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These Japanese azaleas are wonderful as either bonsai or additions to any garden, as they extend the blooming season into May! Satsuki azaleas can have many different colors and patterns on just one plant!
Kennedy does a great job giving the Western reader an introduction to their cultivation and enjoyment. Topics include how to properly take cuttings of satsuki in order to ensure proper flower color, how to train young plants for future bonsai, and where to find the plants. Anyone interested in starting a collection would benefit from this book.
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Reading ISLANDS IN THE STREAM some years back, I felt confirmed in this belief for that was a clumsy and self-absorbed effort and I think he must have known that. Later, I had a similar experience when I tried TRUE AT FIRST LIGHT, the most recent posthumous addition to his opus. More recently, however, I was bored for lack of fresh reading material and so picked up THE GARDEN OF EDEN to read on a plane trip.
Although this one was unfinished at his death and ends in such a fashion as to drive that sad point home, it is nevertheless outstanding Hemingway. Aside from a few lapses here and there and the usual Hemingway tendency toward an almost juvenile self-absorption, this one positively hums with the power of the old Hemingway prose. As sharp and subtle as his best short fiction and as fresh and dynamic as his best novel, THE SUN ALSO RISES, this book unfolds, in crisply vivid detail, the struggle of a youthful writer to hang onto his sense of self-worth and devotion to his work in the face of his passionate love for a difficult and spoiled woman.
Yet it's plain why Hemingway may have agonized over this one and held it back from publication, for the man it reveals is not the public persona he cultivated for most of his life. The protagonist in this tale, an avatar of the author (as in most of his works), is here a passive and unassertive sort who is unable to deal effectively with the woman he has married. Instead he succumbs to one of her whims after another though he feels they will somehow unman him, allowing her to change him outwardly while losing himself in the satisfaction of his writing, the only thing, besides his wife, we are led to believe he really loves. And yet when his wife brings another woman into their lives to create a menage a trois, the hero does not rebel though he finds himself more and more a plaything of the two women. Is he flattered by their attention and sexual interest, though his wife takes delight in being able to control and manipulate him to her will? And is she jealous of the one thing he has outside of her, his writng, and is that the motive that drives her to turn him into a creature she can wholly control?
Hemingway's best works were rooted in his own life experiences and, indeed, as he plumbed those, his well went regrettably dry in his later years, something he sensed and agonized over at the end. Yet this tale is fresh and alive in ways that many of his other later works were not. The one really regrettable thing about it was that he never finished it so there are still some rough parts, where his control slips and he says what he should be implying (by his own famous dictum) and the end tails off into an insipid and half-baked moment of insight leaving the reader feeling cheated.
Hemingway, had he focused on this one and finished it in his lifetime, would not have let it stand this way. But it's plain why he did not for this was not the man he wanted others to see. Still, this one is finely wrought and true, for the most part, to the old Hemingway "voice" and talent. I'm not sorry I finally broke down and read it.
It is difficult to separate Hemingway the man from Hemingway the writer and for that matter Hemingway the character in his own writing. He encouraged them to be confused in his own way during his life and was a major contributor to the blossoming of our current culture of celebrity obsession. So it's not invalid in my opinion to read his work as part of the greater story of his life and find meaning in it from that perspective.
In this book, Hemingway finally takes on some of the painful issues of his life. There's a great deal of sexual intrigue in The Garden of Eden, specifically about gender and identity. David and Catherine, the two main characters, do some fascinating and disturbing play with their genders and their relationship with each other as a man and a woman. A lot of people have theorized that one of the contributing factors to Hemingway's suicide had to do with his conflicted sexuality which he hid for most of his life. As a child he was raised as a girl until the age of four or five by his mother who had wanted a daughter. Aside from that, there was a history of cross dressing in his family, which also tragically played out in a subsequent generation with Hemingway's son Gregory AKA Gloria.
We see him delve into one of the great traumas of his writing life -- when his wife (was is Pauline or Hadley?) lost an entire suitcase full of his writing including all the carbon copies, in the middle to early part of his career. This incident is replayed in this novel and dealt with on a much deeper level than is mentioned in a Moveable Feast.
We are also able to see in The Garden of Eden a more complex heroine and a more fragile and intertwined relationship than is presented in any of Hemingway's other works. This again is another major issue of Hem's life story -- why was he married 5 times? what were these relationships like and what was it about him and each of the women that contributed to this? Though The Garden doesn't give any answers, it is fascinating to see the questions touched upon and explored in a more honest and vulnerable way than in his other work.
It is true that this novel is disturbing. I wouldn't describe reading it as a feel-good experience. But after a while, feel-good experiences become a little one note and this is something more interesting. There is an exquisite kind of mourning and desolation that runs through this book, and yet at the same time some of his most voluptuous writing about food and sex and his surroundings. The tension is breathtaking, yet at the same time heartwrenching as you can almost feel it all becoming too much for him.
I love this book. It is in my top ten of all time. And I know almost everyone would disagree with me, but I think this book is more than worth reading. It's a precious final window into the soul of one of the greatest writers of our time.
ps. A caveat: Read a couple other Hemingway novels before you read this one, if you haven't.
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