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Drew shows wisdom beyond her years as she invites the reader to look at her relationship with her mother, her non-relationship with her father, and her desent into drink and drugs.
Follow Drew as she goe's into and back out of rehab. What was the backlash on her career?
This book is so good I had to buy copies for my friends.
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"Officially Osbourne" is an episode guide (first season) interspersed with biographies, interviews, and information. Each of the bios includes favorite music, birth date, video games, personal philosophies, what their family members say about them, and then an interview. Each episode has a basic summary (about two or three paragraphs) and a slew of pictures. Also there are best lines ("Bubbles? Oh come on, Sharon! I'm the Prince of #$&*in' Darkness!"), and highlights (a fire in the kitchen -- "the first one in the new house").
There are chapters on other topics too: On Melinda Verga, a lower-key employee, on home decor (black, antiques, and crucifixes), the different rooms in the house, and on the pets (dogs and cats, most memorably Lola). One chapter is devoted to Ozzy and Sharon's parenting methods, and what their kids think of those methods. And most tantalizing of all is the chapter where they talk about what never made it onto your TV screen...
This book captures some of the spirit that infuses the Osbourne TV show. The coverage and interviews with Ozzy, smart wife Sharon and kids Jack and Kelly (Aimee declined to be in the show). Their attitudes are refreshingly honest and open -- in a celebrity subculture where people say prescripted, inoffensive lines, the Osbournes will tell the world what they do and don't like (Kelly hates pop singers, for example).
The pages are likably colorful, not just black text on white paper. The pictures are a slightly more mixed bag -- there are a lot of them on almost every page in the book, of everyone: The house, the furnishings, the dogs... unfortunately, many are too small to look at easily, and some are blurred. Many are quite good, clear and well-lit.
"We're not the #$&*ing Partridge Family" -- Sharon said it best. And "Officially Osbourne" takes some of the best elements from the TV show and commits them to paper. Definitely recommended for people who watch the show.
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Larry Hagman shines through and co-writer Todd Gold doesn't get in the way. "As I see it, I've spent much of my life in the business of crowd control. Each night, millions of people are at home staring at a box, and I'm inside it. If they weren't watching TV, they'd be outside rioting in the streets, breaking windows, and overturning police cars. I help keep them sedated, and at the same time I help sell cars, aspirin, deodorant, and feminine hygiene products. So far I've been pretty good at it. ... I even take a little credit for helping bring down the Eastern bloc."
That's not all faux bravado. As an amateur philosopher/sociologist, the "man in the hat" does a pretty fair job that'd make Marshall McLuhan proud.. While filming episodes of *Dallas* on-location in Moscow, Larry, a/k/a J. R. Ewing, "Walked around the city unrecognized. It felt great to be anonymous again. I walked leisurely through museums and churches without being stopped once for an autograph. All of us actors remarked on a similar experience. But then we ran into a group of East German tourists who picked up television signals from West Germany and they were fanatical *Dallas* fans. Our guide, a pretty little girl, had no idea why four hundred people suddenly went nuts seeing us. ... 'That's J.R.!' they screamed. 'J.R., we love you!' Our guide didn't understand and called for security. 'But you're just an actor.' She kept saying . ... Nine months later, I watched CNN's coverage of the Berlin Wall being torn down and realized that *Dallas* had impacted that side of the world. Pop music also had an effect, but ideas combined with pictures were even more powerful. Every time people in Hungary, Poland, and East Germany watched *Dallas*, they saw what they didn't have - the beautiful clothes, the big homes, the abundant food, and the lifestyle. Eventually, enough people began to say, 'Wait a minute, I want that stuff too! And why don't we have it?' ... When the people from the Eastern bloc countries saw what they were missing, they realized what a farce communism was."
How much did the Ewing family mean to Larry Hagman? Remember the oil painting of Jock Ewing (Jim Davis) that hung over the mantle at Southfork? It's the first thing one sees when entering Hagman's house.
This is an entertaining celebrity bio that gets its points across - the good, the bad, the happy and the sad.
Hagman, along with co-author Todd Gold, has written a thoroughly fascinating autobiography of a man that is a complex as any ever to be a Hollywood mainstay. Like his birthplace of Texas, Hagman is wide and vast and most intriguing. Telling of his beginnings as the offspring of Broadway legend Mary Martin and his lawyer-father, the actor reveals his many highs and lows in his ascent to the heights of iconic status.
He lets us in on his "experiments" with drugs, his "lean" years as a struggling actor, his marriage to his beloved Maj, his television successes (both "I Dream of Jeannie and "Dallas", as well as the many featured roles in big and small screen films), and his interactions with the famous and not-so-familiar.
With a wry wit and genuine humility, the star comes across as a man at peace with himself and so self-assured that he can alternately and honestly tell of his strengths and shortcomings.
He may have never won an award for his distinctive television characters but to his legion of fans, he is a winner.
When I closed the last page of the book, I realized that without knowing it, I was reading a love story. In Hollywood where stars change spouses like the seasons, Larry Hagman has been married to his wife "Maj" for almost 50 years! After reading the book, upon reflection, I remembered how Larry was advised by his wife, how he has always treated her with respect & admiration. You can still see the sparkle in his eye when reading the words he writes about his wife. Their relationship is truly one of equals. It is heartwarming to see a man who is wise enough to know that nothing can replace the love of one good woman, and a best friend for life.
The book is written in his own words and style, and you can tell by reading it that it was not done by some ghost writer looking to make a buck. The only problem with the book is that when I finished it, I wanted to pick up the phone, call Larry, and say "Hey let's go fishing". He truly seems like an old friend by the end of the book!
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Comic Relief is a quick-read, laugh-out loud collection of some of the very best comedy routines that appeared on the Comic Relief HBO specials from 1986-1995. Among the many (not all are listed in this review) comedians' work contained here are: Louie Anderson, Richard Belzer, Elayne Boosler, Billy Crystal, Whoppi Goldberg, Richard Jeni, Richard Lewis, Bill Maher, Dennis Miller, Paula Poundstone, Gary Shandler, Bob Saget -- you get the idea.
A question does arise: if you READ a comedian's routine (his or her "set") is it still funny? The unequivocal answer is: it depends.
I loved this book. I laughed at loud when I read this book. But it's interesting how some comedians you like a LOT are not as funny when you read what they are actually saying. The reason: their personna (their body language, their speech pattern) has a lot to do with the laughs they elicit. On the other hand, there are others who you may not have appreciated whose material is an absolute howl when you read it on the page.
It's easy to see which comedians have achieved success partly due to their personna and which other ones seem to have risen to the top largely due to sharp writing and editing that's funny even when you read it without seeing the delivery.
So this book is worth OWNING for several reasons:
--If you love comedy, there's some great stuff in it. You can put this book down, then go back after a year and read it again and it's still funny.
--If you are a student of comedy, it shows you some great comedy scripts. You'll be amazed at how you'll react at some of these bits if you don't SEE the comedians...and how amazed you'll be at how well written some of these monologues are. If you're doing comedy writing or performing it has some excellent routines that you can analyze to see what makes audiences laugh.
Standouts as far as being funny in script form include routines by Louie Anderson (the most anecdotal of all comedians), Gary Shandling, Richard Belzer, Richard Jeni (truly hilarious), Elayne Boosler, Rita Rudner, Stephen Wright (the best modern comedian to read in printed form), Bob "Bobcat" Goldthwait (whose mantra is "Scott Baio is the antichrist...") and Richard Lewis (who seamlessly blends strong personna and extremely strong comedy script).
This book also has short sections on homelessness and is a pitch for getting more money for "the cause."
Overall, a fun book to read, to own, to study (if you're into comedy and/or a comedian) and to re-read.
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