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I have rated this book very highly, because as documentation of a UFO incident, it is a primary resource. John Vasquez is a simple, honest person who got caught up in a series very strange events. He has presented documentation of his military records, and other correspondence concerning his attempt to find out what really happened to him and other members of his battalion.
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However, there's lot of exposition in "One Fearful Yellow Eye" and MacDonald is better at showing rather than telling. It wasn't as good as "Deadly Shade of Gold" and I'm sure there are others that are better also.
It's worth the time just for the rant on why Americans should carry their own paper towels and toilet paper. A good read, way better than any Kellerman, Grafton or Jance.
"One Fearful Yellow Eye" is an intricate tale of "where's the money?". Brilliant, kind, and wealthy neurosurgeon Dr. Fortner Geis had converted all his assets into cash before his death, and left his young wife Glory in a precarious situation. The cash was not to be found and Glory not only faced the prospect of being poor, but heavy suspicion as well.
This is an intricate tale with an excellent whodunit complement. MacDonald is sure enough of his Travis creation by this time to let Trav display a fine self-deprecating sense of humor as well as the usual speed, strength and purity of purpose. The many threads to the story are all kept well in hand and dovetail neatly into a grand finalé. The two stereotyped ungrateful stepchildren turn out to be not so typical after all. The leading ladies have a hard time in this book, emotionally and physically. My only complaint is that widow Glory was a bit much with her oh-so philosophical bravery and fawning adoration of Trav.
This is superior McGee-good pace, characterizations and a very twisty story.
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Travis is enjoined to look out for a buddy's little sister in the big bad city. Little sister is a babe (surprise!) and has her share of troubles. Her fiancé has just been murdered, and she has found a stash of $10,000 that she fears he scammed. Nina is distressingly a 'will you respect me in the morning' type of young lady that rings no truer now than it did in the early '60s, and Travis' famous philosophizing is really put to the test, however enchanted he is.
'Nightmare in Pink' is worth the price of admission just for the middle third of the book where Travis is captured in a private mental hospital and loaded with psychedelic drugs. His hallucinatory terrors are brilliantly and horrifyingly described, and the after-effects linger through the entire book.
The plot is a convoluted financial scam that MacDonald loves, but doesn't suit Travis too well (Meyer is not yet on the scene). Also cold, urban settings are not kind to a knight errant beach bum. Grade C-
The plot is described only too well in other reviews. Suffice it to say that most of the action takes place in the third quarter of the book with a medical scenario that would make Robin Cook proud. It's all a bit far-fetched but the pages turn easily enough. I'd give it 3 and 1/2 stars overall if the system allowed.
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The positives were an extremely well drawn character Howie Brindle. We have all known the type, but he is elusive as a wisp of smoke. MacDonald does a great job of nailing him down. The descriptive scenery was interesting and set forth in a very reader-friendly way.
Travis did not behave well and showed some monstrous poor judgment. Perhaps this made MacDonald grumpy. Travis's voice was lost through the incessant monologues by the author. We expect a certain amount of authorly philosophizing in a McGee novel, but this one went so far over the line as to be mere self-indulgence. Just when things are getting exciting, we get a three-page diversion about the inner-workings of a sand filter.
Travis has a few affairs too many, falls in lust with a girl called "Pidge" who has all the charm of a juvenile hysteric, and is so irresistible himself that merely his voice on the phone causes ladies' hearts to beat faster and pour out their innermost secrets to him. We really can't blame Travis for getting out of line; his author deserted him.
In The Turquoise Lament, McGee must face doubt, guilt, and faith as the grown daughter of a deceased salvage friend is afraid that her newlywed husband is attempting to kill her. Culminating in a fight scene with a cable car that today's Hollywood would go nuts for--in fact, that gets me to wondering why we have never seen McGee on film. Maybe we have, and I just don't know about it? Sure, some of the dialogue might not work on the screen, but the mystery, adventure, and spectacular fights would surely fit today's current vehicles for male stars. Today's directors would probably make a mish-mash of it, though; MacDonald probably better fits a director like Hitchcock than Paul Rudhoven or James Cameron.
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It begins with the usual thrust of these myths, marginalizing the native peoples. Civilization for John A DeMay is something that comes from the East. He doesn't accord that status to Indian societies nor even the white frontier families. He talks of the "silent, primeval country" being "changed from desolate wilderness to civilization". In fact things weren't all that wild. As one traveller of the period is quoted as noticing the forests of the area were mostly clear of underbrush. The northern woodlands had been tended by the Indian civilizations for centuries in order to supplement crops with fresh meat. The woods were kept clear of brush because they were hunting grounds. These were the lands the whites were "taming", parkland and farmland. The author brushes aside the Indians to the point of invisibility. He is able to baldly state on page 29 that "In 1750 no one was here in Western Pennsylvania".
The author claims descent from early white settlers of the area and seems to have inherited their views and prejudices intact. He claims that they "understood war" but they couldn't accept behavior such as a warrior killing a baby or scalping screaming kids. Yet an armed mob of men removed Frederick Stump and his accomplice from jail because they didn't want to see them convicted of killing Indians in just this manner. DeMay's hero worship leaves him unable to realize the contradiction here. It has him white washing away many uncomfortable facts.
You wouldn't, for instance, realize from reading this book that Frederick Stump was a murderous brute. DeMay actually lionizes this man telling a story of rowdy drunken Indians demanding liquor being stoutly resisted by two whites who killed all four men and two women and subsequently "They went several miles away and killed some other Indians they suspected were connected, somehow, to the group at his home." Left out of the story is that Stump fed the Indians rum and it was only after they passed out that he killed them one by one in their sleep. There is no mystery who these "other Indians" were. They were Stump's neighbors after all, living in a couple cabins a few miles up Middle Creek. Stump and his partner went there and killed four more females; the wife of one of the earlier victims, two girls, and an infant.
The Paxton Boys Uprising is similarly sanitized to assuage white guilt and distorted to accent the exceptionalism the author wants to see in his ancestors. Incredibly, the Natives are completely removed from the tale. The opening act, the massacre, is just forgotten. The story of the final annihilation of the once mighty Susquehannock tribe is left untold as is the motive of marching to Philadelphia to kill more pacifist, friendly, Christian Indians. The convictions of the Paxton Boys are overstated while those of their antagonists are slighted. It is true that some "wet" Quakers did take up arms to defend against the alarming rural invasion but they did so knowing they would be disavowed by the Meeting; they would no longer be Quakers. To claim that the Society of Friends abandoned their religious principles en mass and in panic mustered into an army is insulting and wrong. No such help was required in any case as Philadelphia was well defended by troops and cannon as DeMay acknowledges claiming, "It is outrageous to think that it would, or could, be attacked by a mere fifteen hundred men - but those men were willing to try." In actual fact, most of them were not. Reportedly the marchers did number fifteen hundred men at one time but when the extent of the reception they could expect became clear most of them melted away. Only around two hundred crossed the Swede's Ford.
In truth, I would like be able to recommend this book. I have driven by the McDonalds out by South Hills Village countless times without noticing the historical marker for Fort Couch. I'm grateful to John DeMay for making me aware of it. I wish I could trust the stories he relates about events in this area but he has proven such an unreliable reporter that recommending the book would be irresponsible. The historical details are wonderful. It's too bad the author is so interested in justifying the beliefs of his ancestors. Passing on history is commendable. Perpetuating racism is not.
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This time McGee is trying to recover some stamps that have gotten switched for cheaper versions. Along the way McGee makes his typical observations about life and politics, adds a few more scars to his battered body, and becomes a little wiser.