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This critique however is rather specialized. For the vast majority of readers unfamiliar with the intricacies of the history of American anthropology will be impressed by a sympathetic portrait of two of the most influential women in anthropology to date. The fact that Benedict and Mead were lovers is now well known and their "friendship" is contextualized within women's studies, feminist psychology, and lesbian studies. The author, herself a lesbian, adds great insight into the nature of their relationship for she points out it was not condcuted in isolation. It is her examination of Benedict's and Mead's "friendship cirlces" that I found particularly insightful. By friendship the author is refering to the twentieth century version of what Carol Smith-Rosenberg called "the female world of love and ritual". The author also does not dwell too much on the sexual aspect of their relationship, a trap that might have sold more books but infringed on the dignity of Benedict and Mead.
In short, Lapsley's book is not a biography in any sense but a particularly personal portrait of two women, friends and lovers throughout their lives. As such, she sheds new light on their work and lives for both those interested in the history of anthropology and those with a general interest in Benedict and Mead.
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As someone who is Jewish and has traveled to Germany several times, I found many observations in this book that I can confirm from personal experience.
I enjoyed the mention of the klezmer revival in Germany, as I went to one of those concerts in Berlin a couple of years ago. I did note that the artists were young Germans, who were not Jewish. There is a lot of curiosity in Germany among young people about what was lost. The klezmer revival is part of that.
The German Jewish community today is dominated by recent immigrants from Eastern Europe.
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