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The stories are interwoven, but I really really found the "now" story to be tedious and underwrought. If the authors weren't belaboring how much the main character hates women, and if they didn't say how much his female-foil hated him (and don't you just KNOW they're gonna get together by Book Three...), and if they didn't get caught up in inane campfire chat about farts, I may have been more impressed.
But, they didn't and I wasn't.
The Anasazi story is well-written and while the primative "psychology" is a bit of a stretch, it is fascinating nonetheless. My only problem is that the murders are never truly resolved. A muderer is found, yes, but there is no clear explanation of their motives, their state of mind, their... anything. There's lots of build up, with no follow through. I know there's supposed to be two more books, but the books ends with the feeling that this is a stand-alone book, but as such it is unsatisfying.. moreso because important issues are never resolved, but there is no .. "bridge" at which the next book can connect.
I left this book feeling disappointed and somewhat confused. Yes, I'll read the next book but only because I want to know what becomes of the Anasazi Tribes. I'm just gonna skip over those anthropolgist/relic hunter people.. they're just icky.
This book accomplishes two things. One, it presents an excitong detailed murder mystery that leaves you guessing untill the last page. Second, it paints a picture of Native Americans that is less idyllic than most. Essentially, we see a group of prehistoric peoples who suffer from grief and tragedy, just like us. The Gear's accomplish this with copius research and an understanding of the timeless complexity of the human soul...whether it be in 1256 A.D. or present day.
The amount of names can become confusing so just make sure you pay attention because you will be rewarded with the final ghostly laughter that made me look over my shoulder.
Overall: I can't wait until the next book in the series comes out.
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I was not dissappointed! The Artifact is an interesting mix of deep space war story and political espionage, with alien supertechnology thrown in for good measure. The Brotherhood seem very much like a benevolent Freemasonry seeking to preserve the best parts of human science and history against the tumult of competing human governments that wield massively destructive firepower. Of course, The Artifact itself winds up being an intruiging character, as does Boaz, the female-gendered superstarship under the command of our main hero, Captain Carasco.
I found Carasco to be a sympathetic and engaging main character, not just a little reminiscent of the Thomas Covenant character from S.R. Donaldson's books. Carasco is a tortured soul who has seen too much, made too many terrible decisions, and through much of the book is at war with himself even more than he is at war with the forces around him. I liked Carasco's depth and humanity, and his struggle largely drives the book.
Like most good SF, the key to The Artifact's success lies in the fact that under all the gosh-wow hardware and deep space imagery, there is a very human story taking place here. Carasco, and many of the others, draw us in with recognizable struggles, weaknesses, and strengths.
The Artifact was so good I snapped up the Forbidden Borders trilogy when W.M. Gear released it a few years later. Forbidden Borders is also very well written.
"The Artifact" deals with (obviously) an artifact of alien origin found at the edges of known space. This device is so powerful that anyone who contols it could literally conquer the universe. Unknown to the humans that find the artifact, they weren't the first beings to come across this ultimate weapon, an indeed, those who came first ended up completely destroying their civilations.
Center to the story is Captain Carrasco, the youngest and the best captain to ever fly a starship, and the one selected by the 'Brotherhood' to fly the greatest ship ever built, pick up this alien device, and bring it back. The problem is that Carrasco, after losing his third ship, is a jumbled mess of fractured nerves and regret, and here lies my frustration with this otherwise fine novel. While I understand the importance of Carrasco's plight to the plot, one incident after another...after another...after another is drummed into the reader concerning Carrasco fitness to captain a ship. Finally, I wanted to scream out, "Yeah! You told us a hundred times already!!"
However, "The Artifact" has so many endearing qualities that my frustration for this one aspect turns out to be a rather minor complaint. Matter-of-fact, I enjoyed this novel so much, that I would readily read it again, and highly recommend it to any sci-fi fan. Between 1 and 10, I give "The Artifact" a solid 8. Do yourself a favor and purchase this novel now!
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That said, the book isn't without its redeeming features. There is a lot of tension built up, as we wonder which of the hero's friends are human, and which... aren't. There are a few flaws... I think the very last few pages were probably supposed to be an unexpected "twist" ending, designed to give the reader that certain, satisfying jolt, but for me it didn't exactly work. I probably shouldn't go into it here, really, so suffice it to say that it concerns the hero's son.
Read this as a thriller, if you enjoy thrillers, especially thrillers heavy on chase scenes and police work. But the science really isn't too well done, so please be prepared for that if you are in the market for science fiction.
Also - it would have been more interesting if the author had spent some more time developing the idea of another hidden culture, the science behind the story, and filling in some of the holes in the story's logic. Although maybe that's not a fair criticism if this book is a "mystery thriller" and not sci-fi.
Finally...I thought the very end was really stupid. It might have been kind of eerie if there had been any build-up to it, but it made no sense to me.
But what the heck, still much more entertaining than most read-in-a-day fiction. I still think its worth three stars compared to the other stuff you can buy on the run at a newsstand.
After some time, what Artie and his friends soon discover is that a centuries-old species of human (called the Old People) have been waiting all this time for Homo sapiens to exterminate themselves off the planet. But for fear of being revealed and destroyed themselves, the Old People decide to declare a covert war on Homo sapiens in order to reclaim domination of the world.
When I started reading "Waiting," I checked out a few reviews at Amazon beforehand to see what others thought of it. I was only a few chapters into it, but I really liked it so far and was quite surprised by all the low reviews of it. When I picked the book back up, I kept expecting it to get worse like several reviewers had said. However, it didn't. I thoroughly enjoyed it from beginning to end. It's not very high on action, but it is quite thought-provoking on our existence in the next century or so, as possibly the next endangered species on Earth.
"Waiting" reminded me a little of something Dean Koontz would write, minus any sci-fi nonsense, which I kept expecting since it was published by Tor, a sci-fi-heavy publisher. It's a well-written thriller, and if you like such novels, then you'll probably like "Waiting."
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However, his humans are hopelessly stereotypical. Just as every Chinese person a Caucasian meets does not say 'ancient Chinese secret' every time s/he comes up with a bit of wisdom, neither do Israelis make constant Holocaust/Lebanon references, nor did Russians (late Cold War) make constant statements about political matters, and nor do black Americans always make reference to the mean streets of Detroit (or wherever). If the characters had been allowed to be themselves, rather than their nationalities, they'd have been more interesting.
While on the topic of nationality, Gear had best do some more research on language. 'Yeled' means 'child' in Hebrew, and is not a likely name for a male. One Russian character's last name is done wrong for her gender. On top of all this, it is too obvious that he got a lot of his information on the Soviet Army from Victor Suvorov's (real name Vladimir Rezun, a Soviet defector) books. You'd think he would have at least camouflaged the references, but authors who take the easy way always get caught, and Gear is busted with the goods here.
If one can get past all of the above, it's not a bad book.
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The story flows well and pulled me along. I had a gripe about some word choices but, they were only a minor distraction.
I am looking forward to the other two books.