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Starting with what "bashful bladder syndrome" is, it takes the reader through its causes, different treatment approaches, what to expect from the medical community, and how to gain support from family, intimates, and friends. It has one chapter on the application of the Americans with Disabilities Act to mandatory drug testing and another on the evolution of the bathroom and its effect on avoidant paruresis which makes for fascinating reading.
This breakthrough book gives hope to people worldwide who live restricted lives because of this debilitating human affliction. It is essential reading for medical and mental health professionals, sufferers, and their family and friends!
If you ever thought that you were alone and that no one else in the world suffered from a shy bladder - or paruresis, this book is for you. After living with this problem since junior high, I was amazed at how much information this book book contained on how to finally get your life back to normal.
The nine chapters contained in this book are well written in easy to understand language that is a must read for anyone that suffers from paruresis. Starting with a brief overview of how the mind and bladder work (or don't work), this book leads you down a carefully laid path that shows how to regain control of your life.
Filled with true stories and first hand accounts from real life paruretic's, this book puts a very human face on something that is usually shrouded in secrecy and shame. If nothing else, simply reading this book will make anyone living with paruresis feel human again -- and not so alone. Thousands of people will read these stories only to be amazed at how similar their situation is to those in the book.
The best part, however, is that this book offers a successful plan to overcome paruresis that has been tested and successfully used in workshops around the world. After using the methods in this book, I've seen a dramatic improvement in my ability to use public restrooms with success.
If you're reading this review, you probably need this book or know someone that could benefit greatly from its priceless advice. Get this book...get it now...get on with life!
Looks like a plan !!!
This book excels in presenting Paruresis from both a clinical and very personal perspective. The book provides a keen insight into the embarrassment and suffering that this disorder can cause as well as the ultimate liberation that comes from following the treatment options discussed. For those who suffer from shy bladder syndrome, this book is an absolute must read. You life will be changed forever by implementing a few of the simple but effective options suggested in the book.
The book is well researched (with 7 pages of references) and clearly reflects the authors' interest and passion in explaining Paruresis and offering practical options which will help everyone who suffers from Shy Bladder Syndrome. You may be embarrassed about Paruresis but don't be embarrassed to buy this book!
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I have read all of Campbell's books. The amount and breadth of the information and thier implications is staggering. The most amazing thing about this book is that I would have chosen almost exactly the same summative material for this type of book as did Osborn. My background is steeped in science--Osborn's in poetry. Yet we found the same "song of the universe" within Campbell's works.
Why? Because the song is transparent to the transendent and there for the everyone.
The seminar lasted for one month and was attended by the editor, Diane K. Osbon, and nine other fortunate people.
In one memorable segment Campbell discusses the woman's life and her journey. The traditional role of the woman is in relationship in one way or another to a family. This role can continue into old age as in the example of the grandmother. Campbell contrasts the traditional female role to that of the female professors who are more on the male hero's journey deriving fulfillment from worldly achievements. Campbell sees these women as being less fulfilled than women who are also in nontraditional roles but are totally involved in the arts. The latter receive their fulfillment mostly from doing what the artist does and not so much from their accomplishments.
If you begin to read A JOSEPH CAMPBELL COMPANION, it will be a difficult volume to put back in the book case. It is more likely to remain close at hand to be read again and again.
I first read this story in Russian and the English translation disappointed me. It was more choppy and rough than the Russian version and lacked the sofistication of the latter. However, it is still a great book nonetheless. The story is rich with complex characters that no one will soon forget. The human weakness of Gynplaine is very appropriate and his demise is almost poetic. Nobody should miss out on reading this incredible story and judge for themselves if it deserves to stay out of print when it is for sure one of the greatest novels ever written.
The only negative aspect of the book that, although it did not bother me, may bother some readers is the preacheness of Gynplaine and Ursus, albeit done very masterfully. The character of Dea is too saintly. Although she needs to be very pure for the story to work, she is virtually a saint which is unsettling and makes the reader treat her at an arm's length instead of getting her into their souls as they undoubtfully do with Gynplaine. The whole milieu is very dark and that may make some people uncomfortable. When I first read it, it took me a long time to want to re-read it although I found it to be one of the best books I have ever read.
These negative points are more than acquited by extremely well-told story with characters and situations that are unique and unforgettable. I though that this "old" story would not give me any new insight but it did. This story's major plus is my favorite character, Josianna: she is extremely complex although I got the feeling that Hugo wanted to make her more one-dementional. Still, her scene when she finds out that Gynplaine is a Lord and is going to be her husband is a brilliant testament to her wild and uncomformist nature.
I urge anyone who has not read it to read it. Even if they do not like it, they will find the experience worth-while. For those readers who love Hugo, this is a not-to-be-missed read. For those readers who do not like Hugo, this is a must.
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Slim's memoirs, first published in 1956 while he was serving as Governor General of Australia, begin with his assignment to command the 1st Burma Corps during it's desperate fighting retreat from Burma into India in 1942 after the Japanese captured Rangoon. Then later, as chief of the 14th Indian Army, he oversees the regrouping and rebuilding of the force that finally decimates the Japanese invaders at Imphal in northern India, and subsequently chases the fleeing enemy back south through Burma.
One of Slim's most notable characteristics is his evident lack of an overbearing ego. Several times in his book, he makes reference to his mistakes, errors in planning or judgement, and his deficiencies as a military commander. (Imagine that other famous British Field-Marshal of the war, the prima donna Montgomery, admitting such!) Much to his credit, Slim apparently learned hard lessons as he went along, and emerged as the better man and general for it. This, combined with his great concern for his men's morale, health, training and supply, justifies the high regard in which he was held by "rankers" such as Fraser. Churchill was wrong when he remarked, "I cannot believe that a man with a name like Slim can be much good."
The author's history of the Burma war is comprehensive - perhaps excessively so for the casual reader such as myself. His narrative includes the movement of troops as far down as battalion level, which is way more than I needed to know. Because of this, I might have awarded 4 stars instead of 5 had I been less mindful of the contribution Slim's memoir makes to the history of an almost forgotten theater of the global conflict. A keener student of the Burma campaigns is certain to appreciate these details more than I did.
Finally, there is the Field-Marshal's dry British wit, which shows all too infrequently. For example, when discussing his opposite number in the Japanese Army, Lieutenant General Kawabe, Slim writes:
"I did, however, manage to get a photograph alleged to be that of Kawabe. It showed what might have been a typical western caricature of a Japanese; the bullet head, the thick glasses, and prominent teeth were all there... When I needed cheering I looked at it and assured myself that, whichever of us was the cleverer general, even I was, at any rate, the better looking."
My writing class is directed at college undergrads and grad students. I tried a number of books, but settled on Williams and have been using it since the 2nd edition. I find that students can make an enormous improvement in their writing in just ten weeks.
If your goal is to learn the kind of writing that will help you explain a process, change someone's mind, or write the winning proposal, Williams is your man. Don't read it all in one session, and you must actually do the exercises.
Try a chapter a week. It works.
Charles Lave, University of California, Irvine
Joseph Williams's Style: Toward Clarity and Grace is an exception. It is the only truly useful book on English prose style that I have ever found. Even Strunk and White cannot compete with the quality of the advice that Williams gives. Perhaps more important, the advice that Williams gives can be used. As Williams puts it, his aim is to go "beyond platitudes." Advice like "'Be clear' is like telling me to 'Hit the ball squarely.' I know that. What I don't know is how to do it." Williams tells us how to do it.
Williams's advice is particularly useful because it is reader based. Most books on style are rule-based: follow these rules and you will be a good writer. Williams recognizes that clear writing is writing that makes the reader feel clear about what he or she is reading. This difference in orientation makes Williams's advice much more profound: he has a theory of why the rules are what they are (and what to do when the rules conflict) that books that focus on rules alone lack.
His advice starts at the level of the sentence. Williams believes that readers find sentences easy to read and understand when the logic of the thought follows the logic of the sentence: the subjects of sentences should be the actors, and the verbs of the sentence should be the crucial actions. The beginning of a sentence should look back and connect the reader with the ideas that have been mentioned before. The end of the sentence should look forward, and is the place to put new ideas and new information.
His advice continues at the level of the paragraph. The sentences that make up a paragraph should have consistent topics. New topics and new themes should be found at the end of a paragraph's introductory sentence (or sentences). Readers will find a paragraph to be coherent if it has one single articulate summary sentence, which is almost always found either at the end of the paragraph or as the last of the paragraph's introductory sentences.
His advice concludes with four chapters on being concise, on figuring out the appropriate length, on being elegant, and on using constructions that do not jar the reader. I think that these last four chapters are less successful than the other chapters of the book. They contain much sound advice. But the argument of the book becomes more diffuse. The first six chapters present and illustrate overarching organizing principles for achieving clarity, coherence, and cohesion. The last four chapters present long lists of things to try to do. (However, the fangs-bared attack on "pop grammarians" found in the last chapter is fun to read.)
So, gentle reader, if you want to become a better writer of English, go buy and work through this book. I, at least, have never found a better.
It is the book form of "Victory at Sea".