To be honest I was quite surprised by the reviews that this book got since I was underwhelmed by truth in the writing. The book's description of Israel just strikes me as very flat and though there are portraits of inhabitants and characters (ie Yekkes, refugees, British soldiers, activists) the writing does not take you to what is the real Israel.
The writing style is good but as should be clear here not in my view prose fitting to describe Israel.
I am leaving aside socio- views - take it from a Londoner, what is overwhelming about Irael is the heat, the humidity, the vitality of the people. This absolutely does not come across in the book, to my mind. I realise 1946 was different when you are mixing amongst Yekkes and camp surivors but the still the description of the Kibbutznikim in the book did not describe the energy that jumps out of peoples'skin here.
The smells in israel, the colour of the sky, the heat, nature, the sea - all these things are overwhelming to a native Londoner and certainly a cosseted girl circo 1946 but none of this comes in the book. If you have never been to Israel and want to understand what I am talking about a good start are Israeli painters of this century such as Kalishman, Shalom Reisner, Aharon, Agam, Nahum Gutman.
The professional cricital reviews to this book that I have seen are very positive, To be honest I don't know why. Perhaps because they are written by people who are looking inside the lines of the book for some kind of cathartic English literature explanation for the State's Establishment and whatever they think they should read is contained within?..
This is one book that should bear out my personal experience to an extent but disappointingly I did not find that it did capture the lust and intensity of this land and instead was a tale of a Londoner who finds herself in the Middle East and just muttered "öh."
And from these entropic maladies and elysianities, a new sense of being is engendered- the modern one, in which time looks forward rather than backward, in which civilisation marches on in a triumphant Israel, and in which the main chacater finds herself abandoning a past which will be useless to her in the new state. Divorce from anachronism, from Europe, and for Jews from a hostile world is the explicit ideology, but that is also juxtaposed with the diversity of people who come into contact with one another- and are often in conflict culturally and ideologically.
This book will be a staple in classrooms within twenty years- it has such power. I encourage a thorough digestion of its multitudinous ideas.
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If you are a Bible Study teacher and would like one reference book on the NT, Raymond E. Brown's may be the most scholarly, but Barton's book is more friendly and, ultimately, more useful from the standpoint of your students.