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Twisted plot involving South American magic, South Florida sleaziness, black market human organs, and secret government agenices.
Although I read this book to the end, I can't say I recommend it.
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Obviously, Parker intends to have the two series interrelate to a degree. Vinnie Morris and Gino Fish appear in the story, although interestingly, they never interrelate with Stone. Somehow, I suspect that might change in future novels.
Like the Spenser novels, this is a fast and easy read. It's not quite as much a fun read maybe, but what the hey, it's good and satisfying light reading.
It is interesting that Parker has now written enough different novels about his male private eye, Spenser (28 books), his female private eye, Randall, (2 novels) and his small town police chief, Stone (3 novels) that he has parallel series running simultaniously. In addition he has written a diverse series of other novels.
In this episode Jesse Stone is wrestling with a broken marriage, a drinking problem, a number of other women who are interested in him, and a vicious killing.
As in all Parker novels you get his version of how life really works, a pretty good mystery story, a fascinating soap opera in which you sense more hope than pain and a continuing belief in the power of endurance to help people get through life.
Having read almost all of Parker's work I cannot tell how much of his core philosophy is autobiographical and reflects his own life, how much is an idealized version of what he believes to be true, and how much is what he believes his readers will pay to buy a book and read. In any event he keeps me hooked and I will come back for the next Parker novel on any topic and with any central character he wants to write about.
Just as Jesse feels the need to lead his softball team (he once played in the minors), he must lead his police force in his quest to find the killer of the unidentified girl. Just to name a few on the force, there is Molly, with her Irish-Catholic sense of humor, a perfect combination with Jesse's dry wit. And Suitcase Simpson is only too eager to please his Chief though his experience with surveillance is nil.
As Jesse follows the trail of clues to discover the murderer's identity, his personal life is carefully revealed. His dependent relationship with his ex-wife, Jenn, is inextricably intertwined with his alcohol problem. And there is Lilly, the high school principal he is seeing seemingly to avoid loneliness.
Mr. Parker has penned another sure success, one of his best yet. The mystery is nothing short of excellent, as previously unrelated characters become suspects caught in a web that begins to unravel as their connection to each other is exposed. And Jesse is portrayed as a very real hero, a man who seems rather sure of himself to his peers and to women, but a man who battles quite a few demons in private.
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This book is better than Master Executioner by far. The essential difference is the use of language -- nearly poetic here, plodding in the other book. Journey of the Dead is the combined story of Pat Garrett, the man who shot Billy the Kid, and of an old Spanish alchemist who lives as a hermit in the desert.
Estleman does a good, understated job of showing how Garrett is haunted by Billy's death throughout his life. The effect would have been stronger had their friendship been more extensively described. Still, the changing Billy the Kid legend provides an interesting way for Estleman to show changes in Garrett's life and in the West.
I found the plot to move a little slowly, probably because it concerns the life of a real person, more or less accurately reported as far as I know. Garrett tried many careers and had rather little success in any, according to Estleman, until he was finally murdered. This imposes a sort of flat quality on the plot. There are no big moments of drama, aside from Billy's death, and even that comes across as understated. Toward the end of the book, I got a trifle bored and wished for more tension and drama in the narrative.
This book is essentially a fictitional account of the real life of Sheriff Pat Garrett--infamous for killing Billy the Kid. It has a secondary character who narrates and intersperses personal observations throughout the story, which adds an interesting dimension to the story. I'm not totally sure why he's there at all, but it does add a little 'drive' throughout the book--I wanted to keep reading to see what this narrator character was going to divulge next.
Estleman is deliciously ingenious with mental images. His passages read so brilliantly with his descriptions and metaphors that you can't help but instantly develop an image in your head as you watch your own internal moving picture. Simple phrases such as "...the clatter of a heavy wagon built of elm delivering a load of rocks smelling of moist earth..." jolts your own memory to relive personal images that almost match this scene and let you fall into the arms of the storyteller.
Ths story itself takes place over several decades and highlights supposed 'facts' of the life of Pat Garrett, but seems to fill in details while skipping them alltogether. You don't feel anything missing at the end of the story.
If you haven't read this book, or any book by Loren D. Estleman, I highly advice you to try him out -- even if it isn't this particular book. While I haven't read his other books yet, if his methodology and story-telling skills are equal to this slim volume, I can't wait to read the rest!
Kind of reminds me of something Cormac McCarthy would write if he did a historical western novel...
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The plot of this is quite good, but even though it's quite a short, it seemed a drag on a bit, i don't know why, as i actually really enjoyed it. The characters of John Steafanovich and Sarah McGuiness were interesting ones, and their romance was quite touching. The villain is one of your typical "in the shadows you see him" ones, a bit 2-d but still very frightening and bristling with menace.
At times there seems to be too much gun-toting, and it seems a bit overcomplicated. but nevertheless he packs in some great twists and turns, culminating in a novel that, while it may not be his best work to date, is worth a read, even if just to watch how once upon a time he actually coudl write. (But it is plain from some of his recent efforts that he now CANT)
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