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I first picked this one up because I wanted to see how my favorite sci-fi author could do fantasy.. He does pretty good, but this book doesn't show that ;) (if you want to see a decent fantasy book by him, pick up Kingdoms of Light, unless you want perfectly serious fantasy.. then go get a Robert Jordan book :p)
Anyways, I digress (bad habbit.. let me tell you bout bad habbits....), like others have said the book is like the old adventur games. Simple, straight forward plot. Very common character types. And a rather predictable outcome with an abrupt end. With all that said, frankly, the book is STILL better than the DnD movie!
If you want a quick, enjoyable read, pick up a copy. If you want something deep that gets you attached to the characters.. Don't bother.. Try the Wheel of Time series.
The book is a quick read with delightful characters. It was designed purposely in a manner that left you to wonder (hence the idea fantasy).
If you are looking for a quick read, where you can relax and not get bored by authors like Tad Williams (Dragonbone Chair) who take 3 pages to describe a simple room, then pick this book up today. Its a good starting book for anyone you might want to introduce into the fantasy genre too.
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Overall, I think this book would be perfect for times of real boredom (such as a long flight).. but don't get it expecting a masterpiece, because this is nearly the exact opposite.
Fortunately, not much time was spent here. If the tone of the book had been set by that first chapter, then I would have given it only two stars. This was most definitely not the case. We still see the plot device from the first book of Etjole encountering obstacle after obstacle and defeating each with something given to him by a person from his village. This is getting tedious. The book would have received only three stars if this had again been the thrust of the book. Luckily, Foster has begun to dig deeper into the supporting characters and giving them a life of their own. Their interrelationships were also delved into a bit more. My one complaint in this regard is that the characters are very static. For example, at one point, Simna gets an undisguised glimpse into his soul, but it does nothing to change his personality. Why? It is very frustrating to follow characters through several hundred pages of adventure and have them not change a bit.
I guess the reason I gave this book four stars instead of three was that, after about the halfway point, I found it difficult to put down. I was enjoying the story way too much. It is also very different from most other fantasies on the shelves today; different themes, different types of characters, and different locales. All add up to a fun journey through an interesting world. I couldn't help but enjoy myself.
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The drippings of a cheese sandwich cause disastrous results in a
manufacturing plant. All sorts of AI (artificial intelligence)
products soon malfunction and begin searching for alien life forms. This of course causes mayhem for a futuristic society who
depend so greatly on these machines. But one food server robot at a rest home facility on earth leads five elderly humans into the greatest discovery ever.
I gave this four stars because this book kept me entertained for the most part. Does that mean my tastes in books are bad? Probably. I never woulda read this had I not stumbled over it in the dollar store bin. I picked it up because I wanted something different to read. The cover amused me and the storyline (albeit kinda cheesy sounding...pun intended) sounded plausible enough.
I enjoyed the story. The humor was light and subtle but I got a few audible laughs here and there. Yes, the plot was kinda droll here and there, but I thought the concept of it all was interesting. It did have the whole 'its all been done before' feel to it. But it was perfect to relax and read at night. The characters were very real and the machines taking on personalities of their own was great too. If this was meant to be a parody, then I guess it went over my head. It did have some
rather silly things in it, but the story seemed plausible enough for the futuristic time it was portrayed in.
Oh well. I enjoyed it and that's what counts. Aside from a few light vulgarities and swear words, it was a pretty harmless story. I recommend it to those who like a fun science fiction story.
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While the live action series episodes were translated into book form by James Blish (Star Trek 1, 2, 3, etc.) the animated series episodes are distinguished as Star Trek *Log* volumes, and were all written by Foster, who gives proper credit to the writer(s) of each original screenplay.
Unfortunately, Foster's writing talents have been set to making bricks without straw here; the source material for this particular volume is weak.
"The Survivor" - Carter Winston, a famous philanthropist presumed dead for 5 years, has miraculously turned up alive in a derelict spacecraft, and his fiancee just happens to be a member of the Enterprise crew. Spock, as it happens, is the only officer level-headed enough to ask for ID. (Riiiiiiiight.) As it happens, all the fingerprints and retinal scans match properly. Then Winston pulls some completely inexplicable stunts (even knowing the whole story, it doesn't all make sense)...
The best part of this book is the Christmas party aboard ship at the opening of this story. Spock, of course, doesn't drink, and views Christmas as an annual madness. "But by Vulcan's long deserts, it was hard on him."
"The Lorelei Signal" - Some recently pooled information revealed that once every 27.34 years for the century and a half, a Romulan, Klingon, or Federation starship has vanished in the sparsely mapped Cicada sector, and now that another disappearance is due, the Vice Admiral for Science has diverted Enterprise into the Cicada sector to sweep it with sensors for a few days. After entering the suspect zone, Enterprise picks up a signal that has a hypnotic effect on the male, but not the female, members of the crew. (Yes, this is the 1 episode where Lt. Uhura took command, and it's a shame it was wasted on this episode.) The crew fell into a trap they should have been able to avoid if they're as good as they're supposed to be. Their captors, who have problems of their own, also have a situation they should have coped with more intelligently.
There *is* a mildly innovative use of the transporter in this one, but (as usual) it was conveniently forgotten in future stories rather than incorporating the consequences into the fabric of the Star Trek universe.
"The Infinite Vulcan" - Just as Data in TNG seems to go berserk in at least 1 episode in 3, Spock was a favorite target in the old series (e.g. "Spock's Brain"). Here the highest-ranking officers on the ship, as usual, are personally conducting the ground survey of a new planet, where cities and obvious signs of technology abound, but only plant life can be detected. If these are the best the Federation has to offer, the Feds are in serious trouble: they don't take proper precautions, they do make silly assumptions about what the aliens might be like, and only really tolerant aliens would so calmly accept the Enterprise's rather rude and hostile reactions on first contact. As it turns out, it really isn't first contact - a refugee from the Eugenics Wars of Earth discovered the planet centuries ago, bringing with him both a knowledge of human language, plague - and something that turns out to be really dangerous for Spock in particular.
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Alan Dean Foster knows, fundamentally, nothing about rap. Whilst in the previous books the musical connection was obviously based on things that he knew about, this attempts to update itself by changing the musical style used from rock and roll to rap. Unfortunately, the attempts to create convincing rap lyrics fall completely flat. This results in a book which continually shoots itself in the foot by juddering to an awkward halt each time this occurs.
For heaven's sake -- I've read better parodies of rap music in Mad magazine..
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"The Practical Joker" (episode 19, screenplay Chuck Menville) For once, the dangerous phenomenon the ship passes through in space affects the ship's computer rather than the crew, turning it into a dangerous practical joker. The screenplay writer also wrote the other major AI episode of the animated series, "Once Upon a Planet".
"Albatross" (episode 20, screenplay Dario Finelli) A planet where McCoy ran a vaccination program against Saurian virus many years ago wants him for mass murder - they blame him for having started a plague that killed most of their people after his last visit.
"How Sharper Than a Serpent's Tooth" (episode 21, screenplay Russell Bates and David Wise) (The full quote continues 'is a thankless child', from Shakespeare's _King Lear_.) As in 'Who Mourns for Adonais?' an ancient god, this one from the Mayan/Aztec pantheon, longs to regain human worshippers.
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Good enough as TV sci fi goes.
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