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"The Soulful Divas" covers the recording careers of the ladies profiled with little snippets of their non-professional beginnings, as well as individual highs and lows. However, it's these little "peeks" into the artists' characters that make the book such a fascinating read.
Not meaning to reveal much of the text, there are many little known facts reported in each profile. Each of the women has experienced her share of failed romantic relationships, legal battles with recording companies, perceived public opinions, peaks and valleys in album sales, and personal tragedies.
Most tragic of all showcased within the pages of the expose is the late Phyllis Hyman, a diva in every sense of the word. Like Nathan, I am a fan of hers, also, and her untimely demise still brings a lump in my throat.
But, the chapter on Millie Jackson is a welcome find. Jackson is the only diva profiled that is not represented in my musical library, save for a duet album with Isaac Hayes. However, after reading about the singer's body of work, as well as her down-to-earth and honest demeanor, I think that this is about to change.
I am curious about a certain "expletive deleted" symphony that she composed.
Note for the author: The next time around, include Patti Austin in volume two.
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I, too, hailed the Queen after her riveting performance of "Nessum Dorma" on the 1998 Grammys and I continue to follow her career in hopes that her legacy continues to be upheld with the upmost respect. I hope that in twenty years, the author can add another update of amazing accomplishments to this edition. Good read.
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I guess Divas will always have their share of catty-tudes with other performers, but Aretha takes the cake. It's real cute near the end of the book when she names specific divas in her book. As if now, that she has christened these women divas, they have now entered Diva-Dom. Yeah right!
This book leaves you with a sour taste and does not give off the perception of Aretha being a nice person. I am so disappointed. I think this book alone will destroy any chances for future comebacks. I really did not enjoy this book.
Aretha wants us to believe that her father was a paragon of virtue and a dedicated pastor though he lived with a woman to whom he was not married (Lola). He seemed to be no fine example of Christian morality perhaps that is why he was so cool with her two pregnancies. I personally did not need to know the names of her children's fathers but something, even a little something of what is was like to be a teen mother not once but twice before she was 17. I am well aqauinted with black church culture and I KNOW there was a lot of drama there especially in the era she became pregnant.
Aretha left out many relevant points of her life (and her father's) that would have made a more honest and readable tome. We really learn nothing about the lady's true feelings about nothing; other than her father.
Miss Franklin reveals herself as a petty, ego-rich diva; talented but vey shallow. If this is not the case then she should've written a more detailed and honest book.
The best parts of the book are her remembrances of all the food she ate throughout her life and career. These are vivid and full of lucious detail. In one part of the book, in a mere 4 paragraphs there were no less than four food references; they seem to be memory starters for her. She can recall with great verve and relish the food experiences she's had; from the Apollo Theater in New York to Roscoe's Chicken and Waffles in Los Angeles. I wish she'd been more forthcoming with her life experiences.
This book was a true waste of my hard earned money. I enjoyed Patti Labelle's memoirs much more. They were honest, balanced and did not always paint the author in the most flattering light. In other words she was real. C'mon Auntie Ree what's the real deal. Give me something I can feel.
After all this time, I think that Aretha could have been more candid by naming names and not continue to play games with her usual avoidance technique. Who was Mr. Mystique? What were the real names of her first two children's fathers? Why continue the mystery? Tell us, did you or did you not have a sexual affair with Same Cooke? Why did your mother and father separate?
She didn't get into her marriages very deeply, just glossed over them (still hiding). The only "inacuracy" that she "cleared up" was that her mother was not a bum and did NOT abandon the family as has been reported for years. Plus, she didn't address the Gladys Knight problem. I thought she might, at least, speak on the Martha Reeves allegation that Aretha showed up at the Apollo to tell Martha to stop singing her (Aretha's) songs. Nothing. She left us hanging about what was "troubling Carolyn" (I know, but the world doesn't).
I did enjoy reading about her early days travelling with her dad and the gospel people she perform with and enjoyed. But, I think Aretha, the greatest female singer alive, should write a sequel to this book and give hard, cold facts about her interesting life.
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Nathan's frequent access to all of the top divas exposes the modern journalist's dilemma: if he fully captures his subjects in print, warts and all, he risks alienating them and being denied interview access to them in the future. Instead, Nathan fawns all over his subjects and gets repeat interviews with high-profile women who are often leery of the press (Aretha Franklin for one). Because of his "tactics", we are able to enjoy his many interviews in one setting (this book). Too bad most of his portraits don't penetrate the surface.