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George's narrative is Faulknerian with its weaving in and out of the present. And, like Faulkner, Swift brings in so much of the past that corresponds to the present. In fact, the present and the past (all of the way back to Napoleon III) blend together in a wonderful collage of "the things we do for love."
For some, the first 50 pages or so may seem confusing. All I can say is, Stick with it. The more you read, the more you will understand. You may not come up with "an answer," but you will gain an understanding of the mystery, even the absurdity, of our decisions.
Swift is, in my opinion, the greatest living writer. No other author brings a mix between narrative complexity (pretty common) and great story telling (too uncommon) to one novel.
Put Dickens, Faulkner and Proust into a bowl and mix them. You will find Graham Swift.
Perhaps Waterland or Everafter is a better place to start. Regardless, all of his works challenge the reader to understand how the past and the present are intertwined together. The past is like a ghost that haunts all of our decisions, all of our actions, and all of our memories.
Graham Swift delivers again (I only hope that we won't have to wait seven years for another brilliant novel).
"The Light of Day" is a melancholy, reflective work - again, this seems to have become Swift's forte. Present dilemmas cause his characters to reflect upon the trials and tribulations of their pasts. It seems to me that for Swift, we carry our formative years (indeed all of our experiences) aorund with us. We interpret and react to the present in a large part by referring to our past in trying to interpret what's happening now. In a large part, we are products of our past.
Thus, in "The Light of Day", George Webb the ex-policeman (now private eye) becomes increasingly emotionally involved with his new client Sarah Nash, whose husband Robert is having an affair with the Croatian student Kristina Lazic. As George follows Robert around, he becomes fascinated with the Nash's private life, indeed he becomes infatuated with Sarah. The emotional turmoil this causes him sets his mind off exploring other times in his life when he was under emotional stress: his relationship with his father; the loss of his job; the breakup of his marriage; and his relationship with his daughter. George's past comes back - not quite to haunt him, but almost as an automatic reaction to his present.
An expertly crafted and involving novel.
G Rodgers
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Durrell had a life-long love of animals, first described in his book My Family and Other Animals, an autobiographical account of his unusual childhood, growing up on the island of Corfu, where his mother brought Gerald (age 10) and her three older children, at the badgering of the eldest, Lawrence Durrell (author of The Alexandria Quartet), in order to escape the cold, wet weather of England.
The Fantastic Flying Journey and The Fantastic Dinosaur Adventure describe the adventures and mishaps of "Great Uncle Lancelot" and the Dollybutt children, Emma and her twin brothers, Ivan and Conrad. In The Fantastic Flying Journey, they travel around the world, in a self-contained eco-system house, carried by a hot-air balloon, the Belladonna. Great Uncle Lancelot has persuaded Mrs. Dollybutt to let him take her children with him, while he searches for his brother Percival. Percival had invented some special powder which enabled the wearer to speak to, and be understood by, animals. Thus they were able to trace the route followed by Percival. It's a charming tale, relished by young and old.
Our daughter's third grade teacher used the book as part of a year-long project, because it encompassed so many topics.
The Fantastic Dinosaur Adventure is the story of the second journey made by Great Uncle Lancelot and the Dollybutt children, as they travel back in time to the Age (actually there are 3 ages) of the Dinosaurs, to help save the dinosaurs from an evil Dinosaur hunter who has stolen a time machine. Saving animals from hunters and from extinction due to the destruction of their environment was a real-life theme for Durrell. It was/is the purpose for his zoo, and he was the first person to impress upon zoos of the world a need for a calling greater than entertainment, i.e., to teach people about animals and to help save animals from extinction by founding breeding pairs to keep the species alive.
Durrell's warm humor and love of animals permeates his books, which are both entertaining and cleverly educational. The illustrations in both these books heighten the readers' enjoyment.
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If you are reading this book, don't be worried for you are already in Elysium and you are already dead.
As George's recollections, memories, and observations expand, however, we gradually come to know him and his past, including his relationship with his father, his own broken marriage and the circumstances surrounding it, his alienated daughter, his womanizing, the scandal which has resulted in his leaving the police force, and his decision to specialize in "matrimonial work." We learn, too, that George's client, Mrs. Nash, is now in jail, the reasons for this unfolding even more gradually, as we come to know her, her husband Bob, and the privileged life they've led. Always, however, our opinions of these characters and their relationships are colored by George's point of view, and we, as objective observers, learn as much about them from what George does not say as we do by what he does say.
All of George's memories are concerned with the vulnerability of people who are in love, as Swift raises questions about whether we choose the people we love, or whether we are chosen by them. Does love just happen? What makes it last? What happens to lovers who are "unchosen"? And can we love too much? Although a mystery story is not usually the framework for such a serious, philosophical analysis of love in all its permutations, Swift manages to make this work through his beautifully wrought character study of George, buffeted every which way by the loves in his life. In the lean, unemphatic prose style he first employed in Last Orders, Graham Swift presents a sensitive investigation of love with all its mysteries and ineffable sadness. Mary Whipple