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facts wrong. E.g., the book discusses printing & Gutenberg at
some length (as it should) but is all wrong about Gutenberg's
ink chemistry. This is no small point. Gutenberg's books are
famous for their stable, glossy ink. This (Gieses') book says
G's ink was based on carbon black (which fades). Everyone has
known since 1983 or soon after (Google "Gutenberg ink cyclotron")
that Gutenberg created metallic inks. His inks were better than
most which followed. The Gieses should have been aware of this
by 1994, when they published their book. I think this sort of
error is common in survey works, and I think there are other
errors of this sort in the book at hand.
Also, the Gieses take time late in the book to denounce firearms
as the *only* "pernicious" technology developed during the middle
ages. This appears quite witless, since they generally applaud
technological improvements which promoted social leavening, and
firearms meet that test easily ("God made men but Sam Colt made
them equal"). I can easily nominate a more "pernicious" medieval
technology: that of torture. Many are the museums in Europe
which lovingly preserve elaborate machines for inflicting
pain--something which we now regard as forensically worthless and
morally abhorrent.
I was impressed that the authors gave full credit for innovations that migrated from Asia to Europe, even attempting to discover the path that the innovation took. Overall this is an excellent review of medieval technology.
This book is a very good book to know how they worked, what kind of machines they used, etc.
At the end of his review, A reader from Seattle writes something about torture. First he should read books like "Those terrible Middle Ages", "The Origins of Spanish Inquisition" and/or search for "the Myth of the Renaissance" on google.
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The authors try to do a fair assesment of such issues as medieval hygeine (where it is all too easy to overwhelm the readers with descriptions of how dirty and disgusting the medieval life would be to modern sensibilities, thus overlooking that there was concern about unpleasant smells from the privy chamber, and how to fix it). The discussion on the duties associated with the feudal relationship is also very clear and readable. I particularly was interested in the mention at several points that physical blows were used as mnemonic aids. The buffet given a squire upon being knight was no mere tap, but many times a hearty blow meant to make him remember his oath of knightood. Also, beating the bounds was used to teach youngsters where the important landmarks were often by giving them a blow at the site of the landmark, or even bumping them against it. Fascinating look at the medieval ideas about learning-- which does have some effectiveness, epecially in a largely illiterate society, although it would probably be cause for arrest in any state in the US if it was used today.
Libraries have been written on any one of the sujects that was mentioned in this book so don't expect it to hold the one answer to any question about medieval life in a castle, but it can't be beat for a clearly written overview.
For those interested in a deeper treatment of medieval life, Barbara Tushman's "Through a Distance Mirror" is a really great book.
Excellent work for anyone interested in the topic and a must for Historical writers.
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Why? Because of the pictures! The softcover books don't have many pictures, if any at all, but this is LOADED with them, and quite a few are in color. It's absolutely outstanding, the way it is illustrated. Every single page just about is loaded with color photos of paintings, books, castles, portraits, you name it. They are all of excellent quality, though I'd have liked bigger ones, being the greedy person I am.
Extras seem to include a genealogy of the Counts of Champagne and a geographic guide to castles, listing extant ones country-by-country through Europe. There are explanatory notes at the end, a large bibliography, and photography credits. There is also a glossary and an index that looks adequate. This is a huge book, heavy and hard-covered, almost a coffee table book except for its vast wealth of information.
I'd say if you are interested in the Middle Ages, this would make a grand addition to your library -- and if you know someone who likes medieval history, this would make them a fantastic Christmas present.
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The focus in this volume is on the French city of Troyes in 1250. This allows the authors to be particular, and to make life come alive for that time and place. As Troyes was the site of two large annual fairs, drawing merchants from all over Europe, aspects of the fairs are described in regards to the economic life within the city. In some cases, such as in describing medieval doctors, schools, or cathedrals for example, the discussion becomes very general, and not focused on Troyes. This is obviously appropriate. The chapter on books and authors has little emphasis on cities at all, but it still is mostly in keeping with the style and content overall. On the whole, this is probably the Gies's best and liveliest Life in a Medieval (whatever) book that I've read, and I would recommend it to anyone with an interest in the subject.
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Gies points out that the long bow could fire much faster than the crossbow, but fails to draw any conclusions. The big lessons of Agincourt and Crcy were that mobility is very important. Tuckman's opinion is that from Crcy onward (1346), the mounted knight was in decline.
"...the campaign of the knights was a model of efficiency. Its [the First Crusade's] five armies...arrived in Asia Minor intact and in fighting trim..." She doesn't mention that they also arrived richer and morally uplifted, having looted and hacked their way across Europe.
She describes the battle of Verneuil (p.175) as a "second Agincourt", then fails to elaborate. The first one didn't get much press, either.
Several of the original members of the Order of the Garter (p.177) are described as "Du Guesclin's foes". What does that add?
She whines about Shakespeare apparently parodying the name of the redoubtable English knight, one John Fastlof, described elsewhere as "cruel and vengeful", and whose "scorched earth" exploits she recounts in some detail, by naming his "corpulent and cowardly buffoon" Sir John Falstaff. I don't even know where to begin on this one! Fastlof should be so lucky as to be redeemed by playing with his name. Falstaff is one of the greatest imaginary creations of all time; Fastlof slogged around western France for thirty years or so bent on pillage, terror and murder.
How about some diagrams of these various pieces of armor?
A remarkably cool assessment of barbaric behavior, this. Only five lines from the end of the book does she lose it and say "Knights fought for profit and killed without mercy, robbed
those whom they should have defended, and violated those whom they should have respected."
It is non-fiction, but through the letters and the context provided by the Gies' extensive research, the book reads like a non-fiction novel. I especially enjoyed Margaret Paston and the wry humor she managed to express in her letters as she played an important part in both family battles and the land battles that were common in her time.
I was also impressed with the small world that medieval England must have been. Chaucer's relatives, a few English kings, Queen Margaret, and Sir John Fastolf (the basis for Shakespeare's Falstaf) all came and went in various roles of importance in the lives of an otherwise everyday middle class family.
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I find their work to be engaging, and to provide a fairly good picture of the subject matter. In terms of medieval studies, it's useful to provide a general knowledge base prior to more detailed analysis.
I recommend this book as well as their other works.
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Don't get this book, there are much more worthy ones that account the lives of WOMEN in the middle ages, and if you really are looking for women, the women in this book are truely unknown and did not account to much in the middle ages.
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