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This small booklet is an excellent introduction to computational chemistry for the novice. Provides an easy to read, description of the field, its methods, applications and utilization. Covers everything: 'ab initio' quantum mechanics, molecular mechanics and dynamics, modelling of biological macromolecules with a short introduction to sequence analysis, QSAR and computational pharmacology.
While it won't provide an in-depth view of the methods, it manages to convey enough detail to understand the basics. A must have for anyone desiring to enter the exciting field of Molecular Modelling.

GOOD EVENING, I PERSONALLY FEEL THESE PEOPLE ARE SERIOUS ABOUT THEIR BUSINESS, AND I VERY HAPPY WITH THE BOOK, I WOULD NOT ANY PROBLEMS ORDERING FROM THEM AGAIN, THANK YOU

Pierre Bernac's _Interpretation of French Song_ has long been the indispensable reference volume for singers and coaches of this rich musical literature. The focus of the present volume is somewhat different, more comprehensive in its listings of composers (any composer of significance who set French texts is included, resulting in some surprising listings, Bernstein and Dinu Lipatti, for example), but less didactic in terms of pronounciation and performance. The translations by Richard Stokes are so good that one wishes even more had been included. Graham Johnson's commentaries on composers and songs are readable and full of insight. There are useful indices and suggestions for further reading. Altogether, this is a comprehensive and fascinating volume for both performing musicians and other lovers of French art song.

This book was such a surprise! I love Sinclair Lewis but I never expected such a great young reader's book from him. It's a terrific view of what he thought the future might be: lots of hope in technology and the ultimate triumph of good over evil. I don't know what the original book looked like, but this one is BEAUTIFUL!!!!

I love this Bible - I make sure this is the Bible our church gets for our graduation gifts for the seniors every year - it's also the Bible I bought my wife. The print is clear, and it's a durable Bible with lots of accurate notes.

This study Bible is one of the best versions out there. It is very easy to follow and understand. It has outlines and footnotes that allow you to apply each verse to everyday life.

I am a Seminary student and have gone through many study bibles. However, this work by W.A. Criswell is by far the best in the business.

This is the second book by Graham Greene that I have read, and found it to be a wonderful book. The symbolism, while at times a bit too obvious, aids Greene in communicating his message - that being, as other's have said, the struggle between "good and evil". While the character's of Pinky, the 17 year old gangster, and Rose, the 16 year old girl who becomes embroiled in Pinky's life, are used to contrast good and evil, Rose and Ida Arnold are utilised by Greene to juxtapose innocence and experience, another of the novel's central themes. I would recommend this book to anyone who appreciates the talent's of Greene, and for those who search for more than just a "story" when they read.

I enjoyed BRIGHTON ROCK. I had never read anything that Graham Greene wrote before picking up this volume, and I was very impressed by so many aspects of it. On the surface, it's simply a gangster story set around the racetrack of a bustling English vacation town in the 1930s. But there are so many little touches and details that Greene adds that all raise this story up and make it more than just another exciting and gory tale of mob violence.

The plot is perhaps the weakest element of the book, but this is not a story that revolves around its plot. The plot points are merely the catalysts that propel these wonderful characters forward. We meet Pinkie, a mere seventeen-year-old, who has found himself in the unenviable task of becoming the head of a criminal organization that is embroiled in a power-struggle with an even larger, better-funded gang. In his world, Pinkie is fighting not only for dominance in his gang, but also battling for territory and control in the town of Brighton. However, he also encounters a strange conflict from an unlikely source: a fun-loving, cheerful, iron-willed woman by the name of Ida.

Ida comes into the story by the most unlikely of coincidences, and is determined to investigate what she feels is a grave injustice. She plays a great foil to Pinkie's character, even though the two of them rarely meet. The only downside that I saw to this fascinating person was the fact that after her fantastic introduction she seems to be coasting through the rest of the novel on autopilot. For a normal book, this would be perfectly expected, but Greene set the bar very high for himself here, especially with this character's motivation, and it just seems a bit jarring when not everything maintains an equal level of excellence.

Greene brings in quite a lot of thought to this novel. Religion, love, spirituality, and death are not things that one expects to undergo detailed analysis on the pages of a crime thriller, yet Greene approaches all of these with maturity and understanding. Each character (bar a handful) is given believable motivations. There are some plot pieces that are predictable, but that only means that I was daring the characters not to go the way that they did, and genuinely upset when they did unfortunate things, even though I had anticipated them. Greene draws on so many ideas to breath life into his novel. He places familiar concepts into irregular characters, and unfamiliar concepts into regular characters; the results are often wonderful and thought provoking.

As I mentioned, I'd not read a Graham Greene novel prior to this, but I certainly plan on doing so in the future. Greene packed quite a bit of careful thought into this intelligent thriller, and the outcome is as exciting as it is reflective. Gripping and spellbinding, this is definitely worth reading.

Brighton Rock is the first Graham Greene book I read, and after buying all his books, this is still my favourite. I'm English by birth, and know Brighton well, and I am ever impressed by the evocation of a place exactly as I remember it. I find Pinky a truly disturbing character, and his Rose one of the most sad yet courageous heroines in modern literature. Mr. Greene is so good at drawing "small part" characters, and recreates so well the world of the petty criminal, and the unpleasant, hopeless characters who inhabit it. I have always felt Graham Greene to be the master of the written English language - his books contain neither one word more, nor one word less than they need to. Definitely my favourite author, and this my favourite of his considerable body of work.

Azevedo's 1890 book depicting life and death in a Rio de Janeiro slum is one of Brazil's early masterpieces. It follows the fortunes of Joao Romao as he expands his business interests from small-time shopowner to upwardly striving slumlord. Dozens of neighborhood denizens wander in and out of the story, fighting, singing, working, copulating, and dying. The characters, dialogue, and scenery are vivid -- the slum comes alive as blacks and mulattos scramble with Portuguese and Italian immigrants to climb off the bottom of the social food chain. Women's roles are fascinating: virgin/prostitute, submissive head of family, object and subject. Race relations are critically examined. For modern readers seeking a developed plot line, the story might seem to slip off the rails. Identified with the Realist/Naturalist literary schools, Azevedo's slum seeks to broadly describe and illuminate a social setting rather than the stories of particular characters. Even so, the imagery is colorful and the language powerful. Brazil's slums don't seem to have changed much in the century since Azevedo wrote about them.

This book is a masterpiece for several reasons. It is filled with complex and interesting characters, none especially likable but all interesting. Some of the passages, including the scene where Jeronimo stands, hypnotized, watching Rita Baiana dance for the first time, rank among the best prose I have ever read (I hope the translator does it justice). Structurally it is unusual because no individual person is the main character. The main character is the Slum itself, which is treated as an organic unit. This fact brings me to my next point- Azevedo's idea of treating a neighborhood as an organic entity predates Chicago School Sociologists like Wirth and Zorbaugh by 40 years. People interested in Urban Studies will be fascinated by Azevedo's description of the birth of the slum and it's growth to the point where, towards the end of the story, it begins to fill up with students and artists and starts to gentrify. It also serves as a valuable historical document, showing what day to day life was like for poor Brazilians and immigrants in Rio de Janeiro during the twilight of the Empire. Apparently, one of the main differences between then and now in Brazil is that in those days, slums actually had owners. Today, most Brazilian slums are formed by squatters and this (judging from this book) seems to be an improvement. All This is not to say that the book doesn't have its flaws. One thing that I find troublesome with a lot of naturalism, including the Slum, is that it focuses almost entirely on sadness and tragedy while giving the appearance of objective storytelling. In any event, evil characters are often more interesting than good ones and the slumlord Joao Romao is one of the great literary hypocrites of all times.

I read about this book in one of the many book review publications I read. The reviewer correctly called it a masterpeice. Apparently only one other person read that review or perhaps she found it on her own. We were both lucky. It is a book so well worth reading that it is hard to find enough suitable words of praise yet it is unknown. This book throbs with the colors, odors and sounds of a Brazilian slum: the excitement, the perfumes, the sexuality and the despair. It is deceptively easy to read. In fact, it almost finishes too quickly. One wants to continue to bathe one' senses in the luxurious words. This is not to say that the reader's morality and intellect is not also engaged. It is a scathing commentary on Brazilian attitudes towards race and the poor during the early 20th century. The reader cannot help but recognize that thhese attitudes are still with us in the early 21st century. However, Azevedo does not preach to us. He simply presents us with the issues, quietly, even deceptively. We do not know how deeply we have thought and felt until the last page.

Well, this book was pretty good (as algebra books go). I was a student who used it. It explains the concepts you need to know well, but sometimes you get lost on the wording. or at least I did, and it cost me an answer or two. But considering the whole book, thats not bad. Compared to those Chicago Math Books, it's way better, those i get lost about every other sentance. So anyways, i give it 4 stars.

Although this text is 20 years old, I still use it to teach High School Algebra I. I have not found a text -before or since- that explains every new topic as well. Some of my students have grave learning disabilities. This text works just as well with them by moving slowly through the text. My students do well in College Algebra with little or no problem. I would love to see a Geometry text written as well.

Hanging around in newsgroups like alt.atheism, one can easily come to the conclusion that apologetics is the domain of mad b****** fundies, whose grip of morality and reality is only slightly better than that of the Roman emperor Caligula.

This book, written by mainstream theologians, who are, by and large, not mad, gives that lie to that experience based assumption. You get: Considerable historical fact and a critical approach to what we can know of historical truth combined with an excellent cross-reference and most importantly, a refusal to shy away from the difficult areas of Biblical history.

Highly recomended as a reference work, even if the US cover is considerably more garish than the UK version.

Covering everything from Aaron to Zuzim, "The Dictionary of the Bible" is a useful one-volume reference work to the Christian Bible.

"Dictionary of the Bible" offers over 400 pages of readable entries, quoting chapter and verse, on a wide variety of topics, from the sacred (Jesus' crucifixion and resurrection) to the mundane (on topics such as straw, footstool, and reaping), and includes numerous maps and charts.

W.R.F. Browning bring his Anglican heritage to the task, and the result is entries that should satisfy all but the most orthodox Christians. Those who believe in the literal accuracy of the Bible will object to Browning's discussion of the various interpretations of such topics as healing, miracles, and the authorship of the books. He describes the book of Revelations, for example, as "an embarrassment to the Church. Its bizarre imagery has been incomprehensible or misunderstood. Apocalyptic sects have used it as a handbook to predict the future. Many Christians have found the apparent gloating over the defeat of the Church's enemies to be morally repulsive."

But for the most part, Browning did not intend the dictionary to hew to a particular theology. On topics such as Jesus' reasoning behind his use of parables, he recaps the major controversies without showing a bias toward a particular position.

"Dictionary of the Bible" is a valuable reference work that provides an excellent starting point for understanding the meaning of Christianity. It is clear, concise, and challenging to the intellect.