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This sentiment and the chance discovery of Nathaniel Holmes Bishop's The Voyage of the Paper Canoe (1878), detailing a canoe trip down the East Coast which included a side trip on the Waccamaw River, were the twin impulses that lead Burroughs to return to his native Horry County, SC and make his own trip down the Waccamaw. Burroughs, a professor at Bowdoin, published a terrific collection of essays Billy Watson's Croker Sack in 1991 (it even made Mr. Doggett's Suggested Summer Reading List for Students) and this book is every bit as good.
Whether he's detailing the history of the county, the river and his own family or relating his encounters with the river's unique residents or describing the wildlife he encounters, Burroughs has a sharp eye, a sympathetic ear and a silver tongue. Here is his description of one bird he meets:
Yesterday a red-shouldered hawk had called the day to order, and got its business underway. Today it was a pileated woodpecker: a staccato drum-burst against a hollow tree, then the bird itself. It flew across in front of me, with its peculiar alternation of flap, swoop, and collapse, and its last swoop fetched it up against the trunk of a cypress. It clung there a moment, cocked and primed, a perfectly congruous mixture of Woody Woodpecker, frock-coated nineteenth-century deacon and pterodactyl. Then it gave the tree an abrupt, jackhammer strafing, rolled out its lordly call, and swooped away, leaving the day to its own devices.
If you've ever seen one, you know that a pileated woodpecker has never been described better and if you haven't you must almost feel that now you have.
This is a wonderful bucolic look at the history and nature of the Waccamaw, which will leave you wishing that you too had such a place coursing through your blood.
GRADE: A
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-- Keay Davidson, Science Writer, San Francisco Chronicle
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-Adam Rothwell
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So begins the Deadly Percheron. After that it gets strange. First published in 1946 this unique murder mystery transcends the boundaries of the genre. It's noir, it's nightmarish, it's compulsive. John Franklin Bardin drags the reader into a world where the nature of identity is constantly questioned. Is our hero who he says he is? Can he be trusted? Is he, in fact, sane? Reality, as seen through his eyes, is a shifting kaleidoscope of memories.
As the murders mount up the fragments of his shattered psyche are slotted together. Slowly reality stabilises. At the end of the novel, but only then, it all makes sense. Who killed Frances Raye? Well, now, let's start at the beginning..."Jacob Blunt was my last patient. He came into my office wearing a scarlet hibiscus in his curly blond hair. He sat down in the easy chair across from my desk, and said, "Doctor, I think I'm losing my mind.""
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