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But there is something more which matters. This book, like the story of its subject, transcends and crosses boundaries: in form, in approach. It is a novel, a spiritual guidebook, a history of Tibet and Tibetan Buddhism. The tone is mythic: "My country was once at the roof of the world, a place where the great spirits lived." The tone is cinematic: "In a darkened corner of my mind, a small patch of green appears. I watch it grow brighter, larger, until a vast green meadow stretches out at my feet. The meadow is dotted with clusters of flowers and is treeless, except for a willow or two." The tone is intensely personal, acutely descriptive: in prison, "The lice were so bad that I could see them crawling all over the heads in front of me. So thick I could sweep them off with my hand and not make a difference in their numbers."
The story is woven of dreams, memories, Buddhist teachings, horrors re-lived or imagined, and above all details that give it taste, sound, texture, and breath. As a work of art, it breaks all prior boundaries and should be studied by all writers who ever consider telling life stories--their own or anyone else's. If there is any drawback to the book, it is only that we cannot know what is Ani Pachen's voice and what is Adelaide Donnelley's. A Buddhist would assure us that the illusion of separation is unimportant, temporary, superficial. A Buddhist would tell us that Ani Pachen's story, and Adelaide Donnelley's storytelling genius, have become one voice for all of us. As the editor of another woman's life story, I come to this book to learn. I look back at my work and see how much trouble I took to leave Mpho Nthunya's voice exactly as it was, to be merely a secretary, taking dictation from her. I tried to keep my white privilege and sensibility out of the way of her African experience and her African ways of seeing. I think that was a good thing to do. But I deeply admire the merging of voices in the Pachen/Donnelley collaboration. It is a miracle to read, to study, to learn from. I am deeply grateful for it.
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The story of The Little Prince can be read at many different levels of meaning. In fact, the wider your mind and heart, the more you will appreciate the story. But the narrower your mind and heart, the more you need this story.
On the surface, it is a bizarre tale of an aviator stuck in the middle of the Sahara who encounters a small blond boy who tells him far-fetched stories about travel among the planets. At this level, you need to suspend disbelief and simply go with the story to consider the ways that becoming more child-like are valuable to the aviator. It makes him more understanding and open. He has wanted to maintain connection with his child-based self, and does so. It does not matter if you want to believe that the child actually travels amongst the planets or not.
You can also read the aviator as having been affected by the heat and dehydration, so that he is imagining the Little Prince in his delirium. From that perspective, we are dealing with an internal dialogue of the aviator in evaluating what is most important to him in life, as he considers the possibility of losing his.
At a different level, you can see the Little Prince's travels to other planets as an allegory for all of life. What are we seeking for? How do you know when we have found it? How can we lose what is important? The examples of self-absorbed adults, beginning with the aviator, provide many cautionary tales.
Beyond that, you can read this as science fiction. How would an alien see humans? How would an alien react to humans? Would an alien want to stay or go home?
A religious person can see an allegory to the life of the spirit. Christians will see a Christ-like figure in the Little Prince. People of other religious beliefs will see instead God in each person.
Someone with a profoundly humane perspective will see the story as being about orienting ourselves towards caring for and loving each other and nature.
An existentialist will see this as a tale of the futility of much of what we do, much like The Myth of Sisyphus by Albert Camus.
I could add many more interpretations, but do not want to burden you. These illustrations are here to simply help open you to the idea of reading (or rereading) the story. Most people read this when they are too young to capture its broader meanings, and it is one of those books that changes as you age. As a child, you identify with the Little Prince. As an adult, the aviator becomes more important. At some points in your life, you may identify even more with the people on the tiny planets described here. So this is also like holding up a mirror to yourself to see how you have changed. That is also a very valuable thing to do.
Many will argue that the fox's lesson is the core of the book. While I agree that that is one logical reading, I think that how one draws a sheep that will live a long time and not eat a flower is the core lesson here. That part of the story comes near the beginning. Be sure to pay attention to it and think about it as you go forward. I will say no more here about it.
After you have finished reading and thinking through this wonderful fable, I suggest that you determine if those you love have read it lately. If they have not, this would be a good time to get them a new copy and encourage them to begin or renew their acquaintance with Saint-Exupery.
During the process of reading the story again, I happened to also find an abridged audio tape by Louis Jourdan at the library that I highly recommend. Your understanding of the book will be greatly enhanced by this great, magical reading. It is one of the best audio readings I have heard. If you can listen to the tape and reread the story, that is the best combination.
Keep drawing from your mind!
Having read The Little Prince in its original French version I was astounded by the inconsistencies of the previous standard English translation by Ms Katherine Woods. She reconstructed many sentences and used the words "child" and "little man" interchangeably and the error that angered me most: Ms Woods completely eliminated the sentence [...] from the description of the repeated landscape.
As readers of the English language we all can agree that "Time soothes all sorrows" hits harder than "Everyone eventually is consoled." But no one can deny that the later is a more precise translation [....] One may find Ms Woods' version more poetic, but it lacks the authenticity of Mr. Howard's.
I encourage all readers of Ms. Woods' translation to pick up a copy of Mr. Howard's. It will anger you, I guarantee it. The words that comforted you for years, the lines that seemed to change your life, no longer exist in this novel. But if we truly want to love The Little Prince in the way Antoine de Saint-Exupéry envisioned him (without taking the time to learn the French language) we must open ourselves up to this, in my opinion, much better translation.
Earth seems just as strange and alien as the other places he has visited. Places inhabited by archetypal manifestations of adulthood. The absurdities of which are crystal clear when seen through the eyes of a child.
The Little Prince's journey through the cosmos - brings us face to face with "things of consequence" - allowing us to see, maybe for the first time, what we really lose in growing old and rigid, instead of growing up.
This book is written at a 9-12 year level - but its depths speak to adults as well. A charming story in itself, can be read, and reread, its layers unfold, revealing deeper and deeper insight.
The artwork in the book is done by the author, too.
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There's a really good reason why books by the Dalai Lama are so popular. He presents himself as an equal., He conducts himself as a servant of humanity. And his explanation of Buddhist concepts is logical, intelligent, and persuasive. However, the Dalai Lama's most alluring quality is his personal willingness to "walk the talk." This book is a demonstration of his deeply personal commitment to lessening the suffering of the world.
This book received a score of 8.250 on a scale of 1(low) to 10 (high) from the spiritual reviewer. A score of 8 or higher designates the book as "a classic."
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I am a conservative Christian, who believes that the only path to truth lies through God's grace as presented to us in the person of Jesus of Nazareth, whom Christians confess to be the Messiah. I, personally, believe that Buddhists and followers of non-Christian religions are wrong.
BUT... My personal faith claims do not undermine the wisdom of His Holiness, the Dalai Lama's teachings on meditation and compassion. In his little book, the Dalai Lama lays out for us a path to a more inhabitable planet. Demonstrating that he fully comprehends the flawed, sinful nature of all people, His Holiness goes on to show us how all creatures can live together in a more peaceful world. He gives us a practical method by which to change ourselves for the good of all.
AND... He even warmed this grumpy, old Lutheran's heart.
Read the book.
For her involvement in the resistance, Ani spends the next 21 years of her life in prison. Living from day to day with the hope that in time she will meet with his Holiness the Dalai Lama. Her courage & spirit to fight & survive are astounding. This is her testimony for all the thousands of political prisoners still being held in Chinese prisons for 'crimes' such as 'waving a Tibetan flag' or shouting for independence.
This book is another blot on China's human rights record. For similar reading try 'Fire under the Snow' by Palden Gyatso.