Raymond Carver, whom I had the fortuitous pleasure of having lunch with, along with his girfriend Tess Gallagher, a couple of years before he died, was a true artist. Emily Dickinson puts poets above the sun and God in pantheon of what's most important, and people like Raymond Carver prove her right. Although this last offering by the 20th century's greatest minimalist writer is neither his greatest nor his most minimal, it strikes the same generous chord of longing, of heart warming simplicity and heart breaking honesty, that Carver strikes elsewhere. The style is the man, wrote Buffon (in French), and sure enough that is the case here: a style of simple emotional honesty, combined with an artist's experimental will to playfulness, sufffused with a hope whose transcendent beauty is precisely its distillation from the undoctored elements of ordinary reality. This book, enhanced and completed by Tess Gallagher's wonderfully loving but unsentimental introduction, shows Carver at the end of his life; still excited about art, and the possibility of the poem form, he splices lines from Chekov stories, giving them titles and thereby
transforming them into poem epigraphs to his own measured prose. The transformation of the Chekov short story to the Carver poem perhaps underscores the poetic process itself, whittling down reality into its artistic essence--the process so aptly demonstrated by Carver, who never wrote a novel, in his short stories. As Salmon Rushdie says on the cover (I paraphrase), read this book by Carver. Read everything by Carver. Raymond Carver was a great writer.

I've read this book a number of times now and it never fails to move me deeply. The 14 page introduction by Tess Gallagher, a touching account Carver's final months and their efforts to compile this collection in the face of his impending death, brings the poems to life and gives them an added urgency and passionate clear sightedness. At times ironic, at times a sardonic observor of life's foibles, and at times utterly transparent and vulnerable, Carver is never less than a great crafter of poetic visions.

this is real poetry. raymond carver is a reflective and insightful poet. there is no denying his powerful way with words. there is a warmth and closeness to his tales that seem painfully close to real life, to our lives. there are also verses by Chekov who is just incredible. i can not describe the visions speaking in this book. But they move and surge and plunge into your heart and speak clearly.

I believe I'm actually going backwards as far as the chronology of her titles are concerned. The first book of hers that I read was "GRAVITY", which I thought was perfect. "LIFE SUPPORT" didn't disappoint either. What makes Gerritsen's medical thrillers work is her utter believability. Although a lot of the medical jargon went right over my head (I'm sure I'm not the only one) it certainly comes across that she knows what she's talking about. So far, both books that I've read have centered around an intelligent heroine, who beat the odds of having their reputations tarnished, and yet end up victorious. I would, however, have preferred to know a little bit more about the fate of the heroine's love interest in the book, maybe by Gerritsen explaining a bit more in detail as to the curability of the illness and so on.

Overall, I preferred GRAVITY to LIFE SUPPORT because the heroine in the former was not only a doctor, but a flight surgeon on a NASA shuttle. Makes for a great plot! If you haven't tried that one yet, you certainly should. I'm looking forward to checking out her latest novel THE SURGEON... just waiting to find a copy at a nice price. :)

Life Support is the first book I have read by this author, but it definitely won't be the last! The story is well paced and gripping with good characterization. The plot revolves around an upscale retirement community whose doctors have discovered a way to prolong an individual's natural lifespan; unfortunately, the procedure can also create horrific consequences. Dr. Toby Harper, a doctor working in a local ER, admits two of these retirees and is baffled by their symptoms. Her determination to get to the bottom of the case ultimately threatens her very life. I would recommend this to anyone who enjoys medical thrillers.

I always appreciate a good medical thriller, so I'm not the type to swoon at the first mention of blood.This book, however, had me so frightened that instead of feverishly forging ahead to see what happens next (which I desperately wanted to do), I had to put it down from time to time to regain my equilibrium. When Gerritsen is at the top of her game, as she is in this novel, I think nobody can beat her. Not Robin Cook, not anybody.

It's hard to describe the plot without giving away vital information, and I don't intend to be a spoiler. But I can tell you that the action starts hard and fast on the very first page, when a world-renowned surgeon, elderly but revered in his field, attempts a simple appendectomy and winds up killing his young, healthy patient in the most gruesome of ways. Our glimpse into his mind while this is going on is almost scarier than the act itself...and that is the first chapter of the book! It doesn't get calmer from there.

It seems that a number of very fit elderly men, in full control of their faculties and all living in a very upscale retirement home, are showing strange mental symptoms, one after the other, and eventually dying horrible deaths. Dr. Toby Harper,who heads the ER rotation at a local hospital, encounters two of these patients, and is at a complete loss to diagnose the problem, let alone solve it. Her dogged determination to get to the bottom of the illness(es) lands her in a conspiracy so sinister that she can't even guess at the true nature of it, except to know that it is putting herself, her dear elderly mother who suffers from Alzheimers, and seemingly her entire medical reputation at stake.

A subplot, wherein innocent young runaway girls are captured on the streets and impregnanted with god knows what, forms a counterpoint to the main tale.

All I can tell you is that Toby, probably the one innocent in the drama, ends up wanted by the police for murder--and the bad guys, who are diabolical, seem to be getting away scott-free with their intensely fiendish plot.

Sound good? Try it. You may not sleep well at night, but it's worth it. Tess Gerritsen is without peer when she truly believes in what she is writing about, and this book proves it. All I can say is, WOW!

I am excited that there are "new" stories by Raymond Carver. "Call If You Need Me" and "Kindling" are among his best. The rest of the book is disappointing to me: I didn't realize that this would just be the new stories tacked on to NO HEROICS, PLEASE. Essentially, serious readers of Carver's work are being asked to buy the same book twice. "Call If You Need Me" can be found in this year's O. Henry anthology, and "Kindling" can be found in the current edition of Best American Short Stories. The other new stories, I guess, can be found in past issues of Esquire magazine. If the new stories were instead collected in some other way - say, in a slim volume alone, or with some unpublished work by other worthy writers, then I wouldn't be as disappointed. I was expecting a new book altogether -- not just new pages. Still, these stories need to be read. NO HEROICS, PLEASE is a book worth owning, too. If you don't already own it, then I recommend this title. Otherwise, find the new stories elsewhere.

Try to rate a Carver short stories collection is like trying to rate your father actions. You just can't judge him, you only can stare at him. You can even try to understand him, but you don't really have to. There is something beautiful and small hidden in every adjective, every description, every end of a story. Raymond Carver's love for human actions is everywhere in his writing. He puts big attention in little details, uncovering the small moments in every relationationship. You and your wife. Your wife and her friends. Tons of couples having dinner with other couples. Every little thing is a whole world for Carver.

This book comes with four new stories recently discovered, a couple of great essays (the great "My father's life"), early stories, introductions, books reviews and a small uncomppleted fragment of a novel. Definitively, it's Carver for friends. If you are not familiar with his books, you should start with his most famous books, as "What we talk abgout when we talk about love", or his first collection of stories, "Will you please be quiet, please?". Any other case, you are welcome to enter this house.