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Don't expect this book to offer a detail explanation and action of each monarch since that would require the book to be way to extensive. This is a brief intoduction to each and a wonderful first look. This book is great for either pleasure reading, or reference material.
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This books tells the tale of a group of men who tired of waiting for religious freedom and decided to take matters into their own hands. They plotted to blow up the Parliament building, with the Parliamanet and King James I inside, in a rather dramatic attempt to regain the right to practice their religion, presumably at the expense of no longer permitting Protestants to do so. Fraser examines the plot from start to finish, tracing it back to the beginning of the Reformation and the frustration Catholics felt throughout the reign of Elizabeth I.
Fraser packs her book with facts, m! aking it a little slow-going at times, but it's worth it. It's probably not something you'll read in an afternoon, but it will captivate from the start.
The Gunpowder Plot has long been highly controversial. Catholic apologists have claimed that the whole thing was invented by Robert Cecil, Earl of Salisbury, King James' chief minister, and master of a vast intelligence network, with the assistance of Sir Edward Coke as Crown Prosecutor. Protestant apologists claim the Plot was real, the danger was real, and only narrowly averted (by God's special favor).
Antonia Fraser is a leading popular historian of the Tudor and Stuart periods of English history, as well as an accomplished novelist. She writes well, tells stories lucidly, and has a demonstrated command of the period. In "Faith and Treason," she strikes a balanced note. Yes, there was a plot. But the danger was not very real--Salisbury discovered the plot early, the gunpowder was defective, and Salisbury left it in the basement to be dramatically discovered so that the discovery would have maximum political effect. She makes a compelling case.
Fraser is sympathetic to the Catholic plotters, recognizing that they had been pushed too far, but she also doesn't hesitate to call them traitors and terrorists. Contrary to what some reviewers have said, she is not an apologist for either side. Instead, this is a fair and balanced account, written with the verve and style of a novel. Highly recommended.
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The non-Jemima stories aren't typical mysteries. Two of them involve the killing of family pets; some involve problems other than crime.
"Jemima Shore's First Case" occurred when Jemima, at fifteen, attended school at Blessed Eleanor's. Although nominally Protestant, she's a day student since her parents live nearby. Just now they're both away, so she's boarding at the school temporarily, only to be wakened in the night by the screams of the irreligious Sybilla, who swears she saw one of the statues move in the chapel. (All other Jemima stories are set much later in her life.)
"The Case of the Parr Children" was famous a few years prior to this story; as heirs to the Parr fortune, their custody was disputed when Catherine Parr left her husband for a roaming life with her lover. The judge stuffily decided in favor of the husband's solid, worthy alternative of upbringing complete with nanny - although the supposedly impartial nanny, Zillah, married Parr once the divorce was final. Catherine, having just learned of her ex's death and of Zillah's recent drowning, wants verification that the two little girls really *are* her children, and has come to Jemima for help.
Mrs. B, Jemima's bossy cleaning lady, disapproves of her visits to Holland Pools for exercise, saying "Swimming Will Be the Death of You". Of course, *Jemima* isn't the woman drowned in an accident there.
As a TV personality, Jemima's appearance is part of her stock in trade. When an automated message from Arcangelo's salon calls to say "Your Appointment Is Cancelled" just after a long session abroad, she's concerned mainly with re-scheduling rather than with the murder of the proprietor's son-in-law. The victim was suspected of cheating on his wife with Epiphany, the beauty who fields telephone calls. As constructed, the story suffers from several plot holes; for instance, competent police wouldn't need Jemima's intervention to notice the key clue.
Jemima becomes involved in the disappearance of "The Girl Who Wanted To See Venice" after finishing the filming of an installment on 'The British Honeymoon' on location. Ironically, heiress Nadia Hewling *was* on her honeymoon in the same lavish hotel that Jemima's staying in, but they didn't meet in filming. Nadia left the hotel with only her passport, apparently not even spurred by any quarrel with her husband, although they were not only newlyweds but in her chosen city.
Pamela, the young wife of a successful middle-aged barrister, is determined to arrange the "Death of an Old Dog" without consulting either Richard or her stepson.
Sammy Luke's books have previously done well in the U.K. but not the U.S.; his newest, _Women Weeping_, however, has hit the jackpot, so he's in New York for his first publicity tour. His wife Zara hasn't accompanied him, her mother's illness taking priority over her normal smooth running of his life. Oddly enough, although he's usually a nervous little man, he's having a splendid time, until he starts getting anonymous phone calls whispering "Have a Nice Death".
Emily's young mother Cora calls her "Boots", short for Little Red Riding Boots; they're great readers of fairy stories. Cora doesn't believe in overprotecting Emily; Cora's boyfriend Mr. Inch makes a poor impression, forever closing doors to "protect" Emily from the grownups' conversation. She doesn't fear him, although he reminds her of a wolf, with his big teeth and the way he smiles at her when they're alone. Where's a woodcutter when you need one?
"Who Would Kill a Cat?" Twice-married Felicity's beloved cat Wotan was named when she, not he, was prone to wandering, as a hard-up divorced mother of a young son in London. Now widowed with a large country house - and no money - she has a court of hangers-on: her laid-off brother, her now-teenaged son and his young half-sister, an au pair, and her live-in lover. All have good reason to want her to be happy, but *someone* garrotted Wotan on his wanderings in the woods: the second violent incident at Chessworth lately, after a mysterious robbery.
Nola, a conscientious mother with a much older husband, five-year-old son, and frail health, continually encounters the same face in her travels to and from the British Museum: an ancient face, of indeterminate gender, with a youthful body. "Doctor Zeit" even turns up in the Reading Room, researching the same topic and even using the same references. Very worrying, especially when Nola nearly loses her son on the Underground, only to see that face yet again...
Melanie's friend Letty is sure that her actor husband doesn't know she's cheating on him, until Victor rises to the challenge of the perfect stage setting "On the Battlements".
A very sound portrayal of two young children, as Philip and Polly keep secret the visits of "The Night Mother". Nobody else at school has both a day mother and a night mother, still less a ghost who tells such stories. :)
Jacobine, divorced mother of two, asks "Who's Been Sitting In My Car?" upon finding it stuffed with cigarette butts. She's on good terms with her ex, and anyway the car was bought after the split. Creepy.
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Much of the book reads as a general history of the Civil War, the Commonwealth and the Protectorate. Although Cromwell is of course a major figure throughout, there is little real focus on him in this book - no attempt to analyse his role, to put it in context and to ask what motivated him and what his real impact was. Rather, the book is closer to a hagiography than a biography.
For example, I was astounded that (in my edition), I got to page 87 and the narrative had already reached the year 1642. Cromwell was by then 43. Yet there was precious little to tell me why Cromwell had decided upon taking arms against Charles I. Lack of specific data may be an excuse, but surely this is a fundamental question for a biographer to ask and at least present an hypothesis to the reader. It is crucial to understanding Cromwell and to understanding the causes of the English Civil War.
The book is a long, and at times exhausting, plod of a read - a welter of facts strung together into a narrative. Fine if you're looking for a superficial canter through this (very important) phase of English history, but deeply frustrating if you're seeking a closer understanding.
The author backgrounds Cromwell reasonably well, given that sources for his early life are presumably scarce, but the heart of the book (after the first 90 pages or so) is his military and political career. He started this as a Member of Parliament, became a junior soldier (a captain to start), moved up through the ranks to the top of England's military, then reverted to politics as Lord Protector, and was even offered the crown as king just before he died. All of this last happened in the final sixteen or so years of his life: a very eventful period.
The book divides into three stages after the early life segment: subordinate commander in the Army, commander of the Army, and finally Lord Protector. The last is the longest, with much discussion in detail of English politics of the era, the wars they fought and why, and issues ranging from religious tolerance to the fate of Royalists who stayed in England when the King was executed and Parliament took on the reins of government. The military chapters are especially well done. Fraser isn't a military historian, but she exhibits a considerable grasp of the nature of battles and why things happen the way they do. The battles are covered in considerable detail, so that Cromwell's genius can be understood (he appears to be the only English general in history able to control that country's cavalry) and his impact fully appreciated. The political section of the book bogged down for me a bit, I suppose because the politics of those days hold little interest for me, and that section of the book is the longest. Nevertheless, I enjoyed the book greatly, and would recommend it.
Antonia Fraser's biography of Mary Queen of Scots would be an easy read if the reader can get past the sometimes grueling details of the other individuals in Mary's court. Despite this obstacle, the life of Mary Stuart, as presented by Fraser, is an interesting one.
For those interested in the Stuart and Tudor periods, try Alison Weir's books, which has a much more even flow to it.